ACT FOUR

(Lindo verte de nuevo)

INT. ZEIRA ENTRY WAY – EVENING

THE GUARDS are guarding the elevator. We turn and see MONICA who wears a new nightie, enters and goes to the RANKING GUARD who comes to greet her. Monica shows her badge to the guard.

MONICA
I'm Sergeant Jessica Serepec.
I need to meet with Ms. Weaver.

RANKING GUARD
Did you have an appointment with her?

MONICA
No. Why?

RANKING GUARD
We can't let you go up to meet with Ms. Weaver if
you didn't have an appointment.

Monica smiles wilily.

INT. PERRY'S ROOM – DAY

John, Stefan, Allison, Weaver, and Nevlin meet with Perry. They talk in normal tones.

ALLISON
John, you need us.

WEAVER
We need you.

STEFAN
What can we do?

Perry steps forward as he wants to say something. They all turn to face him.

PERRY
Colonel. I need you and Bedell to command
a squad to do this mission. Your father
told me that I can command you if I need.

STEFAN
That's right, general.

PERRY
I'll let a little soldiers to go with you.
Lieutenant Reese, Master Sergeant Reese,
Corporal Zykes, Corporal Alvin, Sergeant
Jason, and Sergeant Dekker.

STEFAN
And Allison Young.

PERRY
Yes. Lieutenant Young.

Allison's smile shows contentment.

PERRY (cont'd)
Tomorrow. Edword, his air forces and his
paratroopers will follow you soon.

STEFAN
I understand. You can tell me if those
soldiers are ready to go.

ALLISON
Where will we go?

Stefan shrugs and turns to Allison. He smiles so friendly. The place where they will go to, is a kind of fun place. It maybe fun if you know where they will go to.

STEFAN
One of seven Skynet's factories.

JOHN
Depot 37. Where Cameron was built.

STEFAN
That's very interesting.

JOHN
Do you know it?

ALLISON
A little. It's in the high desert
north of Lancaster. Place was near
the glow on JD.

STEFAN
OK. Something to think about.
We will go to Palmdale first.

That gets everyone's attentiveness.

INT. APACHE MOTEL ROOM – DAY

This is the same motel room of Apache Motel in S02EP22. Like every building and room, it was damaged from J-Day bombing. It's mess. The windows are broken, the wall has burn, and the floor has no carpet.

AT THE BED: We see SEMINA CRUEL (The Chola, 36) sleeping on the bed with her shotgun beside her.

SOUNDS OF MANY BOOTS STEP ON PARQUET.

The sound awakes the chola. She suddenly opens her eyes, wakes up very fast, and stands up with her shotgun. She aims her shotgun to the DOOR as the newcomers stop.

SEMINA
Who are you?

One of them responses her question, it's MATT MURCH:

MURCH (O.S.)
It's me, Murch.

She still aims the gun to the door.

SEMINA
Murch, who am I?

MURCH (O.S.)
Crusader. Can we come in now?

SEMINA
Okay.

Semina lowers her gun and puts it down on the bed as Murch, Bonilla, Auldridge and Cameron/John Henry enter her room. She especially looks at Cameron/John Henry before she turns to Murch.

SEMINA
Who's he, Mr. Murch?

CAMERON
Lindo verte de nuevo.

Semina exchanges her look after she hears Cameron's voices. She looks surprised. Last time she had heard Cameron's voices, was when she exited this motel room in 2009.

CAMERON (cont'd)
I know you. The last time we met,
in 2009, we were in a hotel room.
I told you, "Hasta luego."

SEMINA
Lindo verte de nuevo to you too. Emily Gage.
Or can I call you "Cameron"?

CAMERON
Previous Future John named me Cameron.
You should call me Cameron. Emily Gage
is just an alias.

Semina considers John Henry's body for a while.

JOHN HENRY
Semina Cruel.

Semina is confused with that.

JOHN HENRY (cont'd)
Where're the others? Our friends?

No response.

CAMERON
Earth to Semina!

Semina responses with a small smile.

