Well, since I'm issuing a writing challenge aimed at newer writers, wouldn't it be just darned rude of me to NOT offer a few outlines to help out? There are 1001 different techniques that can be used for figuring out what happens in your story, and this really is a case of you needing to try a few things to see what works. But also try to keep an open mind to some of the other methods, and you may find one or part of one that works better for certain types of scenes too.

All of the below are outlining methods that I've used myself, and I've tried to break them down into the simplest bare bones steps so that they're flexible for different lengths and genres. I know that, when I started, I really needed more of a framework in place than I use now. So my recommendations are to look through the below outlines, see which one appeals to you based on your style and level of experience, and spend a few minutes testing your story idea through the framework. Hopefully this will help you see some of the speedbumps ahead of time and discover any missing pieces now so you don't ave to stop your writing momentum to figure out what o do about them.

These are roughly organized by level of detail, starting with just a few plot points to keep in mind for the pantsers among us down to a more developed 12-part structure for plotters. All of these can also be used to test an idea and see if there's enough interest there to make it into a story, too.

Outline 1: the core idea

what scene do you really want to write? Like deep down, what's the scene you've been REALLY wanting to read but it hasn't been written yet? Write a few notes where you distill the core idea of what you want to read and write from the background noise in your mind. Start writing once you have a reasonably clear idea what the topic is.

Outline 2: plot points

beginning situation (figure out now where there characters were right before the opening scene)

this situation leads to a conflict/crisis/or an event that requires action to be taken

how do you want the story to end? Figure this out now in rough terms ala 'story ends with Kylo knocking Rey out and dumping her on his shuttle, fade to black'

actions taken to get from beginning to end, ala the meat of the story. If you're a true pantser and you don't know this yet, start writing now but have a piece of paper handy and jot down any actions/dialogue/appealing stuffs that come to mind as you write the beginning.

So that's done, I'm thinking this outline 2 will probably be around 5-10 sentences. Here's a short example of how I'd do this outline for Going Down in Flames:

Kylo and Rey are arguing in an elevator, 1st Force connection since Crait.(beginning prompt). After they boink, Kylo or Rey wakes up and realizes this was a dream and not a force projection, opening up a whole new world of nocturnal naughtiness between them. (ending prompt, now work in the middle). Middle notes: suggestion at weirdness going on to hint that this isn't a standard force connection moment, make it a sweeter sex scene, Kylo is way more concerned about getting Rey off then himself in the hopes she'll come back for more in the future, something with the elevator security camera.

Okay, outline 3: the ask yourself questions method

1: what do you want the tone of the story to be? Funny? Romantic? Angsty? Heartbroken lovers torn apart like two ships passing in the night? Can you think of a scene, either from the movies or of your own creation, that signaturizes this tone? (and yes, I know signaturizes isn't a word, but it should be). If it's a scene from the movie, how can you change or exteeeend it into something more?

2: How long and how many chapters do you want? For the sake of this challenge I'm trying to encourage 1-shots, but if you were doing a longer multi-chapter piece now's the time to figure that out!3: how does the above fit with outline 1: what you really want to read and write about? It fits, right?

4: what is the core conflict? The C of the AROC? What does the main character want but what's keeping him/her from that want? (if you're doing a 1 character introspection, remember that it doesn't have to be a person that's opposing them or it could be a past event or even themselves)

5: does the character get their goal or move closer to their goal? Why or why not? Now take that why or why not and think backwards.

6: write baby, write

outline 3: the snowstorm method (a variation of the snowflake method, btw)

Step one: rewatch your favorite scene/s from the movie, spend a few minutes re-reading your favorite fanfiction scenes. Get in the zone and turn off your distractions (music may help). Sit your ass down and starting writing anything that comes to mind, it could be a line of dialogue or a setting description or even single word prompts or kinks (ala 'glove kink'). Keep doing this and chances are your prompts and ideas will become a little longer and fleshed out the more you think about them.

Step 2: when you feel your creativity slowing down, stop. Go do something else for a minimum of 10 minutes and maximum of a few hours.

