Chapter 3! Full chapter title-6 weeks gone and I'm still reaching, even though I know your not there. The chapter titles are from parts of the song If This Was A Movie. Chapter 3 starts off on the next day. By the way I need ideas for Stand By You, so if you have anything you'd like to see in the next chapter for it, or ideas for the next chapter just PM me or put it in a review:)
Katniss POV
"So the way this machine works is you step in think of a place and time or say it out loud. If you are not specific it will still work but when you arrive there will be a note telling you where and when you are. When you go into the future you will be able to come back at any time, when you go in the past you can come back at any time if you want to see the progress but must go back within the time frame of two hours or it won't work properly. Whoever knows your timetraveling in this timeline, so Prim, Haymitch, and I will also know your from the future when you go back but we will forget until you tell us these phrases... For Primrose when you want her to remember tell her to "tuck in that tail Little Duck", Haymitch 'Stay Alive', and for me 'The Arena's a Clock' got it?' Beetee explains. We're in the room with the Time Machine.
"Got it." I say. When am I actually going to go back in time because that's what I'm looking forward to most. "And Beetee after I go into the future when will I go into the past?" He thinks for a second
"Well probably two to five days, also before I forget It's very important that you know this next bit of information. When you go in the future you'll have all the memories you haven't had yet so that you know what's going on." He says. Okay I can do this. I look at Prim and give her a hug.
"I love you Little Duck." I say. For some reason I have a feeling that I won't see her for a long time and it scares me.
'I love you too. Be careful." She says
"You be careful too Prim." I give her one last hug then step into the time machine. I think for a second deciding where I want to go. When I decide I say
"One day before the end of the war." I feel a tugging sensation then nothing.
When I open my eyes and see familiar grey walls I'm scared that it was all a dream until I look at my surroundings and the memories come to me. We went on a mission. Boggs was killed, Peeta's on the squad, we were attacked by lizard mutts, Finnick was killed, I kissed Peeta, and now we're hiding in Tigris's basement, We're going to leave for the City Circle later and Tigris will help us. It's a lot to take in all at once. I feel a pang in my chest as I think about Finnick and Boggs and feel my cheeks go pink when I think of kissing Peeta.
Speaking of Peeta, he and everyone else is looking at me and I remember we're supposed to be making a plan. I blush again. Then Gale starts talking about an escape that leaves Peeta behind that I feel uneasy about. Partly because it leaves Peeta behind.
Peeta's fairly rational about Gale's suggestion. He readily agrees that his company could put the other four of us at risk. I'm thinking this may all work out, that he can just sit out, that he can just sit out the war in Tigris's cellar, when he announces he's going out on his own. "To do what?" asks Cressida. "I'm not sure exactly. The one thing that I might still be useful at is causing a diversion. You saw what happened to that man who looked like me," he says. No, he can't do that! He could get killed and I'm not about to let that happen."What if you...lose control?" I say, trying to convince him not to go. "You mean...go mutt? Well, if I feel that coming on, I'll try to get back here," he assures me. "And if Snow gets you again?" asks Gale. "You don't even have a gun." I don't like this.
"I'll just have to take my chances," says Peeta. "Like the rest of you." The two exchange a long look, and then Gale reaches into his breast pocket. He places his nightlock tablet in Peeta's hand. Peeta lets it lie on his open palm, neither rejecting nor accepting it. "What about you?" "Don't worry. Beetee showed me how to detonate my explosive arrows by hand. If that fails, I've got my I'll have Katniss," says Gale with a smile. "She won't give them the satisfaction of taking me alive." The thought of Peacekeepers dragging Gale away starts the tune playing in my head again... Are you, are you Coming to the tree "Take it, Peeta," I say in a strained voice, even though I don't want him to. But I also know that it's a better fate then him being taken by Snow again. I reach out and close his fingers over the pill. "No one will be there to help you." We spend a fitful night, woken by one another's nightmares, minds buzzing with the next day's plans. Honestly it reminds me of the night before the Quell.
