She had kissed him, had she not? Chosen him, no? Why did he send her away? If there was one thing Christine Daaé was tired of, it was these annoying men making choices for her. Or, Christine really did choose Erik, so she returns for his stubborn ass and they escape the lair together. (Canon divergence, get together, fix-it)

During her anesthesia, a young Phan falls into the world of the Phantom of the Opera. When she meets the opera ghost, what will happen? Will they experience love together or will time separate them?

What if Erik had been honest with Christine from the start? What if Christine remained a ballerina?

After they both remembered their passionate night long ago, Erik dares to break the tense silence with a question of what they are now. Christine considers it.

Christine wakes up to Erik composing and promptly desires to see beneath his mask. With clear intentions Erik stops her, and they discuss what is going on between them. A re-imagining of 'I Remember...' with a Christine who's sick of their dancing around each other.

She had unmasked him all the same, but her response differed from what he had expected after his outburst. Returning his mask, she embraced him and comforted him. (Canon divergence, fluff, first kiss)

And when it was done / Before the sun could rise / Ashamed of what I was / I stood while you slept / And whispered a goodbye... How Erik forced himself to leave, and how Christine awoke to an empty bed. (Angst, unhappy ending, bittersweet)

What if things had happened differently at the Masquerade Ball? Erik makes a different choice at the ball giving Christine a new set of choices. Upon reflection this was written in haste. The first 3 chapters have been rewritten. Updated 1/29/22

After the events of fanfics prior, the Phantom once again finds himself in a volatile situation. But this time, he’s not alone.

In the aftermath the once Phantom of the Opera finds himself set on a new journey in a new world with an old dream. And the realization that maybe even he himself has secrets he does not know might just be the catalyst to let a wounded, uncertain heart to heal and grow, starting with the truth about the music of the night he so deeply loves...

Erik wants to celebrate you. You want to celebrate him. Simple as that. (it's my birthday and I wanna write Erik being in love with us)

Hi everyone. I know it's been like what feels to me, a century ago since I've posted anything new or updated anything. I have decided to take down my Wicked/Phantom of the Opera story for a couple of reasons. For instance I have re-read over the chapters and have not been satisfied with how this story has panned out and decided to start all over again with a different approach. I

19th century - An unthinkable tragedy ends with a startling discovery, while a promise made creates great potential that evokes unforeseen peril...Can the man once called Phantom embrace new life and leave his ghostly ways behind? E/C ... an LND sequel

As soon Erik died Christine heart was broken and she died too but waked up on her bed in the day of her opening night at the opera, with the premiere of Gounod’s Faust. With a second chance, she aims to rectify past mistakes and improve the outcomes for everyone involved. Basically a retelling of the Yeston/Kopit miniseries Starring: Charles Dance as the Phantom, Teri Polo as Chris

The closing of Phantom of the Opera on Broadway has brought up some feelings. I fear giving away the mystery but if you like romance, angst and yearn for Erik to have happiness this might be your cup of tea.

In the aftermath of the final lair, once Meg finds the mask, she uncovers the truth of the mysterious Phantom of the Opera, and her mother's link to the man who terrorised her friend

Originally posted as a one-shot under "Various Writing Prompts". Now pulled out into its own story. More chapters to come [Erik/Christine], Meg Giry, Raoul de Chagny

Meg has grown up hearing the stories of the Phantom, both from the girls at dance class and from her mother at bed time. Now, after Christine's kidnapping and subsequent release, the Phantom has fled and Meg must decide what's right for her; staying in the comfort of the Opera House, or following the only man she's ever known into the unknown.

19th century - An ill-gotten rose becomes the bar to her cage of a magical chateau, empty of all save for a ghost. Her song is the key to unlock the chains to his troubled soul…But so long a ghost, can she find the man hidden inside? - E/C - a gothic retelling of PotO & Beauty and the Beast - eventually will be rated M... R&R

AU Phantom of the Opera one shot. Erik and Christine reflecting on their feelings for one another. Erik can't be loved, Christine doesn't believe him. Thanks for reading

A story about discovering what they really want in their life. For Christine Daae is engaged to the ViCompt. But her heart is longing for Erik Destler (The Phantom). Erik wants her as does Raoul. But one thing that each of them share is that they don't want history to repeat itself. This is the story of love returning for both Christine Daae and Erik Destler.

Set in modern-day New York City, Christine Daae is dealing with an overbearing prima donna wannabe, a choir teacher that reminds her of the Phantom of the Opera, strict Madame Giry, and an old friend who wants more than just friendship.

Erik is a deformed genius residing below the Paris Opera House, but nevertheless he is married, the successful owner and manager of said Opera House. And then something comes into his life that he never anticipated, and has no idea how to handle.

Raoul has a talk with his daughter about something very important. One-shot.

Raoul looks at his children. One-shot.