Step 3: go back to your notes, and circle the ones (up to maybe 5 or so?) that you feel the most inspired by. Note that I said 'inspired by' not the 'ones you think have the most potential', though they might have overlap!

Step 4: pick one or two favorites, close your eyes and visualize the scene (or go for a walk and think about it). Let the scene play out like a movie.

Step 5: write baby, write! (but do keep the note paper for future projects)

outline 4: the scene builder

Here we're going to take outline 2 and expand on it. Follow steps one to 3, but when you get to figuring out the conflict we're going to develop it some more.

Run the AROC through the plot a few times. Think of at least 3 concrete, action/dialogue driven examples of the conflict and opposition in action (ie. show not tell). These 3 examples are going to be the meat of what happens in your story.

Now we're going to spend a little more time on that ending. In chapter 4 I have a whole section on ending techniques, so maybe try a few from there? If you're writing a short 1-shot smut (aint nothing wrong with that!) your ending point will shift back. Don't think of it as an epilogue, but here it will become the final act of their… well, the final race to the finish line of their sex scene. I feel kinda weird breaking down a smut scene like this, but the ending could be when they first start having penetrative sex or, say it's a bdsm piece with a blindfold kink (maybe I'm projecting…) it could be the final act of submission when the sub character fully gives him/herself into the safe control of the dom. A non-smut example from my own stories would be the ending of A Game of Strategy, Not Chance (I really don't ave much non smut, work with me here) when Finn wins the game and saunters off, leaving Kylo and Rey to fuss cutely at each other over whose fault losing was.

Outline 4: the 12 part structure

(note that, if you're like me and you can't freaking write short to save your life, this outline will only exacerbate the problem. BUT if you're writing a longer piece or multi-chapter, this is one of the methods I use regularly. Or you could just write non-ridiculous length pieces, that too :P)

step 1: follow steps 1-4 of outline 2, but do it kinda quickly. This is just to point you in the right direction. Example: tone: sexy but romantic smut, Objective: Kylo wants to talk/seduce Rey, conflict: Rey's still pissed off at laser brain, action: bickering in an elevator, reaction: all the force bonding and close spaces with no supervision makes them horny dot dot dot

cool, that's done, now let's get to the 12 sentence outline:

act 1, s1: how does it start? Identify exactly, in one sentence, the story begins

s2: what doubts/reluctance,conflict springs up immediately?

S3: what event or action occurs to propel the characters to confront/overcome the conflict?

(there's your beginning, now onto the middle, divided into 2 parts)

act 2, s4: 1st step the charters take towards their objective

s5: the core conflict does something to get in the way (show not tell, of course!)

s6: progress is made towards the objective

(s6.5, here right in the middle is a good place to have a short little tidbit relating to the central THEME, ie if it's a sweet romance, let the main character have a sweetly romantic thought about the other here)

s7: time for another setback to progress, big or very small but you can't just make it too easy

s8: more progress is made (if this is a smut scene, by now they're probably really getting into it, literally or otherwise lol)

s9: a turning point where the objective takes over (ie. they start fucking)

(act 3 time, this could be your ending sequence already)

act 3, s10: objective and conflict battle it out (so even if they're happily fucking right now, through in some emotion behind it)

s11: climax (heh… or, if you're NOT smutting it up, this is where everything comes to a head and the objective overcomes the conflict)

s12: resolution (the smoking f the cigar and tangled sheets, the force-clunking Rey over the head and carrying her back to his ship doors close in our face, the sad realization that they're love simple can't be (YET!) and one runs away from the other)

and done! Pat yourself on the back, take a break, and then write baby, write!

Okay, so there you go. All of these outlines I think COULD work for different styles of writers, you've just got to Cinderella it a little and find the right fit for you. I personally use method 1 for my short smuts, and method 5 for my shorter multi-chapters (that's how I've outlined The Path That Moonbeams Make, btw). Remember that these are all tools at your disposal, so take away pieces and use only part of one method or use several and outline the same story multiple times. The more practice you get, the faster and easier this step will be, but don't ever forget the final step of every outline method because that's really the most important one!