I'm relieved when five o'clock rolls around and we can begin whatever this day holds for us. We eat a mishmash of our remaining food-canned peaches, crackers, and snails-leaving one can of salmon for Tigris as meager thanks for all she's done. The gesture seems to touch her in some way. Her face contorts in an odd expression and she flies into action. She spends the next hour remaking the five of us. She redresses us so regular clothes hide our uniforms before we even don our coats and cloaks. Covers our military boots with some sort of furry slippers. Secures our wigs with pins. Cleans off the garish remains of the paint we so hastily applied to our faces and makes us up again. Drapes our outerwear to conceal our weapons. Then gives us handbags and bundles of knickknacks to carry. In the end, we look exactly like the refugees fleeing the rebels. "Never underestimate the power of a brilliant stylist," says Peeta. It's hard to tell, but I think Tigris might actually blush under her stripes. There are no helpful updates on the television, but the alley seems as thick with refugees as the previous morning. Our plan is to slip into the crowd in three groups. First Cressida and Pollux, who will act as guides while keeping a safe lead on us. Then Gale and myself, who intend to position ourselves among the refugees assigned to the mansion today. Then Peeta, who will trail behind us, ready to create a disturbance as needed. I'm tempted to ask to go with him but don't only because for now this is how it has t go until I go back in time.
Tigris watches through the shutters for the right moment, unbolts the door, and nods to Cressida and Pollux. "Take care," Cressida says, and they are gone. We'll be following in a minute. I get out the key, unlock Peeta's cuffs, and stuff them in my pocket. He rubs his wrists. Flexes them. I feel a kind of desperation rising up in me. It's like I'm back in the Quarter Quell, with Beetee giving Johanna and me that coil of wire. "Listen," I say. "Don't do anything foolish." "No. It's last-resort stuff. Completely," he says. I wrap my arms around his neck, feel his arms hesitate before they embrace me. Not as steady as they once were, but still warm and strong.A thousand moments surge through me. All the times these arms were my only refuge from the world. Perhaps not fully appreciated then, but so sweet in my memory, and now gone forever. "All right, then." I release him. But then decide that just in case one of us dies I want him to know something. I pull his face down and kiss him, and after a few seconds he kisses back. When he pulls away I tell him "I love you. I promise this time I'll see you by the end of the week."
"It's time," says Tigris. I kiss her cheek, fasten my red hooded cloak, pull my scarf up over my nose, and follow Gale out into the frigid air. Sharp, icy snowflakes bite my exposed skin. The rising sun's trying to break through the gloom without much success. There's enough light to see the bundled forms closest to you and little more. Perfect conditions, really, except that I can't locate Cressida and Pollux. Gale and I drop our heads and shuffle along with the refugees. I can hear what I missed peeking through the shutters yesterday. Crying, moaning, labored breathing. And, not too far away, gunfire. "Where are we going, Uncle?" a shivering little boy asks a man weighed down with a small safe. "To the president's mansion. They'll assign us a new place to live," puffs the man. I fight the urge to comfort the little boy, because we have a mission. We turn off the alley and spill out onto one of the main avenues. "Stay to the right!" a voice orders, and I see the Peacekeepers interspersed throughout the crowd, directing the flow of human traffic. Scared faces peer out of the plate-glass windows of the shops, which are already becoming overrun with this rate, Tigris may have new house guests by lunch. It was good for everybody that we got out when we did. It's brighter now, even with the snow picking up. I catch sight of Cressida and Pollux about thirty yards ahead of us, plodding along with the crowd. I crane my head around to see if I can locate Peeta. I can't, and I briefly flashback to the Quarter Quell, but I've caught the eye of an inquisitive-looking little girl in a lemon yellow coat. I nudge Gale and slow my pace ever so slightly, to allow a wall of people to form between us. "We might need to split up," I say under my breath. "There's a girl-" Gunfire rips through the crowd, and several people near me slump to the ground. Screams pierce the air as a second round mows down another group behind us. Gale and I drop to the street, scuttle the ten yards to the shops, and take cover behind a display of spike-heeled boots outside a shoe seller's. A row of feathery footwear blocks Gale's view. "Who is it? Can you see?" he asks me. What I can see, between alternating pairs of lavender and mint green leather boots, is a street full of bodies. The little girl who was watching me kneels beside a motionless woman, screeching and trying to rouse wave of bullets slices across the chest of her yellow coat, staining it with red, knocking the girl onto her back. For a moment, looking at her tiny crumpled form, I lose my ability to form words. Gale prods me with his elbow. "Katniss?" "They're shooting from the roof above us," I tell Gale. Iwatch a few more rounds, see the white uniforms dropping into the snowy streets. "Trying to take out the Peacekeepers, but they're not exactly crack shots. It must be the rebels." I don't feel a rush of joy, although theoretically my allies have broken through. I am transfixed by that lemon yellow coat. She was younger than Posy."If we start shooting, that's it," Gale says. "The whole world will know it's us." It's true. We're armed only with our fabulous bows. To release an arrow would be like announcing to both sides that we're here. "No," I say forcefully. "We've got to get to Snow." "Then we better start moving before the whole block goes up," says Gale.
