Title: Dancing With the Demons, Ep.
1 (Part 4)
Author: redsrule1
Fandoms:
Buffy, Angel, Dancing With the Stars
Rating: PG
Disclaimer: I
did not make up the characters, shows, the Waltz, or the Cha Cha. I
just borrow them. However, I can teach you any of the moves
portrayed in the show.
Pairings: Gen
Characters: Just about
everyone
Author's Notes: Thanks as always to yourlibrarian
for beta-ing above and beyond the call
Summary: Nine couples, ONE
winner, and you decide who will be the champion!
And now, back to
Dancing
With The Demons
Episode One, Part Four
Short, four-bar version of the show's theme music plays as we return from the break.
LORNE
Welcome back once more to Dancing
With The Demons! Only two more dancers remain, but first, just
before the break, the judges gave Clem and Buffy lofty
praise for their Cha Cha! Will their scores be just as pleasing?
Let's find out right now!
ANNOUNCER
The judges have
their scores. Drusilla?
DRUSILLA
Nine. CROWD
cheers.
ANNOUNCER
Wesley
Wyndam-Price?
WESLEY
Nine. CROWD cheers, some
whistles.
ANNOUNCER
Daniel Osbourne?
OZ
Nine.
CROWD cheers and whistles wildly.
Cut to backstage. In the background, WILLOW sits nervously on the couch, next to the ARCHDUKE SEBASSIS. In front, ILLYRIA stands beside CLEM and BUFFY. CLEM is bouncing excitedly. BUFFY is smiling, as much from pride as from amusement at CLEM's reaction. CLEM throws his arms around BUFFY, and she reciprocates happily, but somewhat less excitedly. WILLOW smiles, and there is a brief, almost imperceptible upturn in one corner of ILLYRIA's mouth.
ILLYRIA
Three nines,
giving you a score of twenty-seven. I am not displeased.
CLEM
Thank
you. Thank you.
ILLYRIA
This score puts you into the
lead. Do you think you deserve this honor?
CLEM
What?
No, I just-- I just, wow, did I really do it?
ILLYRIA
Eyes
narrowing, examining CLEM closely. Have you suffered damage? Can you
not remember dancing just moments ago?
CLEM
Looking
at BUFFY. I did it! We did it!
ILLYRIA
Of course
you did it. That is why I'm talking with you n--
CLEM turns and rushes back to WILLOW and SEBASSIS, shaking their hands vigorously. WILLOW is amused, SEBASSIS endures this with quiet indulgence.
CLEM
Good luck, you two, good luck.
Don't worry, it's fun!
CLEM bounds off-camera. BUFFY looks at ILLYRIA, smiles, and shrugs her shoulders.
ILLYRIA
Nods.
I give you leave. BUFFY turns and leaves. ILLYRIA looks at the
camera. I give you leave as well.
Cut to LORNE.
LORNE
Was
that a smile I almost saw on her face? Chuckles. Okay, next
up, can a Wicca work a magic dance spell on demon royalty? Let's meet
the Archduke Sebassis and his partner, Willow Rosenberg!
Cut
to montage of
clips.
-------------------------------------------------------------------------------
WILLOW
Interview
I
was... a little... nervous when I saw who my partner was. When
they said "Dancing With The Demons," I was expecting, like,
Angel-- or Spike-- you know, the good kind-- or, well notalways
good, but kind of you know, not entirely evil demons. But then
Sebassis shows up and he's all -- real demony with the horns
and everything. And
minions.
--------------------------------------------------------------------------------
Rehearsal
Clip
WILLOW enters a dance studio with wooden floors and
mirrored walls. The Archduke SEBASSIS is seated at a small table to
one side of the dance floor. He wears a cape with a hood over his
head, and his back is to WILLOW. ARTODE stands imposingly beside him,
and a SLAVE is tethered to SEBASSIS by a leash.
WILLOW
Hello?
Are you my partner?
SEBASSIS
Rises from chair,
removes the hood, and turns to face WILLOW. Miss Rosenberg. How very
nice to meet you.
WILLOW
Audibly gasps. She
tentatively reaches a hand out to take the hand that SEBASSIS
offers. Do-- do I know you?
SEBASSIS
Bends at the
waist to kiss WILLOW's hand, but stops short and actually just "air
kisses" it.
We have never met, but I have had my eye on you for
some time. You are a powerful Wicca.
WILLOW
Eyes
wide. Heh. That's both flattering and creepy.
SEBASSIS
I
understand. You have nothing to fear, my child. Now, where shall we
begin?
