one-shot, canon compliant, pre-wedding / Georg is awoken by his lover. Inspired by Taylor Swift's song "Lover."

While her new family finds safety and stability staying at the home of Georg's in-laws, Maria finds extreme hostility at the hands of Agathe's mother.

Maria is learning such a lot since leaving the convent, thanks to the Baroness (Femslash)

On Hold / He could not help but be enchanted by her—perhaps it was the rebellious look in her eyes, or the light tinkle in her laugh. Perhaps it was the way she smiled. Or the way she talked to him. And as he kept his eyes on her, his memories came crashing down—memories of that fateful summer. She hadn't changed one bit, he thought. Maria. A/U Based on Taylor Swift's Getaway Car.

modern au, multi-chapter / Georg and Maria meet by chance at a bar. Due to some recent struggles, Georg is reluctant to get to know her, but Maria isn't one to give up so easily. Cover image by MsHope.

When Georg von Trapp's girlfriend Maria is kidnapped, he must find Maria and find out what happened to her. (This story takes place during modern times, not the 1930's like in the movie)

"You must go back; you must find out." When Maria leaves the abbey to return to the von Trapps, she makes a discovery which changes the course of her life. But when the Lord closes a door, surely somewhere he'll open a window? Please R&R.

"I've retraced my steps, and turned back the clock fifteen times the past fifteen days to the night of the day we met, wishing I could find you here. There's this loud screaming in my head telling me that I must let go of you, but how can I? I cannot seem to be rid of you, no matter how desperately I want to." Based on Ben&Ben's Hummingbird.

A series of one-shots about Georg and Maria's relationship based on the song "Maybe I'm Amazed" by Paul McCartney.

In a kingdom consumed by darkness and ravaged by war, an orphan is brought before the General. He is powerful, he is dark, he is terrifying. She is awkward. She is plain. She is not particularly good at following instruction. But he sees her. She is more. She could be his equal. His salvation. [A Shadow and Bone inspired TSOM story, one-shot.]

Neither had known when or how it happened, nor did they know where to go from here. All they knew was that something had taken root between the two of them, and they now found themselves utterly and entirely covered in it.

Little moments. Little touches. Her heart speeds up. He proposes. But he has—not even once—said those words. How will she ever know? A/U based on an excerpt from Birdy's All You Never Say.

America, 1950. Georg is on the train during a storm, and he cannot wait to get back home. To them. To her. Based on an excerpt from ABBA's Super Trouper.

A Maria and Georg post-honeymoon vignette.

Ohe-shot. Georg and Maria struggle to come to terms with the aftermath of the grand and glorious party. Inspired by "Charade" by Henry Mancini. For MsHope.

One-shot. Georg and the children take a trip to Cannes before the grand and glorious party. Inspired by "You Belong to Me" by Pasty Cline. For persaphones.

Series of one shots. Maria and Georg's restless nights and weathering storms together.

This is a short story I wrote in response to a request on the great Sound-of-Music-fics forum, musing on what might have happened if Maria had not returned to the Abbey...

"Fraulein, I think it's clear by now you can't help but attract my attention, and I can't help but notice you." She gave him a sad little smile. "The trouble is Captain, I don't want to be noticed by people like you." [A/U]

"Hoarders," she whispered under her breath as she scanned the barcodes of the mountain of items before her. She almost rolled her eyes – there were many things she could tolerate, but she just didn't understand hoarders. "Apparently, catering for the needs of seven children make me appear like a hoarder," he visibly rolled his eyes. Seven children? Quarantine Modern A/U!

After the rowboat tipped, everything changed between Maria and the Captain. Something strong kept pulling them together, even though they refused to fall in love.

Agathe von Trapp observes her widowed husband. (Repost from fall 2007.)

au, one-shot / While trying to find a governess for his children and a new wife, Georg dreams of a mysterious woman. Inspired by the song "She" by Harry Styles.

one-shot, canon-compliant, post grand and glorious party / Full of joy and love on her journey back to the villa, Maria remembers three instances between her and the Captain that pointed to something deeper between them. But once she returns, everything comes crashing down. Inspired by "What Did I Ever Come Here For?" by Brandi Carlile.

one-shot, canon-compliant, post “something good” / Georg is doing everything in his power to irritate Maria.