JOHN HENRY
Where're the others?

SEMINA
Mr. Ellison, Savannah and Dr. Burnett
are out there for some medicines and foods.

CAMERON
Dr. Burnett, Dr. Felicia Burnett?

Semina nods. Wow! How did Cameron know Dr. Burnett? Maybe Derek told her.

INT. ZEIRA ENTRY WAY – EVENING

All guards are dead. They lie on the floor and are soaked with their blood. No one is here now.

STEFAN (V.O.)
Sometimes, we are careless.
Sometimes, we think that we
can control everything. We
don't warn ourselves more
than the others warn us.

INT. SARAH'S ROOM – EVENING

THE DOOR is bounced away from the wall and it attacks on the wall next to it. WE CLOSE ON, TURN OUR CAMERA AND SEE Monica who steps in the room.

STEFAN (V.O.) (cont'd)
If there's no one warn you,
you will be careless.
Then you'll be dead
and end your own life.

MONICA'S H.U.D.

At the same spot that she's standing, her POV scans around the room. Get recognition of many time bombs in the room. It's too late.

STEFAN (V.O.) (cont'd)
The best suggestion for this
problem is "warn thyself".
You should warn your self.

AN EXPLOSION attacks her. The system becomes BLACK SCENE.

TIME CUT TO:

EXT. SARAH'S ROOM – EVENING – SAME

We see the large explosion at this level. We've heard sound effects. BOOM!

SOUND OF THE MIRRORS ARE BROKEN as a heap of fire fill in our scene. BOOM! BOOM!

INT. SARAH'S ROOM – LATER

MONICA'S H.U.D.

BLACK SCENE twitches before the powerful head-up display returns. SYSTEM CONFIGURATION. Monica's POV rises up and see the collapsed room. It's mess with debris, stones, fire and scraps.

BACK TO SCENE

SLOW MOTION;

Monica stands up with burns and cuts around her body(Like after Cameron broke Sarah out of the jail). Her skin is healed by itself so quickly. In b.g., Lampage steps in the scene with a shotgun and stands about forty centimeters away from her, Ellison and Sarah stand behind his back.

A shot attacks on her back, getting her attentiveness after it, turning back and see Lampage, Ellison and Sarah.

Lampage lets another shot to her head nearby the chip's location but it doesn't affect her. Monica grabs her pistol up, aims it to Lampage as Sarah and Ellison who stand behind the TOK. LAMPAGE fires.

ON MONICA, as the shotgun blast hits her arm and she FIRES, simultaneously.

LAMPAGE FIRES involuntarily on her as the bullets push her out of the way. Lampage has never stopped firing until MONICA bounces off and falls down on the floor. The floor collapses and bevel. Monica stands up so quickly and jumps up as the area that she's fallen on, falls down from the building.

BACK TO NORMAL STAGE;

OUR CAMERA FOLLOWS THE FLOOR that falls on the street in front of the building. The people that has come to see the incident, immediately escape from the area before it rains on there.

RETURN TO THE SCENE:

Monica stands face to face with Lampage. They tilt their head, examining each other at the same time. Monica turns to Sarah. She slowly examines her.

MONICA'S H.U.D.

Get recognition of Sarah Connor. Mission-override. TARGET: "TERMINATE"

BACK TO SCENE

She and Lampage start to step. They collide with each other. As Lampage locks her at the area:

LAMPAGE
(to Sarah)
Run!

Sarah nods and immediately runs out with Ellison. Lampage turns back as he still struggles the T-950. It takes a while before the floor that they've stood, slowly cracks then breaks and falls. Both of them falls to THE EARLIER FLOOR OF THAT FLOOR.

They stand up then go to face each other. Lampage uppercuts Monica so hard, she bounce up to the old floor. Lampage is so strong. He jumps after her so powerfully.

AT SARAH'S COLLAPSED ROOM:

Monica pushes Lampage away and he bounces off so far from her collide with the wall, and pierce through the hallway to the other ROOM that's opposite this room.