WILLOW
Smiling uneasily
Meep!
-------------------------------------------------------------------
SEBASSIS
interview
Ah,
yes, the witch child. Do not let her oddly colorful appearance fool
you. There is much power there. I respect that power, even if she
does
not.
---------------------------------------------------------------------
Rehearsal
Clip
SEBASSIS and WILLOW stand at the far end of the dance floor
from the camera with their backs to it. Their conversation is barely
audible, as they speak in a conspiratorial tone.
WILLOW
Um,
no, I don't think I can.
SEBASSIS
Are we not
supposed to try to win?
WILLOW
Well, of course we
are, but--
SEBASSIS
Are you not supposed to use all
the means at your disposal?
WILLOW
Well, yeah, I
mean, within reason, you
know.
----------------------------------------------------------------------------
WILLOW
Interview
But
he's very respectful, and he works hard. He's actually a perfect
gentleman. I think I'd like him except for-- you know-- evil.
He does kinda give me the willies though, 'cause he doesn't say a
lot, just kinda stands there and stares at me, waiting for me to
teach him something like a good little student. I could see having a
whole classroom full of little five year old Sebasses-es --
Sebassi?-- and teaching them
math.
---------------------------------------------------------------------------
Rehearsal
Clip
SEBASSIS and WILLOW stand on the dance floor. ARTODE and
the SLAVE stand nearby. SEBASSIS' gaze is unwavering as WILLOW
speaks.
WILLOW
Okay, so you know this Cha Cha is
supposed to be, you know, um…
WILLOW smiles uncomfortably. SEBASSIS continues to stare at her, unblinking.
WILLOW
cont.
Um, you know.
SEBASSIS continues to stare.
ARTODE
Leaning in toward SEBASSIS She's
trying to tell you that the dance is supposed to be sexy.
SEBASSIS
I
know that. I'm just waiting for her to
continue.
-------------------------------------------------------------------------------
SEBASSIS
interview
I
have complete faith in her. I put myself entirely in her hands. I
have seen what she is capable of. And one thing that she is capable
of is enabling me to do the Cha Cha. If I can only convince her to
use her abilities, we shall rule this
competition.
-----------------------------------------------------------------------------------
Rehearsal
Clip.
Another clip from the earlier scene in which SEBASSIS and
WILLOW are speaking quietly with their backs to the
camera.
SEBASSIS
It will be all right, my
dear.
WILLOW
I don't think I should.
SEBASSIS
Do
you suppose-- Turns toward the camera and addresses the camera
crew.
Must we have our every move and conversation filmed?
Are we not entitled to some privacy? Artode!
ARTODE appears
from the side of the dance floor and walks directly to the camera to
stand in front of it, completely blocking our view.
We can still
hear voices, however.
SEBASSIS cont.
As I was
saying, do you suppose that the other couples are not using every
means at their disposal to win? If we are going to win, we will have
to use all of our powers. All of your powers.
WILLOW
Sighs.
Fine. I'll use my "feminine powers." I'll wear the skimpy
costume.
-----------------------------------------------------------------------------------------
WILLOW
Interview
I'd
feel more comfortable teaching math. Or witchcraft. But then, I
guess, not a good idea teaching the evil dead guy witchcraft. So
math. I'd feel more comfortable teaching math. 'Cause the Dance
Instructor Spell from Dance Camp? They could'a added a couplet to the
chant about the whole performing in front of everybody
thing!
------------------------------------------------------------------------------------
montage ends
ANNOUNCER
Dancing the Cha Cha: The Archduke
Sebassis and Willow Rosenberg!
SEBASSIS and WILLOW take their opening poses. SEBASSIS wears a long, flowing silvery-black cloak, and stands with his head down, arms extended and crossed low in front of him. In his left hand he holds one end of a long chain, the opposite end of which is attached to a thick black collar WILLOW wears around her neck. WILLOW stands also with arms crossed and head bowed, but her pose is a submissive one. She stands a couple of feet behind and to the left of SEBASSIS. WILLOW wears black bikini pants and bra, with gold trim, her hair pulled up and back in a bun, and sparkly gold high heel dance shoes. The effect is simutaneously reminiscent of SEBASSIS' slaves and Princess Leia.
