After their many years of pining, silent affection, tentative touches, their eventual confessions, Hakoda and Bato found that they didn't quite know where to go from here. In the two years since the war ended - an impossible fact that never lost its dreamlike quality when Hakoda thinks about it - the two men have fallen into an easy routine, characterized by early mornings and kisses softer than their battle-harden bodies ever thought possible, by meals shared in the comfort of their own home, and by long days coming to an end when they were able to wrap their arms around each other in bed.
Being with Bato, Hakoda often thinks, feels natural and right, like slipping into his favourite parka; it fits so perfectly that he barely thinks about it, until he contemplates wearing anything else, and then he appreciates its' comfort all the more.
He knows that Bato has harboured feelings for him since they were children, no older than Katara was now, and while he never expressed it freely, Hakoda had always known, in some way. The way that Bato would roll his eyes but still laugh at all his jokes early on, the way that Bato would drop everything whenever Hakoda asked, the way that Bato was dedicated, devoted, to him like no one else - bar Kya - gave it away. It wasn't hard to accept that Bato loved him, as Hakoda knew that if Bato ever loved anyone else, he would feel a sense of loss and sadness, mixed with the joy of seeing his friend being happy and in love.
It had been harder to come to terms with his own feelings, even years after Kya's death. Hakoda knew there would always be a piece of his heart dedicated just to her, a love that only she had, but as time went on, he (re)discovered his feelings for his friend, falling in love with his dry wit, his deep voice, the way that would smile whenever he caught Hakoda's eyes.
During the war, it was easy to rationalize his growing desire to be near Bato at all times, to share a tent with him, to be close enough that at any point he could reach over and place a hand on the taller man's arm. It was safety, Hakoda remembers telling himself before he finally got his shit together, it was for safety and because he wanted to make sure his friend was okay at all times. And yeah, maybe that was a small part of it, but mostly it was because he enjoyed being close to Bato, revelled in feeling his warmth against his side, in being able to hear the rumble from his chest as he spoke, and from being able to link pinkies with him at a moment's notice.
Bato always seemed to know Hakoda better than he knew himself because he would just look at Hakoda whenever he initiated an unnecessary touch, and smile coyly, before looking away. He never commented on what Hakoda was doing, until one night in their tent he reached across their sleeping rolls, and placed a gentle hand on top of Hakoda's. When he didn't pull away, Bato shifted slightly, laced their fingers together, before whispering, "Goodnight, Koda."
And they had fallen asleep like that, though Hakoda had spent what felt like hours just memorizing the warmth that he felt, the feeling of Bato's rough skin behind his calloused fingers, how tenderly and gently Bato's grip was, and how it loosened even more as he fell asleep. During the night, of course, they had both moved and their hands had separated, but the knowledge of the night before was enough for them, and they spent many more nights falling asleep like that. Eventually, under the gist of doing an impromptu patrol, Hakoda and taken Bato outside the camp, and under trees taller than they could have ever imagined, Hakoda reached for Bato's hand in the daylight. He laced their fingers together, before leaning up - and, to his slight embarrassment, Bato had to hunch down - and pressing a kiss against Bato's chapped lips. They had returned to camp soon after, and if they held hands at dinner, then no one mentioned it.
There were bumps that they hit, as one might expect, considering that they were in a war, that Bato was Hakoda's second-in-command, and considering that Hakoda was entering the relationship as a widower with two children. Though Sokka and Katara both knew Bato well - the man had taken them ice dodging! - and loved him like an uncle, or even as a second dad, they were still confused, shocked, and a little bit hurt when Hakoda had finally sat them down after the comet, and with one hand on each of their knees, Bato sitting stiff as a board next to him, that he and Bato were dating.
In the two years that passed, any apprehension that his children carried has melted away to easy acceptance and happy neutrality at seeing their father sharing his life with a man that made him smile in a way that they hadn't seen in years. They roll their eyes at the sight of Bato and Hakoda holding hands as they walk around their under-construction village, when they see their father leaning up to press a quick kiss to Bato's chin, and when they see Bato sporting matching beads in his hair as Hakoda.