INT. HALLWAY – EVENING

As Monica walks off Sarah's room, a shot attacks her at the head. She immediately turns and sees...

...SARAH CONNOR with her own shotgun, stands 5 meters away, aiming her gun to the T-950.

SOUND OF THE WALL BREAKS and we see Lampage appears behind Monica.

INTERCUT BETWEEN MONICA AND SARAH:

ON MONICA, a billet stabs through her from backward.

SARAH, lowers her gun slowly as in b.g., Ellison, Murch, and Terissa appear behind her.

MONICA, leans down and examines it. A hand from backward grasps her "heart". This isn't the same heart that Cromatie pulled out from T-Skynet-Ellison. It looks bigger and more powerful, THE T-950'S ENERGY PACK.

Sarah smiles and relaxes.

Monica automatically closes her eyes and loses consciousness. The hand pulls the heart back and lets Monica lies down.

LAMPAGE stands as his hand holds the T-950's energy pack, examining it.

LAMPAGE'S H.U.D.

Fully scans through the structure of an energy pack. We see a pair of hydrogen fuel cells like T-850 in T3 inside the pack. The display shows: "BEWARE".

BACK TO SCENE

Sarah looks at the pack with the question in her mind. Lampage turns and smiles. She doesn't smile back.

SARAH
What's it?

LAMPAGE
Energy pack. The heart of T-950.
There are a pair of hydrogen fuel
cells inside it.

SARAH
What?

Everyone walks toward Lampage and waits for the answer.

LAMPAGE
These cells are the secret weapons
of the 900 and 950 series. If the fuel
cell becomes unstable, –-

He gestures, "BOOM". They all sigh. Sarah and Ellison look up to Lampage.

ELLISON
Explode. How will it be?
How about the power?

LAMPAGE
Very large explosion. It'll be about threefold
if you compares with a C4. Enough to destroy
a bunker by two of them.

Ellison looks down to the deactivated Monica.

ELLISON
What will we do with her?

SARAH
Burn her.

LAMPAGE
No. My master needs her.

They all look to Lampage with some dissatisfaction and confusion.

EXT. THE HOLE – EVENING

Monica's body is thrown into the hole like Cromatie was.

TURN UP and see a wood. TURN AROUND, revealing Ellison and Lampage conceal the hole by their spades as Sarah and Terissa stand watching them backward.

SARAH
Lampage.

Lampage stops and turns to see her.

SARAH (cont'd)
Are you sure that this place is safe to
hide this metal bitch here?

LAMPAGE
I got a note from the past telling me
that I did this. If I didn't come back,
thenthe future might change. (beat)
I just have one more thing to do-
something that wasn't in my note but
in the data. This body is for my
master, the one who built me up.

SARAH
If it's not for John, for mankind.
I'll shoot you in the head like
we did with this metal bitch.

LAMPAGE
You can do it after I finish
my other two missions.

SARAH
What're they?

LAMPAGE
Danny Dyson, Dr. Felicia Burnett,
and more people will join you to
fight with Skynet and Kaliba.

SARAH
How?

LAMPAGE
Like I said, I'm not here to change
everything. So I can't tell you if it's
not the right time. If we change it,
your John will disappear from the world
forever and no one will know him as
the leader of the resistance.

Ellison finishes conceal the hole and turns to Lampage. He needs to ask something.

ELLISON
You said that you read a note?

LAMPAGE
(NODs)
Yes, Mr. Ellison. I read it
two months before I came back
through time. It's the Sarah
Connor Chronicle, your diary.

SARAH
So what about John?

LAMPAGE
I told you that my master wasn't John
Connor. My master was the leader of
Asian resistance fighters. John Connor
didn't send me here.

ELLISON
I think that now FBI, EMT, and more are
already at Zeira. (beat) Where will we
go and build up our team?

LAMPAGE
We've to join my master at Dakara System.

SARAH
I read the news. Dakara is taken over by
another company. What about them?

LAMPAGE
Psytect Corp. General Pichitchai's sister
is developing Xander's project.