"I'm Too Sexy" by Right Said Fred plays
SEBASSIS looks up and starts to walk forward, pulling on the chain as he does. WILLOW follows lethargically, still looking down. SEBASSIS stops walking, and, using the chain, pulls WILLOW around to stop in front of him. She holds her left arm out to her side, as if offering to let him drink from her. SEBASSIS frowns disapprovingly, shakes his head "no," and smacks her arm away with his right hand. This causes WILLOW to spin, and she does three turns until she has completely wound the chain around her body and faces SEBASSIS. SEBASSIS turns his left cheek to her and points at it. WILLOW gives him a peck on the cheek and SEBASSIS smiles and tugs at the chain. While WILLOW spins out of the chain, SEBASSIS rips off his cloak and throws it aside. He is wearing a pair of black briefs with gold trim to match WILLOW's outfit, a low-cut black leather vest, and a large gold medallion on a heavy gold chain. Looking down his nose at WILLOW with the sexiest look he can muster, SEBASSIS reels in the chain until he and WILLOW are in dance position, and the collar chain is removed and dropped.
SEBASSIS and WILLOW break into some standard Cha Cha moves
As the music nears its end, SEBASSIS twirls WILLOW into a sit spin on the floor, but withdraws him hand suddenly, leaving WILLOW to crumple to the floor. He turns his back to her and begins to walk away. WILLOW crawls plaintively after him, finally clutching his leg as he stops, stares at the judges, licks his right thumb and, in a preening motion, uses it to "smooth back" his right horn as the music ends.
The CROWD cheers wildly as SEBASSIS breaks his pose and gallantly helps WILLOW to her feet. He picks up his discarded robe and drapes it around WILLOW's shoulders, then puts her on his right arm and escorts her to LORNE and the judges' table.
LORNE
Laughing Whee-ooh! How fun
was that! And you had the crowd eating out of your hand!
SEBASSIS
An
opportunity for them to learn how it feels.
CROWD laughs.
LORNE
Ha! Well, let's see if the judges are
eating out of your hand. Drusilla?
DRUSILLA
Still
singing the song to herself You're too sexy, aren't you? It was
delightful. CROWD cheers. But it was a chocolate bunny, all hollow
in the middle. CROWD boos. Your body wants to move. Let it
go! But not in the way that Daddy has.
ANGEL
From
offstage Hey!
LORNE
All right, Wesley?
WESLEY
Very
entertaining, Archduke. You were a great sport and you played along
with it. I enjoyed that. CROWD cheers However, I agree that the
routine was somewhat lacking in the middle. CROWD boos. WESLEY turns
and addresses the CROWD Well, it was! You captured the
attitude well, and you moved rather well, but it was too "safe."
To paraphrase Drusilla, you have some ability, and you shouldn't be
afraid to show it. I want more out of your routines. That said, the
overall theme, the beginning and ending, were most clever!
CROWD applauds.
WILLOW nods, accepting the critique of her choreography. SEBASSIS continues to eye the judges, head held high, unflinching.
LORNE
And finally, Oz?
OZ
Staring
at WILLOW Whoa.
CROWD cheers, some wolf whistles. WILLOW is snapped out of her stage presence and now begins to shift uncomfortably. She tries to put her hands in her non-existent pockets, and finally just pulls the cloak tighter.
LORNE
For
once, Oz, you don't have to say anything more! You two crazy kids
head on backstage and chat with Illyria.
SEBASSIS escorts WILLOW backstage to ILLYRIA.
ILLYRIA
Your
performance amused me. I am pleased.
SEBASSIS
Coming
from you, Eminent One, that is indeed a compliment. Nods his head in
a token bow.
WILLOW is staring wide-eyed at ILLYRIA, not quite sure what to make of her.
ILLYRIA
And the
chain and collar has made me nostalgic.
WILLOW takes a tiny step away from ILLYRIA. SEBASSIS just smiles.
SEBASSIS
So
glad you enjoyed it, Eminence.
ILLYRIA
Nods. This
one knows respect. Looks at SEBASSIS' costume. If not shame. I
trust that will not now be lost on the judges.
Looks pointedly at
camera.
Cut to Judges' Table.
ANNOUNCER
The
judges are ready with their scores. Drusilla?
DRUSILLA
Seven.
CROWD groans.
ANNOUNCER
Wesley
Wyndam-Price?
WESLEY
Seven. CROWD
boos.
ANNOUNCER
Daniel Osbourne?
OZ
Eight.
CROWD cheers
ILLYRIA
The judges have scored you
twenty-two out of thirty. There is room for improvement. I trust you
will try harder next week.
SEBASSIS
Nods in
acknowledgement. Eminence. Takes WILLOW's arm and escorts her off
camera.
ILLYRIA
Looks at camera/teleprompter for a
moment. I do not wish to read that. Your manner of writing gives me
headaches.