The two years since the end of the war seem to fly by, with Hakoda and Bato learning to readjust to life that isn't constantly under threat. He's happy to be with Bato, happy that for once, everything is simple and happy that he and his partner can just go with the flow for once.
Of course, it's Katara who brings it up, ever the romantic that she is. It's been about a month since Hakoda and Bato's anniversary, a date which is vague at the best of times and which had no formal celebration, though the dinner that night was more fanciful than usual, that was due to Katara and Sokka's friends visiting, saying farewell as Katara and Sokka were needed in the village for the upcoming winter months.
It's the evening, with the bulk of the day's work done, the remainder being tomorrow's problem, and Hakoda is sitting in front of the fire in his home, enjoying a pleasant conversation with his daughter while they wait for Bato to return from his work, when Katara, suddenly and without preamble asks, "So when are you and Bato getting married?"
If Hakoda had been drinking anything, he would have spat it out. Instead, he blinks a few times, before asking, "What?"
"When are you getting married?" She repeats. "You guys have been together for a few years now, right? Are you planning on getting married?"
"Uh," Hakoda is still trying to gather himself from the whiplash that the conversation has given him. "We weren't… we haven't talked about it?"
Katara hums, and fiddles with her necklace. It's not a move that goes unnoticed.
"Do you want us to get married?" Hakoda thinks for a moment then corrects himself. "Would you be okay if we got married? IfIgot married?"
Hakoda knows that in theory, his daughter wants him to be happy, she wants Bato to be happy. But, he knows Katara still has complicated emotions over Kya, still misses her deeply, and that her wanting them to be happy was different than her feeling comfortable with her dad marrying someone else.
Sokka, Hakoda knows, harbours somewhat similar feelings, though he leans more towards the opinion that Kya would have wanted her two best friends to be happy, would have wanted his dad to find love again, and if nothing else, Sokka has a few more years worth of memories of Bato being around and taking care of them.
Katara lets go of her necklace and sighs. "I don't know." She looks a bit surprised at her own honesty. "I guess? I want you to be happy, and I know now that you'll always love mom and that Bato isn't trying to replace her, but, it's just…"
"Weird?" Hakoda offers.
Katara shrugs. "Yeah. It's a little weird."
They sit in a silence of understanding for a few moments before Hakoda clears his throat. "Well, as I said, Bato and I haven't spoken about marriage yet, but if we do then I'll check with you and Sokka first, okay?" Hakoda waits until Katara meets his gaze again. "I'm not going to do anything that hurts you."
Katara smiles, a little watery, before leaning over and giving Hakoda a brief hug.
It's a self-fulfilling prophecy because, after that conversation with Katara, the topic of marriage keeps appearing in his thoughts. Really, there's nothing tangible that they can gain from getting married. There are no illusions of virtue that they need to maintain - after all, Hakoda has two children and no one has ever accused Bato of celibacy - and they already live together, Bato not even attempting to rebuild his previously destroyed igloo when they arrived home.
Hakoda thinks of his own engagement to Kya, how he had to humble himself in front of her parents to get their blessing, how he had worked so hard leading up to that point to prove that he would be a good husband, that he could provide for them and make her happy, how he spent so many nights carving designs into whalebone before Kanna eventually gave him her necklace to gift. It had been terrifying, anxiety-inducing and wonderful, the mixture of confidence and worry that he felt every time he looked at his half-finished carving and every time there was a moment with Kya where he thought, "This is it!"
Bato doesn't have parents anymore, nor does he have any other family members that Hakoda could ask to give him their blessing. If Bato was interested in marrying Hakoda, they already know that Kanna would give them her blessing easily, even casually. They have nothing to prove to one another; they've been to war together, have hunted together for years, and even with Bato's scarred arm and the slight limp that Hakoda has gained, it's clear to both of them that they can provide for one another.