Hugging the wall, we continue along the street. Only the wall is mostly shop windows.A pattern of sweaty palms and gaping faces presses against the glass. I yank my scarf up higher over my cheekbones as we dart between outdoor displays. Behind a rack of framed photos of Snow, we encounter a wounded Peacekeeper propped against a strip of brick wall. He asks us for help. Gale knees him in the side of the head and takes his the intersection, he shoots a second Peacekeeper and we both have firearms. "So who are we supposed to be now?" I ask. "Desperate citizens of the Capitol," says Gale. "The Peacekeepers will think we're on their side, and hopefully the rebels have more interesting targets." I'm mulling over the wisdom of this latest role as we sprint across the intersection, but by the time we reach the next block, it no longer matters who we are. Who anyone is. Because no one is looking at faces. The rebels are here, all right. Pouring onto the avenue, taking cover in doorways, behind vehicles, guns blazing, hoarse voices shouting commands as they prepare to meet an army of Peacekeepers marching toward us. Caught in the cross fire are the refugees, unarmed, disoriented, many wounded. A pod's activated ahead of us, releasing a gush of steam that parboils everyone in its path, leaving the victims intestine-pink and very that, what little sense of order there was the remaining curlicues of steam intertwine with the snow, visibility extends just to the end of my barrel. Peacekeeper, rebel, citizen, who knows? Everything that moves is a target. People shoot reflexively, and I'm no exception. Heart pounding, adrenaline burning through me, everyone is my enemy. Except Gale. My hunting partner, the one person who has my back. There's nothing to do but move forward, killing whoever comes into our path. Screaming people, bleeding people, dead people we reach the next corner, the entire block ahead of us lights up with a rich purple glow. We backpedal, hunker down in a stairwell, and squint into the light. Something's happening to those illuminated by it. They're assaulted by...what? A sound? A wave? A laser? Weapons fall from their hands, fingers clutch their faces, as blood sprays from all visible orifices-eyes, noses, mouths, ears. In less than a minute, everyone's dead and the glow vanishes. I grit my teeth and run, leaping over the bodies, feet slipping in the gore. All I can think of is I need to get back to the present.