Cut to LORNE.
LORNE
Looks
toward the DIRECTOR and points to his ear. Maybe we could get her an
earpiece for next week to suggest what to say for the toss. To
camera Our final couple were once bitter enemies. Can they put that
aside and work togther for the good of... the Waltz?
It's Lilah
Morgan and Angel!
Cut to montage of
clips.
-------------------------------------------------------------------------------
ANGEL
Interview.
In all of the following interview clips, ANGEL wears a bandage on his
right cheek.
Well, when I first saw that Lilah was gonna be my
partner, I was kind of relieved. I mean, at least this way I know I
don't have to go up against her. It's better to have her workin' for
me instead of against me for
once.
-----------------------------------------------------------------------------------------------------
Rehearsal Clip
LILAH and ANGEL practicing Waltz moves. Something goes wrong and they stop.
ANGEL
No, no, no. It's turn,
stop, forward with the left foot.
LILAH
No, it
should be the right foot.
ANGEL
I'm the teacher.
It's the left.
LILAH
I'm doing the right. Get over
it.
-----------------------------------------------------------------------------------------------
LILAH
Interview
Angel.
Hmm. On the one hand, I was glad to see that he was my partner, and
not somebody-- less capable. On the other hand, that pesky soul could
get in the way. I'm not sure he's got the blood lust-- he won't go in
for the kill. But I do know he'll go in for the pain, so that's a
start. Maybe I can bring out a little Angelus... if I can get him to
stop looking in the mirror for five
seconds.
------------------------------------------------------------------------------------------------
Rehearsal Clip
LILAH and ANGEL practicing Waltz. As the couple circles
the floor, ANGEL's eyes don't leave the
mirror.
------------------------------------------------------------------------------------------------
ANGEL
Interview
I
think we work okay together. She even came up with the idea for the
theme of our routine and our costumes, once we found out what dance
we'd be doing, so she's into it. She's thinkin' and plottin' and
schemin'.
-----------------------------------------------------------------------------------------------
Rehearsal Clip
ANGEL standing alone in dance studio. LILAH enters sporting braids with glittery ball bands on either side of her head.
LILAH
Here it is, big boy. What do you
think?
ANGEL
That's-- that's how your wearing your
hair?
LILAH
Like it?
ANGEL
Uh...
uh...
yeah.
----------------------------------------------------------------------------------------------
ANGEL
Interview
If
she puts half the effort into this that she put into trying to
destroy Angel Investigations, I don't see how anybody could beat
us.
-----------------------------------------------------------------------------------------------
Rehearsal Clip
LILAH and ANGEL dancing. ANGEL leads LILAH into a series of spins. Her braids windmill out, hitting ANGEL in the face with each revolution.
ANGEL
Ow. Ow. Ow.
------------------------------------------------------------------------------------------------
ANGEL
Interview
That's
why I don't mind letting her come up with ideas, I can see her mind
workin'. Just... there's not gonna be any more braids. Rubs
bandage.
-------------------------------------------------------------------------------------------------
montage ends
ANNOUNCER
Dancing the Waltz, Lilah Morgan and
Angel!
LILAH and ANGEL stike their starting poses on the dance floor. LILAH sits on the stairs to the stage. She is dressed like a schoolgirl, with short navy skirt and blue button-down collared blouse with a navy sweater over top. She is wearing glasses with brown plastic frames and has her hair braided in a pigtail on either side, tied at the bottom with a short blue ribbon. Her shoes look more like Mary Janes than the standard high-heeled dance shoe. She sits with her knees drawn tightly together and her hands placed primly on top of them.
ANGEL stands on the stage dressed in a tuxedo with tailcoat, white tie, vest, and tux shirt, with shiny black, patent leather dance shoes. He stands tall and authoritatively with his hands holding the flaps of his tailcoat, much as a proud father at a wedding reception might.
"Daddy's Little Girl" by Eddy Arnold plays.
ANGEL descends the steps, still holding his tailcoat, until he reaches the bottom, chest still puffed out in a haughty manner. He extends his left hand to LILAH, as if asking for a dance. She grins shyly, then puts her right hand in ANGEL's extended hand, and stands up. ANGEL rolls LILAH into a cuddle position, then rolls her back out, then back in again into dance position. They begin dancing Waltz moves.
ANGEL twirls LILAH into a backward dip supported by his left arm, his face hovering just above hers. ANGEL's right hand caresses the back of her head, changing the tone of the routine from father-daughter dance to suitor romancing the proper schoolgirl.