Hakoda knows that they would have no issue getting the tribe to acknowledge their marriage, arguably the most important part of the wedding ceremony. Half the children in the village already refer to Bato as 'Chief', ignoring the slight smile and correction from Bato and their parents thattechnicallythat's not his title. And considering that no one has even tried to set Bato up with one of the nice Northerners that blush when he makes eye contact with them, and the fact thatsomeof the adults in the village - the ones that remember how long Bato's been pining after Hakoda, the way that he used to go out of his way to spend time with him and his family, despite his self-proclaimed dislike of babies - have been asking if they're going to be seeing any tall, dark-haired, strong-jawed children anytime soon, well, it's pretty obvious that everyone has already written Bato and Hakoda off as a forever thing.
Hakoda is pretty sure that they're right.
He knows that he should actually talk to Bato about this, instead of just bouncing the thought around in his head, weighing the pros and cons of marriage before he's even found out if Batowantsto get married. They're pretty happy as is, Hakoda thinks, as he braids Bato's hair in the morning, making sure not to pull too tightly as he threads the strands through beads that match his own. Bato has never liked too much fuss, has always been a little more private and withdrawn than Hakoda; maybe he would think that a wedding would just be a waste of time, too many people getting involved in their private business. It's always a balancing act with Bato, between him wanting to show that he's in love, that heisloved by the man that he's been pining after for years, the desire to show slight affection with him in public, and his discomfort of being so open, so obvious to the public eye. It's a balance that Hakoda isn't always perfect at maintaining - sometimes pushing Bato too far when he pulls his down to kiss him at the end of council meetings, or when he introduces Bato as 'his partner' first, instead of 'second-in-command' - but it's a balance that he's always ecstatic to try and perfect and maintain.
Finally, weeks after his talk with Katara, as he's rubbing soothing balm into Bato's shoulder, he asks, "Bato?"
Bato hums. "Yes, Koda?"
"Ever thought about getting married?"
Bato turns his head to look at Hakoda, eyebrows furrowed. "If this is you asking, this is a terrible proposal, so the answer is no."
Hakoda laughs and shakes his head. "No, no, not a proposal, I'm just. Wondering, I guess, if you ever thought about marriage or…. Or kids? The future, I guess."
Children are a touchy subject, he knows, but he might as well get all the awkward conversation out of the way now.
Bato's answer is immediate. "We are not having any more kids, Sokka and Katara aremorethan enough and they're not even mine."
"You know that's nottotallytrue," Hakoda mumbles. Bato smiles a bit at that, reaches across his chest to lay a hand on Hakoda's forearm.
"Besides, I'm gettingold, Hakoda, I don't even think I could…havea kid," He levels a look with Hakoda, trying to put the emphasis on the right words so that Hakoda knows what he's trying to say. It works, and briefly, Hakoda remembers back to Bato's youth, when his voice dropped, when he got his growth spurt, the way he was so proud when the tribe finally stopped shoving him with the women and let him learn how to hunt and fight. Bato has either ignored or changed so many of the functions thatwouldallow them to have a biological child together for so long, and Hakoda understands his uncertainty. "Besides, the only kids I like are yours, and who knows if you can go three for three."
"You seem to like Toph pretty good."
"Toph doesn't count," Bato says defensively, but his tone has a slightly frustrated edge to it, showing he doesn't want to talk about it anymore. Hakoda rolls his eyes as they laugh for a moment.
"Okay, fine, she doesn't count. But, how about marriage?"
Bato sighs. "Youknowthat the only person I'll ever want to marry is you." He says it so casually, with such neutrality, as if it's just a fact of life - like he was telling Hakoda that summer days were long and that the water that surrounded them was cold. It makes Hakoda's heart feel like bursting, hearing Bato's declaration of love, even if it's a few years later than Bato wanted it to be. Hakoda leans over from where he's kneeling on their bed to kiss Bato's cheek.
"You know, Katara asked me if we were going to get married."
"Oh?" Bato says as he shifts away to pull on his nightshirt, now that they've thoroughly abandoned lotioning his scar.
