Wilden Conundrum

Episode Five

Toby exits the scene and rushes in to his car. He takes out his phone, then calls someone - and says "I have a proposition."

"If you're looking for a place to stay in Rosewood..."

The person in the green car stops in front of Spencer's house and walks up and knocks on the door.

"You need to know that it's chalk full of surprises."

Pamela is shown being held hostage by an unknown assailant. Emily is shown discovering pools of blood on the floor of her mother's bedroom.

"They aren't your average one's, either."

Byron is shown yelling at Ella while Aria is shown crying in her bedroom and placing her face in her pillow.

"Some people are dangerous..."

Ashley is shown saying goodbye to a random man and escorting him out then receiving money from him while Hanna is shown with an incredibly uncertain expression on her face.

"Some people are merely harmless..."

Veronica is shown being despondently dismissed by the police.

"And some people, you just want to stay away from."

Meanwhile, at the hospital, an eerie looking doctor is shown pronouncing Spencer's death, whilst a person is shown looking in from the door's window with a look of feigned concern on her face.

"Regardless, you have to know how to mind your own business, and I don't think you can do that."

The camera pans to show a strawberry blonde woman. "Oh, sir; I think I can," she chuckles.

Emily takes her phone out and dials 911. "Um, yes. I think my mother may have been kidnapped."

"How so?" The dispatcher inquired.

"I saw blood on the floor of her bedroom, and there's evidence to assert my house was broken in to yesterday." Before the dispatcher can respond, her phone hangs up and she realizes she can't redial, for someone must have cut off her electricity.

Mona gets up and looks at the clock on the side of her bed. There's pill bottles beside her alarm clock. "What the hell?" She groggily implores, with a look of despondency on her face, as the clock's constant ticks irritate her ears - and upon seeing the time was around noon she sat up and panicked as she bolted across the room in a wild frenzy.

Emily turns her head, catches sight of the hooded figure, and is shocked so acutely that her eyes roll in the back of her head, and she watches from afar as her house is ransacked, but what seems like moments later she awakens in a hospital bed.

The strawberry blonde woman exits the office, takes out her phone, dials a number, then sighs as she says "I think I have a plan to get what we want, but you'll have to do things you never thought you'd have to do, and if you're okay with that then we can proceed forth."

Mona takes out her phone and dials a number then says "Toby, I really need you right now. Please." and hangs up the phone then plops to the floor.

"You have to understand," Byron is struggling to contain himself - so he keeps holding Aria's hands, all the whilst he continues to talk to Ella. "I can't be with you if you're going to continue drinking like this."

His lips quiver and his eyes droop so he leans in to Aria and lets all the tears and sorrow and disbelief and horror out.

Hanna knocks on Ashley's bedroom door and is told to enter so she does so. "Alright, I want to ask you this." Ashley looks interested. "What's been going on with you?"

She gets up and walks over to Hanna, caressing her face, and then asks what she means. "I mean why have you been prostituting your self?"

Eyes widened Ashley looks taken back so she backs away and waves her hands in defense. "I-I'm so sorry," she mutters. "I never meant for you to find out." She puddles her face in her legs and cries and cries and cries.

"But, Mom, I need to know..."

"Just get out!" Ashley raises her head and screams her vocal cords out. "Please!" She breaks down in tears. "Just get the hell out!"

Veronica takes out her phone and dials 911. "911, what's your emergency," asks the dispatcher.

She takes a deep breath, closes her eyes, and then says "I think I would like to turn my self in" with an expression of motherliness on her face.

Toby knocks on Mona's door. He screams, and screams, and screams, but time and time again there is no answer. Moments pass by before he kicks the door down and investigates for him self. Little did he know that someone followed him in.

"For what crime ma'am?" The dispatcher questioned.

Veronica gulps, then sighs, and then says "Never mind. I didn't do anything. But I know who did..." She grins.

"I think she's in big trouble, Caleb; she's been prostituting her self out to strangers, and I don't know how to help her," explained Hanna as she proceeded to wipe the tears away from her blushed cheeks.

"Well, have you tried talking to her?" asked Caleb.

Hanna somberly grinned. "Of course I have, but nothing's working. You see, we've been experiencing some financial difficulties, troubles making ends meet, and she thinks selling her self will help."

"Well, it will," informs Caleb, and Hanna shows a look of surprise on her face. "But the shame will soon become too much."

"So what do you think I should do?"

"Well, I can loan you money," sighs Caleb. "But I can't promise that'll work in the long run."

"Loan me money," demands Hanna.

"Are you sure?" asks Caleb.

"Just loan me money. Now." Hanna repeats, hanging up the phone, and continuing to cry her eyes out.

Emily wakes up and sees that the doctor is wearing a red coat so she screams. The doctor smiles then caresses her cheek and says that all will be fine but Emily is more than reluctant to accept that all this is actually happening.

"Please," Emily utters, but she doesn't actually feel her mouth moving - all she can decipher is that the doctors are stabbing her arm with some type of syringe.

Caleb walks up to the Marin residence and knocks on the door. Someone is shown spying on him from behind. He turns around, sensing a presence, to which he is knocked out from behind him. Ashley stands atop him with a look of brutality and victory on her face.

Someone is shown being released from her captivity in a red barn. That person is revealed to be Pamela Fields.

"Thank you so much," she utters. "I don't know how I can ever repay you."

The camera pans to the top of the barn. Dead carcass is shown pulverized on the top to form the arches that in turn form the top of the farmhouse.

"Oh, but you'll soon learn how you can do so," the voice cryptically adds as the figure lets her run loose.

The woman is shown taking out her phone and dialing 911.

"Excuse me - sorry to bother you - but I just received word that someone's house has been set on fire."

After having hung up the phone, that same woman is shown taking out a blueprint that details the lives of each and every citizen of Rosewood.

A/N

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