I started a new drabble/one-shot series. This collection of Cobert drabbles is based on colour symbolism and prompts thereof taken from my dear tumblr mutuals. Each chapter will be another colour (or another symbol for a colour). I think most of the drabbles will take place somewhere over the course of the show but maybe there will be some pre-/post-canon ones as well. Some drabbles will include scenes from the show and therefore original dialogue. I hope you'll enjoy these new one-shots. Feel free to leave a review and also a new prompt if you like :)
- Caecilia
This drabble is set in series 1 episode 1 and contains original dialogues which belong to Julian Fellowes.
Black – Power
The sun was high up in the sky and spent its heat with all its might. The brim of her hat gave Cora some protection from the burning light but it didn't really make up for the stuffiness that was trapped under all the layers of heavy dark garments she was wrapped in. She hurried to take the few steps to the motor that waited patiently in front of the Abbey's stately entrance.
Cora was on her way to her mother-in-law. Even in the summer's heat, it was better to pay the Dowager Countess a visit instead of having her over and having her inviting herself for dinner when she was already there for tea. Mama might be an ally in the whole Mary business, from the entail to finding appropriate suitors, but the amount of time Cora could bear to be in her company until her snappiness bothered her too much was still limited. So, driving by the Dower House in her heavy mourning attire was without question the way to go.
Cora settled in the backseat of the motor and gathered her skirts around her legs before Thomas closed the door and the chauffeur started the engine. Her gloved hands ran over the extent of black material. Yes, they were in mourning because of James' and Patrick's unexpected death but Cora thought to make the best of the obligatory dress code. Today's attire was very obviously one of complete mourning. Her gown and coat were high-closed, all she wore on her body was pitch black even the feather on her hat, there weren't any coquettish accessories. But she somehow liked it and she had no problem posing confidently and gracefully in it. Her daughters didn't share her attitude towards the mourning's dressing. Edith was fully convinced that going into full mourning like that was the least they could do but Cora didn't think her middle daughter enjoyed wearing black. Mary didn't hide her aversion, and Sybil didn't protest but as the sweet little sunshine she was, black wasn't right for her either.
Cora didn't despise the mourning's black as the girls did, Mary especially. There was no question in wearing it the next months, and she wasn't counting the days until the colours could return to her daily closet. Cora even liked how she looked in black. There were striking black gowns that did perfectly well on all kinds of dinner occasions, and they pulled Robert's gaze to her exposed shoulders, arms, and cleavage in a slightly different way than her lighter gowns did. The effect of black was strong, and sometimes it felt to Cora as if this strength was something she absorbed when Robert watched her in her black dresses. When she had been much younger, she had thought at first (and maybe it had been like this in the very first years) that black made her – or any young woman for that matter – unapproachable; if it was mourning's black or not. Though, it sometimes managed to give the wearer a strong appearance most often it was perceived as not very welcoming. Robert also had to learn that this hadn't had to be the case. It certainly wasn't anymore.
Now when she wore black evening gowns, she felt less like the young inferior bride but nearly like an equal to the men with might. Her power, though, was a wholly different one than the power of these men. But she liked being a bit more at eye's level with the gentlemen and making Robert aware of the power she had over him and in their marriage.
When her thoughts started wandering into fields less grave and too pleasurable for times of mourning, the motor neared its destination and Cora tried to shake off the memories that intensified the heat under her high-neck gown.
Clouds covered the sky and the short moment of the real summer sun was gone already as she arrived in front of the Dower House.
Cora had asked her mother-in-law for an invitation because there was a letter she had received and wanted to discuss with the older lady. The letter had excited her but because it was a rather delicate matter, she had decided to approach her ally, her partner in crime, to make a real decision about it.
As soon as she walked up the way towards the front door the Dowager's butler opened it and greeted her as obligingly as ever. With a small nod and a smile, Cora appreciated his silent effort to take care of her coat. The quietly muttered "Milady" was less talking than a necessary addition to moving around her busily, acknowledging her presence. When Cora touched her hat a little to make sure it was still in place, the knocking sound of the cane announced Mama's arrival.
"It is nice of you to come, my dear," she greeted. The form of endearment towards Cora was something she had used nearly since the beginning of Robert's and her marriage but it never had anything affectionate about it primarily. It sometimes could be a way of showing a bit of empathy but that wasn't the norm.
The Dowager Countess was in one of her all-black gowns as well. Mourning and all that came with it was something she knew better than anyone living at the Abbey. She didn't bother how it made her look as long as everything about the gown was proper. Cora thought the black attire perhaps made her mother-in-law look even more intimidating.
Cora followed her into the sitting room. She sat down slightly sideways on the armchair the Dowager offered with a rather impatient gesture of her right hand. Cora tried to adjust her skirts a little that strained slightly in the position the seat forced her to adopt. Violet repeated the nervous shake of her hand towards the butler.
"The tea," she muttered before sitting down as well. Cora slipped her gloved hand between the folds of her skirts and brought out the reason for her visit. She handed the letter to Mama.