"Yeah, she said that she would probably be okay with it. You know how much she misses Kya," Hakoda adds hastily, feeling a bit guilty. Bato nods as he lays down in the furs, watching as Hakoda goes to put out of the candles that are illuminating the room. It's almost winter, and as the lights flicker out, the room is soon sent into near pitch darkness. Hakoda leaves one candle lit, and when he lays down next to Bato he admires how the light and shadows dance around his face.
They lay in silence for a few minutes, the only sounds being the noise of shifting bodies as they intertwine limbs and get comfortable. Hakoda ends up face pressed against Bato's strong chest, enjoying the warmth and softness of it as he lightly tosses his own arm across Bato's waist. He nestles in when he feels the weight of Bato's scarred arm fall across his shoulder, hand hanging loosely down Hakoda's back. Bato nuzzles slightly into Hakoda's hair, though he'll never admit it. It's comfortable and familiar, and Hakoda can't believe that he gets to feel this safe, this warm, thishappyafter all the years of war and violence and suffering that they had to live through.
"If the kids are okay with it," Bato's chest rumbles as he speaks, tickling Hakoda's cheek. "Of course I would like to marry you."
Hakoda smiles into Bato's chest, feeling giddy like he's a teenager again. "Okay. We can think about it and talk later."
Later comes soon than either of them expected, when Hakoda and Sokka end up hiking up a mountain to hunt a polar bear that chased some of the Northern Water Tribe members. Hakoda doesn't really want to kill it - if the creature wanted the Northerners dead, then they wouldn't be complaining about the 'dangerous wilderness' to Hakoda - but he knows that if the animal ever ends attacking one of the members for real, then he'll have a crisis on his hands. They take a sled and begin the long trek up the mountain. They're partway up the mountain when they find one of the caves that mine for engagement stones in, and they decide to take a rest. Hakoda sits down, watching as his son leans his spear against the wall walks deeper into the cave, unsheathing his sword as he goes.
"Don't go too far, Sokka, we're not stopping for long."
"Ugh, I know, dad, I'll be fine," Sokka calls back noncommittally. Hakoda sighs and lets him be. He hears some clanging a few minutes later but decides that Sokka is old enough to waste time and energy if he wants. Once he's done resting, Hakoda stands up and is about to call out for Sokka when he comes scurrying back to the entrance. He dashes to one of the cloth bags that sit on the sled, shoves something in it, before going to collect his weapon. Hakoda raises an eyebrow at him and gets a sheepish smile in response.
They find the polar bear a little further up, and after taking it down, load its body onto the sled. They catch a few gopher-hares and collect the few edible plants that have survived so far into the season as they make their way back down. It's hours later when they finally arrive back in the village, with Sokka needing to run ahead to get more help the lug the bear and the sled across the vast, flat plain of ice that stretched between their village and the base of the mountain. Despite his displeasure in having to hunt the bear, Hakoda looks at it and thinks about how proud he is of his son, how much of an accomplished hunter and provider he's become, and how this catch will be nice padding for the village's winter food stock. The fur will make some excellent clothes, and Hakoda is sure that a few of the animal's claws and teeth will appear on someone's wrist or neck as jewelry. It's after they've pushed the sled into the village, and various people descend on it and the various bags filled with plants and other animals, that Sokka calls out, "Hey, there's carving stones in one of those bags, someone give them back to us when you're done!"
Someone makes an affirmative sound as they prepare to butcher the animal, and Sokka nods and turns to walk away. Hakoda follows him and looks at him strangely. "Why did take carving stones?"
"So you have something to carve for Bato," Sokka says it as a statement, but looks confused at his father's asking. "I thought you and Katara talked about you guys getting married?"
Hakoda sputters. "Yeah but we weren't planning on getting marriednow."
Sokka shrugs. "That's why you gotta plan in the carving time, dad! Carving takes a long time! It takes like three weeks if you don't chip or crack the stone."
Hakoda can't bring himself to agree vocally, so he stares ahead for a few seconds until he realizes, "Wait, how do you know how long carving a necklace takes?"
