She struggles to get away from the man. He is tall with brown, spiked hair and is wearing dress pants with a matching blazer and a blue dress shirt. Alice yells over and over to let her go, but he just ignores her, looking around the room in a panic. Suddenly, all of the windows burst as four figures crash through them on harnesses. They are all clad in black jumpsuits with utility belts and handguns in their holsters. Their hands are gloved and they have head coverings and gas masks.
Alice and the man shield their faces from the glass flying through the air. The man pulls a handgun from inside his jacket and tries to aim it at the figures, but one of them grabs his wrist and twists it out of his hand. Three more figures enter through the already smashed windows and begin to scope out the house. Another figure grabs the man and they push him to the ground, removing his jacket and holster.
Alice sits against the wall, watching the scene play out in front of her. She assumes they're soldiers by how well they're organized. Two soldiers enter the next room, which is the dining room. The shorter of the two opens a screen on his wrist and plugs it into the wall, the other is his look out: armed for any threat that could be near. The man, now on the ground in handcuffs, yells at them, "What are you doing? I'm a cop!" One of the soldiers apprehending him takes his ID and scans it on the screen on his wrist.
The tallest soldier approaches Alice, "Report." She looks up at him, "What?" He picks her up, roughly, by the shoulders, "Report now! I want your report soldier!" She reads the name on his jumpsuit, 'One.' Her lips curl in a small smile, but One makes it go away quickly by shaking her. She looks at him, "I don't know what you're talking about."
From the dining room, they hear a man's voice, "Sir, the houses primary defenses have been activated. She's probably still suffering from the side effects." His ID reads 'Kaplin.' One turns his head and looks at the man on the ground, "What about the cop?" The other soldier with the screen on his wrist reads the information, "Matthew Anderson. I'm not getting a match." His ID reads 'JD.'
The other soldier brings Matt to his knees as they remove their gun from it's holster and points it at his head. Their ID reads 'Ocampo.' "Who are you?" they ask. Matt looks nervous for a minute, "I just transferred! They probably don't even have me on file yet!""The locals are non-efficient. It's possible," JD looks to One for instructions. Ocampo touches the barrel of the gun to Matt's head, "You sure they're secure here?" One removes his mask and looks at Alice, "No, we take them with us." He enters the next room to help Kaplin. Alice watches Matt. Ocampo secures the gun in it's holster. "You can't do this!" yells Matt at them. Ocampo removes their mask. It's the girl from the pictures. Alice's eyes widen as she's hit with a new memory.
Alice and Rain are on the beach. Rain is wearing a black tank top and knee shorts. Alice is wearing a white t-shirt that hugs her curves and dark grey short-shorts. They're running in the tide, laughing and calling each other's names. Rain catches Alice and pulls her down in to the water. They laugh even harder. Alice leans in and kisses Rain.
"Rain..." Alice whispers to herself. Rain leans in close to Matt's ear and says, "Blow me." She pulls Matt to his feet and pushes him to the next room. Alice follows her with her eyes. The medic approaches Alice, pulling her from her daze, and leads her to the next room, followed by another soldier named Red.
One stands behind Kaplin, "Open the entrance to the Hive." Kaplin presses a few buttons on his wrist monitor. The large mirror wall he was plugged into begins to slide up. Inside is just darkness. JD leads Red and Louis, the soldier guarding Kaplin before, into the darkness with their Heckler & Koch G36K's raised. The lights come on automatically; motion sensors. One enters with his gun raised, then Rain with Matt, then the medic with Alice. They leave the house and begin their descent into Hell.