After a few more Waltz moves, they repeat the dip. ANGEL repeats his caress of LILAH's head, and this time LILAH reaches up to return the gesture. ANGEL catches LILAH's wrist before she can touch his hair, and wags a finger "no". LILAH then starts to remove her glasses but ANGEL stops this move as well, returning the glasses to her face, changing the tone yet again and revealing that this routine was actually about acting out the schoolgirl kink.
As the music reaches its climax, ANGEL leads LILAH back to the stairs, where she sits down again while he climbs the stairs and resumes his starting pose. LILAH's seated pose this time, however, is more fitting with the kink fantasy, as she sits "sidesaddle" on the bottom of the three stairs, one leg extended behind her. She stretches seductively as she lays herself up the stairs and licks her lips in a seductive invitation to ANGEL as the music ends.
The CROWD cheers. ANGEL descends the stairs, takes LILAH by the hand and helps her up, and they walk over to LORNE, who takes them to stand in front of the JUDGES' table.
LORNE
Well, that was a sexy little number!
And aren't you just a cutie in that outfit? Let's see what the judges
have to say. Drusilla?
DRUSILLA
Still seducing
innocent girls, aren't you, naughty Daddy? Slyly I like it. CROWD
cheers
There's about to be a problem, but you'll be here next
week. CROWD cheers
LORNE
Heh. Dru, honey, shh. You
can't give it away. How about you, Wes?
WESLEY
Takes
off his glasses, and looks at them rather than the dancers. Your
dancing was strong and fluid, and you moved well across the floor. It
was well done. CROWD cheers. WESLEY puts his glasses back on and
looks sternly at LILAH. However, if you invoke Fred again, I'll see
to it that you're out of the competition.
A hush falls over
the CROWD. ANGEL looks sharply at LILAH at the mention of Fred's
name.
LILAH stares at WESLEY defiantly, with a knowing smirk on
her face.
LORNE
Um, okay. Oz?
OZ
Huh.
Well, Angel, your arms were stiff but the dancing was smooth. You
guys work out whatever these other issues are and keep us out of
it.
The CROWD remains silent, still stunned.
LORNE
All
right, uh, Angelcakes, take Lilah backstage while we wait for the
judges' scores.
Still glaring at LILAH, ANGEL walks her backstage where they meet ILLYRIA.
ILLYRIA
Very
well. Come to me. The half-breed appears angered.
ANGEL does not speak, just continues to glare.
LILAH
Keep that
up, Angel. If you work on it, I think that broody look could be a
trademark for you.
ILLYRIA
He does not deign to
speak with you. Do you not fear the half-breed's reprisals?
LILAH
He
can't hurt me. He's noble.
ILLYRIA
Nobility is for
those afraid to use their power. The triumvirate of judges is not
noble, and will use their power now.
Cut to judges' table.
ANNOUNCER
Ladies and gentlemen, the judges'
scores: Drusilla?
DRUSILLA
Nine. CROWD
cheers.
ANNOUNCER
Wesley
Wyndam-Price?
WESLEY
Eight. CROWD
groans.
ANNOUNCER
Daniel Osbourne?
OZ
Eight.
CROWD claps politely.
ILLYRIA
The judges have
given you twenty-five out of thirty. But more importantly, I have a
sword in my dressing room. If you wait here, I shall retrieve
it.
ANGEL turns and walks off-camera. LILAH grins a guilty, knowing grin and follows him.
ILLYRIA
To the
camera, disappointedly. There will be no need for the sword. I am
therefore finished for this evening.
Walks off camera.
Cut to LORNE.
LORNE
There you have it, folks! Nine
couples have danced and now it's time to take a quick look at the
Leader Board!
Cut to graphic listing the names of the couples and their scores as follows:
Clem &
Buffy...27
Spike & Faith...25
Lilah &
Angel...25
Darla & Lindsey...22
Sebassis &
Willow...22
Gunn & Cordelia...21
Xander &
Anya...21
Harmony & Giles...19
Glory &
Ben...16
Cut back to LORNE
LORNE
cont.
And now it's time for you to vote! Voting begins
immediately following this episode, and will continue for almost two
weeks! There will be no episode next week, as we're being pre-empted
for Spring Training Baseball. But we'll return in two weeks
with our Results Show, when we'll combine the results of the voting
with the judges' scores to find out which couple will be eliminated
from the competition! The rules for voting are next, and we'll see
you in two weeks on Dancing With The Demons!
Theme music plays, credits roll.
For voting, visit my LJ at http://redsrule1.