Sokka flushes and starts walking faster.
"Sokka- Sokka, you areWAYtoo young to be marrying the Firelord! Sokka, get back here!"
In the end, Kallik, one of the younger men that Hakoda led in the war, brings four rocks, all shades of dark blue to grey, already cleaned of dirt and blood and wrapped in leather, a few days later, smiling slyly as he passes the lumpy package over. "Good luck, Chief!"
Hakoda mumbles a thank you, and hastily tucks the parcel under his arm and puts them in his and Bato's room. He tells himself it's not technically hiding if a blanket justhappensto fall on top of the container that he's placed them in, and the container happens to be under a shelf that Bato never looks in. He doesn't care if Bato finds them, he tells himself, as he pushes them box further into the wall.
He knows that he'll have to talk to Katara and Bato about this more, will have to make sure everyone is fine with it, and then plan the ceremony, all of which will take a while.
But, he tells himself as he fishes out one of the stones, hiding it in one of his pockets before setting out on his canoe to 'check the traps',all of that can happen once I'm closer to finishing this carving.
The first step of necklace carving, Hakoda remembers, is to shape the stone down to a circle-ish shape, breaking off any protrusions off and then shaving pieces off, little by little, until it's the right shape to actually carve. Hakoda cracks the stone on his first attempt - not unlike he did twenty years ago when he was carving Kya's. Hakoda checks the traps and hauls a couple of urchin-crabs back to the village. He drops the broken rock into the sea.
The next week Hakoda goes out to check the guide rope that surrounds the outer wall of the village. One of the children of the village said that the rope had broke in the last wind storm but couldn't remember where since they had been going out to find otter penguins and had got distracted, and as tedious as it is to walk the entire perimeter of the continuously expanding city, everyone knows that if the rope is broken, then there's a chance someone could get lost in a blizzard. Hakoda volunteers, since everyone else is so busy. Bato offers to come with him, but Hakoda waves him off.
"Your arm has been hurting you," Hakoda says in the doorway to their igloo. Bato rolls his eyes.
"Doesn't stop me from walking."
"Just stay here, love." Hakoda stretches up, Bato leans down automatically, and Hakoda places a kiss on his lips. "I'll be back soon."
He finds the break in the rope just a few minutes past the entrance, ties the pieces together, and continues walking around the perimeter, fishing a new stone out of his pocket.
The second step to necklace carving, once the stone is the correct shape and dimensions, is planning. Each necklace is meant to be unique, meant to represent the recipient and the shared love of the couple. But, the design also depends on the stone, on what the medium will allow. Hakoda is trying to gouge out a tall, deep line in the rock, meant to represent the tall trees of the earth kingdom that surrounded them, that Bato was so impressed by, and under which they first admitted their feelings for each other. He presses either too hard or at the wrong angle, and it splinters, a piece of it chipping off. Hakoda sighs and tosses the broken mineral in one of the tiny ice fishing holes that they use to teach children how to dig through the ice. There are no other breaks in the rope.
Bato goes off to help repair some boats - even with an arm that occasionally seizes up, he's still one of the best boatsmen in the tribe - and once all of Hakoda's meetings are done for the day, he's left with an empty igloo and a few more hours until Bato is likely to return. Hakoda pulls out the second to last stone that he has and starts to carve.
The third step in carving a necklace is to create the eye that either the metal or leather bail will go through to connect it to the choker. It's not particularly hard, but it's time-consuming, twisting a blade or tool in circles for hours until it breeches the other side.
The fourth step is connecting it to the leather choker. The fifth step is presenting it.
Hakoda finishes step three, looks at his carving and hates it. The tall lines of what is meant to be a forest seem crooked and nonsensical, the swirls at the bottom barely register as waves, and there are knife marks around the eye look intentional instead of accidental and confuse the setting. It looks sloppy and bad, and even if Bato will accept it happily, Hakoda's stomach turns at the thought of presenting something so poorly crafted to him. He groans and throws it to the side of the room.