The wind whips the snow into blinding swirls but doesn't block out the sound of another wave of boots headed our way. "Get down!" I hiss at Gale. We drop where we are. My face lands in a still-warm pool of someone's blood, but I play dead, remain motionless as the boots march over us. Some avoid the bodies. Others grind into my hand, my back, kick my head in the boots recede, I open my eyes and nod to Gale. On the next block, we encounter more terrified refugees, but few soldiers. Just when it seems we might have caught a break, there's a cracking sound, like an egg hitting the side of a bowl but magnified a thousand times. We stop, look around for the pod. There's nothing. Then I feel the tips of my boots beginning to tilt ever so slightly. "Run!" I cry to Gale. There's no time to explain, but in a few seconds the nature of the pod becomes clear to everyone.A seam has opened up down the center of the block. The two sides of the tiled street are folding down like flaps, slowly emptying the people into whatever lies beneath. I'm torn between making a beeline for the next intersection and trying to get to the doors that line the street and break my way into a a result, I end up moving at a slight the flap continues to drop, I find my feet scrambling, harder and harder, to find purchase on the slippery tiles. It's like running along the side of an icy hill that gets steeper at every step. Both of my destinations-the intersection and the buildings-are a few feet away when I feel the flap going. There's nothing to do but use my last seconds of connection to the tiles to push off for the my hands latch on to the side, I realize the flaps have swung straight down. My feet dangle in the air, no foothold anywhere. From fifty feet below, a vile stench hits my nose, like rotted corpses in the summer heat. Black forms crawl around in the shadows, silencing whoever survives the fall. A strangled cry comes from my throat. No one is coming to help me. I'm losing my grip on the icy ledge, when I see I'm only about six feet from the corner of the pod. I inch my hands along the ledge, trying to block out the terrifying sounds from below. When my hands straddle the corner, I swing my right boot up over the side. It catches on something and I painstakingly drag myself up to street level. Panting, trembling, I crawl out and wrap my arm around a lamppost for an anchor, although the ground's perfectly flat. "Gale?" I call into the abyss, heedless of being recognized. "Gale?" "Over here!" I look in bewilderment to my left. The flap held up everything to the very base of the buildings. A dozen or so people made it that far and now hang from whatever provides a handhold. Doorknobs, knockers, mail slots. Three doors down from me, Gale clings to the decorative iron grating around an apartment door. He could easily get inside if it was open. But despite repeated kicks to the door, no one comes to his aid. "Cover yourself!" I lift my gun. He turns away and I drill the lock until the door flies inward. Gale swings into the doorway, landing in a heap on the floor. For a moment, I experience the elation of his rescue. Then the white gloved hands clamp down on him.
Gale meets my eyes, mouths something at me I can't make out. I don't know what to do. I can't leave him, but I can't reach him either. His lips move again. I shake my head to indicate my any minute, they'll realize who they've captured. The Peacekeepers are hauling him inside now. "Go!" I hear him yell. I turn and run away from the alone now. Gale a prisoner. Cressida and Pollux could be dead ten times Peeta? I haven't laid eyes on him since we left Tigris's. I hold on to the idea that he may have gone back. Felt an attack coming and retreated to the cellar while he still had control. I have to believe this because it's better than him being injured or dead. Realized there was no need for a diversion when the Capitol has provided so many. No need to be bait and have to take the nightlock- the nightlock! Gale doesn't have as for all that talk of detonating his arrows by hand, he'll never get the chance. The first thing the Peacekeepers will do is to strip him of his weapons. I fall into a doorway, tears stinging my eyes. Shoot me. That's what he was mouthing. I was supposed to shoot him! That was my job. That was our unspoken promise, all of us, to one I didn't do it and now the Capitol will kill him or torture him or hijack him or-the cracks begin opening inside me, threatening to break me into pieces. I have only one hope. That the Capitol falls, lays down its arms, and gives up its prisoners before they hurt Gale. But I can't see that happening while Snow's alive. A pair of Peacekeepers runs by, barely glancing at the whimpering Capitol girl huddled in a doorway. I choke down my tears, wipe the existing ones off my face before they can freeze, and pull myself back together. Okay, I'm still an anonymous refugee. Or did the Peacekeepers who caught Gale get a glimpse of me as I fled? I remove my cloak and turn it inside out, letting the black lining show instead of the red the hood so it conceals my face. Grasping my gun close to my chest, I survey the block. There's only a handful of dazed looking stragglers.