SARAH
Emma. And the chip?

LAMPAGE
The Psytect CEO had worked for the chip
three months ago. She interested in
Xander's AI. I think that now Emma
isn't just an security AI. This AI is
prepared to be online and protect
the computer systems in the world
from Skynet.

ELLISON
Make my sense now.
Emma is like John Henry.

LAMPAGE
No. They are different. John Henry likes
to be online but Emma likes to be offline.

ELLISON
Why?

LAMPAGE
She needs to hide
herself from Skynet.

Sarah seems ignore about that. She can't trust Lampage but something tells her that she has to trust him. Now we feel like the darkness is coming. The jigsaw puzzle is nearly at the end.

INT. APACHE MOTEL ROOM – EVENING

Semina and Murch side-by-side asleep, on the bed in the motel room, with satisfied looks on their faces.

STEFAN (V.O.)
When I was just a kid, my father told
me the story of the Trojan war, The Iliad
of Homer, Greek epic poem describing
the siege of Troy, love of Paris, and
Troyens' carelessness about the Trojan.

EXT. APACHE MOTEL ROOM – EVENING - SAME

We see the view of the motel. This room provides excellent sight lines down the highway. It's mess as all architectures after J-Day. We TURN LEFT AND SEE:

Cameron/John Henry who keeps watching along the highway and the area of the motel, he has just a common sniper rifle in his hand. Auldridge and Bonilla sleeps on a mat on the floor behind him.

STEFAN (V.O.) (cont'd)
I like this chapter of the story, after the
Trojan horse enter the city of Troy, -

The Chevy Camaro arrives there.

CLOSE ON THE CAR as the three newcomers get out. EX-FBI SPECIAL AGENT JAMES ELLISON (52) who has driven the car. DOCTOR FELICIA BURNETT (45) who has sited in the passenger seat nearby Ellison. AND SAVANNAH WEAVER (24). They all wear clothes like rags.

BACK TO JOHN HENRY as he smiles.

JOHN HENRY
Nice to meet you again, Savannah.
How are you today?

ON SAVANNAH'S HAPPY FACE, she displays very happy with a friendly smile and her eyes have some tears around them.

STEFAN (V.O.) (cont'd)
The Greece warriors had waited till nightfall.
While the Troyen soldiers were sleeping, were
careless, the Greece warriors got out from
the horse then killed them all.

PAN TO SEE ALL NEWCOMERS WHO LOOKING AT JOHN HENRY. They all smile.

CAMERON
Nice to meet all of you again.

INT. JOHN'S BUNK – MORNING

Weaver sits and looks in on John sleeping on his bed.

STEFAN (V.O.) (cont'd)
The Troy fell. So will you if you don't
warn yourself by yourself. So will you if
you live your life with carelessness.
That's one of all that my dad taught me.

John wake to find his ally sitting and watching him. John shudders.

STEFAN (V.O.) (cont'd)
The large stronghold of Troy could fall.
So will I and so will you if we live our
lives with carelessness. "Warn thyself".

It's taken for a while before he relaxes.

JOHN
Don't do that again, Cath.
It's freaky when you do that.
My mom and Cameron like to do
that, I hate that.

Weaver shrugs.

JOHN (cont'd)
What's going on?

WEAVER
(smiles)
John Henry and our friends arrive here.

That gets John's attentiveness. He immediately stands up. He looks so happy.

JOHN
Where are they now?

WEAVER
They are meeting with Perry in the HQ.

John takes a jacket and a pair of boots out from his trunk and wears them.

WEAVER (cont'd)
Let's go.

John completely wears them. He nods after that. They walk off the room together. Just walk. Not transform and nothing is special.

INT. SERRANO - PERRY'S HQ – MORNING

Perry sits on the same folding chair, meeting many people. CAMERON/JOHN HENRY, JAMES ELLISON, DR. FELICIA BURNETT MD, SAVANNAH WEAVER, ALBERT AULDRIDGE, SEMINA CRUEL, ARMANDO BONILLA and MATT MURCH. They all stand and wear better-worn clothes (better than rags). Perry talk with them in hushed tones.