"Here, this arrived yesterday with the afternoon mail. Have a look at it."
Violet grabbed her reading glasses from the small table next to her. As she unfolded the paper, she sent a short gauging look at Cora over the rim of her small glasses. All the while Violet skimmed the letter and the butler brought the tea, Cora tried to make herself a bit more comfortable on the antique seat. She was still warm in her clothes. For a moment she thought about slipping off her gloves but she wouldn't stay long anyway. So, she just leaned back as much as possible (more would also have been improper) and held on to the cushion at her left. She enjoyed the slightest of breezes that brushed through the curls at her neck when the butler opened the door to serve the tea.
"So, the young Duke of Crowborough is asking himself to stay." Mama had finished reading the letter.
"And we know why," Cora inserted instantly, opening the conversation to the topic that had defined all their latest talks.
Mama provided her with a wary expression. "You hope you know why. That is not at all the same. You realise the Duke thinks Mary's prospects have altered." She took off her glasses and emphasised her statement by pointing to the letter with the folded pair of glasses.
"I suppose so," Cora admitted. She had hoped Mama wouldn't come to the same conclusion. It would all be much easier if the Duke was interested in Mary no matter what. But Cora knew best that this wasn't how marriage and courting worked in the English aristocracy. When would a gentleman be interested in a lady just for herself first before securing his family and estate could benefit from her? Was it really always the same? No matter how rosy she managed to have made things work with her dear husband she was aware of the brutal and heartless business of marrying off one's children, particularly daughters. She wanted her three girls to have good prospects for the lives ahead of them and apparently this meant she had to play this game of matchmaking the best she could. She would always do the best she could for her daughters even if this meant engaging in customs of the peerage that went against her beliefs. Her girls would be dependent on husbands that could and would secure them a safe and happy future. Safety and happiness were closely tied to position according to English nobility, and Cora knew that sadly there was a kernel of truth to it in this society.
"There's no 'suppose' about it," the Dowager countered with a short shake of her head. "Of course, this is exactly the sort of opportunity that will come to Mary if we can only get things settled in her favour." She threw another short glance at the lines on the letter before she asked, "Is Robert coming round?" with a circling gesture of her hand.
"Not yet. To him, the risk is we succeed in saving my money but not the estate. He feels he'd be betraying his duty if Downton were lost because of him," Cora explained calmly. The matter of the entail has bothered Mama, Robert, and her continuously over the last weeks, and Cora knew it wouldn't help anyone if it was discussed with overbearing emotions.
"Well, I'm going to write to Murray." Violet's answer was resolute. She had made a plan with Cora and was determined to make it happen.
"He won't say anything different." Cora shook her head. It seemed like there were treading water and everything that had been decided for them – for her (years ago when she had to sign this stupid contract) – was out of reach to change.
"Well, we have to start somewhere. Our duty is to Mary."
Cora was slightly baffled at her mother-in-law's resilience. She had never thought that there was someone who would fight more for her daughters than Cora herself. Robert was very close but as became apparent once again (and Cora didn't hold it against him) Downton was a very high concurrence to the girls. Violet, however, had a determination as fuelled as Cora's when it came to securing what was right for Mary.
The Dowager Countess sighed, "Well, give him a date for when Mary is out of mourning." She handed the letter back to Cora who took it with a smile. When Mama was thinking there was still something to fight for, Cora would certainly go with it. She really hoped there were good prospects for Mary. Maybe Mama and she could really achieve something if they continued putting their abilities together for good use. Cora had never thought she would be so powerful with Mama by her side when she had been the young bride she once was. That Mama and she were such a great team ironically was only one of the nice surprises the years had brought.
"No one wants to kiss a girl in black," Mama said slightly theatrically before they started sipping their teas. Their conversation left them both with a lot to think and so they were mostly silent while drinking the warm tea. Cora was happy Violet seemed to have no other topics she wanted to discuss. She was glad to make her way home again and think about what could still be done about Mary's situation. Dear strong Mary who shouldn't be restricted in all her great abilities to form a promising future herself. Things didn't seem right that way, to rob a girl of what could very well belong to her and could assure her great conditions for her future life. It just didn't seem fair.
Cora sighed as the door of the Dower House closed behind her not much later. The challenge Mama and she had taken on wasn't easy but Cora was sure if there was someone at the moment who could achieve something on that score it was the ally she and Mama had formed.
She walked back to the motor. The sun still hid behind a cloud but it was warm nevertheless. Cora moved sparsely therefore and gave a short nod to the chauffeur who held the car door open for her. She had power; she knew it. Strange only that out of all Mama was the one to remind her of that.
On the slightly bumpy road back to the Abbey Cora remembered a particular thing Mama had said earlier.
No one wants to kiss a girl in black.
Even if she shouldn't, Cora had to smile remembering Mama's words. She knew someone who didn't object to kissing a certain girl in black. A girl that has already been kissed in black quite a lot of times.