I trail close behind a pair of old men who take no notice of me. No one will expect me to be with old men. When we reach the end of the next intersection, they stop and I almost bump into them. It's the City the wide expanse ringed by grand buildings sits the president's mansion. The Circle's full of people milling around, wailing, or just sitting and letting the snow pile up around them. I fit right in. I begin to weave my way across to the mansion, tripping over abandoned treasures and snow-frosted halfway there, I become aware of the concrete barricade. It's about four feet high and extends in a large rectangle in front of the mansion. You would think it would be empty, but it's packed with refugees. Maybe this is the group that's been chosen to be sheltered at the mansion? But as I draw closer, I notice something else. Everyone inside the barricade is a child. Toddlers to teenagers. Scared and frostbitten. Huddled in groups or rocking numbly on the ground. They aren't being led into the mansion. They're penned in, guarded on all sides by Peacekeepers. I know immediately it's not for their protection. If the Capitol wanted to safeguard them, they'd be down in a bunker somewhere. This is for Snow's protection. The children form his human shield. There's a commotion and the crowd surges to the left. I'm caught up by larger bodies, borne sideways, carried off course. I hear shouts of "The rebels! The rebels!" and know they must've broken through. The momentum slams me into a flagpole and I cling to it. Using the rope that hangs from the top, I pull myself up out of the crush of bodies. Yes, I can see the rebel army pouring into the Circle, driving the refugees back onto the avenues. I scan the area for the pods that will surely be detonating. But that doesn't happen. This is what happens: A hovercraft marked with the Capitol's seal materializes directly over the barricaded children. Scores of silver parachutes rain down on them. Even in this chaos, the children know what silver parachutes contain. Food. Medicine. Gifts. They eagerly scoop them up, frozen fingers struggling with the strings. The hovercraft vanishes, five seconds pass, and then about twenty parachutes simultaneously explode. A wail rises from the crowd. The snow's red and littered with undersized body parts. Many of the children die immediately, but others lie in agony on the ground. Some stagger around mutely, staring at the remaining silver parachutes in their hands, as if they still might have something precious inside. I can tell the Peacekeepers didn't know this was coming by the way they are yanking away the barricades, making a path to the children.
Another flock of white uniforms sweeps into the opening. But these aren't Peacekeepers. They're medics. Rebel medics. I'd know the uniforms anywhere. They swarm in among the children, wielding medical kits. First I get a glimpse of the blond braid down her back. Then, as she yanks off her coat to cover a wailing child, I notice the duck tail formed by her untucked shirt. I have the same reaction I did the day Effie Trinket called her name at the least, I must go limp, because I find myself at the base of the flagpole, unable to account for the last few seconds. Then I am pushing through the crowd, just as I did before. Trying to shout her name above the roar. I'm almost there, almost to the barricade, when I think she hears me. Because for just a moment, she catches sight of me, her lips form my name. And that's when the rest of the parachutes go off.
"No!" I scream. The last thought that crosses my mind is well guess I know why I had that sinking feeling.
When I come to I realize that I'm back in district 13 and in the Time machine. I also realize it was Coin who sent those parachutes, and that it was Gale's design that sent the bombs and indirectly killed Prim. This war has made him mad with power. Concealed for now yes, but he's to hungry for war. I step out of the machine to see my sister, Beetee, and Haymitch standing outside the machine. Before I realize it I'm running to Prim and have her in a bone crushing hug and crying. From the look in Beetee and Haymitch's eyes I think they've put two and two together. Prim will but she hasn't yet as I haven't given her the time to yet.
When I get a hold of myself I pull away from Prim, still holding her shoulders, look her directly in the eyes and say firmly
"No matter what Coin says you don't go with the medics when they raid the Capitol. I don't care what Coin says you do NOT go, do you understand me" She starts to put up a fight
"But Katniss, I want to he-"
"No Prim I can't lose you, and Haymitch, Beetee you two are responsible for making sure she doesn't go." The nod their consent, and Prim realization dawning on her agrees. I feel relief flood through me
"Good" I say then pull her back into a hug.
"How long was I gone?" I ask
"About an hour." Prim answers. Okay so a day in the other timeline is an hour in this one.
All I know right now is when I go back is Prim can't die, Finnick can't either, and Peeta won't be hijacked.
Okay so I copied and pasted chapter 24 and then added my parts in so any direct quotes are not mine. Hope you liked it. Sorry for the wait.