PERRY
(smiles)
I've never thought this before. I'm meeting
with all senior resistance fighters who has
been fighting with machines as background.
(beat)
I'm so proud.

SEMINA
I'm so proud too. I've never thought this.
I and my friends are meeting with the general.

JOHN HENRY
Where're John and Ms. Weaver?

Allison and Stefan enter the HQ. They walk to and stand aside Perry. Semina, Ellison, Auldridge, Savannah, Bonilla and Murch are all stunned after they see Allison's face.

ELLISON
Oh, who the hell?

Allison smiles to all of them, so friendly and warmly.

PERRY
These are Lieutenant Allison
and Colonel Stefan, her husband.

They all glance at the rings.

ELLISON
Allison. Is she?

PERRY
They both are Connor's friends.

Ellison seems he just realises something. Maybe John's friend was the reason why Cameron was built.

STEFAN
Do all of you remember me?
I'm Warapop Pichitchai.

They all nod as Allison flashes a glance to Stefan so quickly. He suddenly turns to face her.

STEFAN
I know them, Alise. They helped
me a lot when I was young.

John and Weaver enter.

STEFAN
Hey! John.

Everyone turns back and sees John Connor and Catherine Weaver. John turns, looks to everyone and stops at John Henry. The tears start flow from his eyes.

JOHN
(moaning)
Cameron!

JOHN HENRY smiles so friendly as a tear flow from one of his eyes. Savannah, Murch and Ellison are stunned.

CATHERINE, smiles at Savannah.

WEAVER
Nice to meet you again, Savannah.
You look older and more beautiful.

Savannah can't answer anything. She can't keep her tears in her eyes anymore, they flow out.

SAVANNAH
(crying)
Mom!

Savannah runs from Ellison and Murch toward her robot mother. She hugs her fake mom as it's her real mom but you know it's not her mom, it's MPA terminator.

SAVANNAH (cont'd)
(crying)
I miss you, mom.

Weaver gently pushes Savannah out of her embrace, smiles, and wipes some tears.

WEAVER
I miss you too.

Weaver looks up and sees Murch and Ellison. She then gives them a friendly smile.

WEAVER
Mr. Murch, Mr. Ellison,
are you still my employees?

Murch and Ellison smile back.

ELLISON
We always will. (beat)What can we
call you? Metal lady? Or Ms. Weaver?

WEAVER
Like in the past, please call me Ms. Weaver.

They look at their missed friends.

DISSOLVE TO:

INT. SKYNET LAB – NIGHT

CEO OF KALIBA GROUP, JACK VAN METER (45), a negro, about 5'9", walks inside what is, essentially, SKYNET. The door automatically closes behind him.

This looks a lot like the Cyberdyne lab in T2, just with more up-to-date tech. They even have a partially-restored terminator chip prototype recovered from when Sarah attacked Dyson at his home. There are five LAB TECHS and three of whom are like water delivery men working alongside them.

Jack goes to a private room with tinted glass.

INT. SKYNET – CONTINUOUS

This dark room features a holographic head (not photorealistic) like something out of the Wizard of Oz. There is also a small console with a light shining on an interfaced T-888 CPU that's shielded with polycarbonate. Skynet talk with the same voices that it asked Savannah in S02EP20.

SKYNET
Hello Mr. Van Meter. How are you today?

Jack sits.

SKYNET (cont'd)
What was the result of your meeting
with Governor Mark Wyman?

VAN METER
I believe the governor will prevent
any new legislation from being
passed. He has enough political
friends to uphold any veto.

SKYNET
That is disappointing.

VAN METER
We may have to wait until
the next election.

SKYNET
No. We have an option.

VAN METER
We do?

SKYNET
Starting in January 2011, we will
have a new governor in office. One
friendlier to our agenda.

VAN METER
Will we?

As we pull back, out the door, into the lab...

SKYNET
...Yes, we will

FADE OUT.

END OF ACT FOUR

THE END