He doesn't know if carving Kya's necklace was easier or if he just repressed how hard it was from his memories. It all seems silly, all the stress when he and Bato are perfectly happy as is. He wonders if he should just forget it, just give it up, let good things stay as they are. Except.
Except he knows that underneath his reasonable tone, and understanding air, Bato wants to marry him. Hakoda doesn't know what he did in a past life, what spirit he worshiped or what king he saved, but he must have done something because in his life he's had two great loves and both of them wanted to marry him.
You know the only person I'll ever want to marry is you.
Bato wants and asks for so little. He wants Hakoda to lay next to him as they sleep, he wants Hakoda to help him rub his shoulder, he wants Hakoda to go fishing with him, he wants Hakoda to not ask about kids or his body or his medication, he wants Hakoda to kiss him in the privacy of their home and hold his hand for a few minutes when they walk outside. Bato wants Hakoda to marry him, and like all the other open secrets about himself, he'll never tell Hakoda outright, leaving him to put together the clues together until he can find out how to make Bato happy.
Hakoda is pretty sure that's all he wants, really; to make Bato happy. He deserves it.
He hears Bato stomping the snow off his boots as he walks into their home. Hakoda sighs, and gets up, collects the rock he threw and slips it into his pocket. He goes to greet his lover, wrapping his arms around the taller man's torso under the gist of 'warming him up', even though his parka was plenty warm, and thinks about how he has one more stone left.
He swears that he's not trying to put it off, but Hakoda figures he should talk to his family before he moves forward. He talks to Katara to make sure she's still 'okay' with the prospect of him marrying Bato. She gives somewhat the same answer, though she concedes, "You guys are pretty much married already, so…"
Sokka is already enthusiastic about it, though Hakoda is pretty sure that's just because a wedding ceremony is an as good excuse as any to invite all their friends back. Privately, Sokka finally admits to Hakoda that he thinks mom would have wanted her two best friends to be happy, even, or maybe especially if it's with each other.
He talks to Kanna, even if traditionally that's meant to be Bato's job. Hakoda figures Kanna is the closest thing Bato has left to a mother. As expected, Kanna is fine with it, thinks it's a bit silly that Hakoda seems to stress about what's clearly a sure thing. Hakoda doesn't know how to explain to his mom that even if it's a sure thing, even if Bato will say yes if Hakoda hands him a piece of clay attached to a string, he wants it to be right. He wants Bato to look back at their engagement and feel satisfied and fulfilled.
Hakoda is still nervous about carving but the unbearable pressing of anxiety has lifted some. The last stone left is a dark grey-blue, less glossy than the other prospective stones, and more opaque. Hakoda begins to carve it during the dead of winter when everyone in the village only spends a few hours a day outside, and they only step foot outside the village if completely necessary. This means that much of his secrecy of the matter is gone, but whether Bato is intentionally staying out in the main area of their igloo during the day, or if he's there because the fire there is warmer than their bedroom, Hakoda doesn't know. He sits on their bed of furs, trying to keep his swears quiet as he chips and carves away at the stone. The sounds of Bato just a room over, speaking to Katara and Sokka, laughing at their jokes, and going about his day seems to calm Hakoda's nerves and steady his hands.
It takes him less time than his previous attempts. He's limited the lines of the trees to just two vertical ones, one slightly taller than the other. The waves at the bottom now have mirrored swirls at the top, land sandwiched between sea and sky. Hakoda is more carful carving out the eye of the pendant and is surprised when he actually adores it when it's finished. He carves some designs into some whale teeth and polar bear claws, knowing that even though the addition of bone will make the necklace more noticeable overall, it'll draw some of the attention away from the pendant, and he suspects that Bato will appreciate the small amount of privacy and intimacy that will afford him.
Hakoda knows that Bato knows what he's doing. The way he smiles when he sees Hakoda retreat into their bedroom after he's done working for the day, the way he sees the new callouses and cuts on Hakoda's fingers and doesn't ask where they came from, only presses small kisses onto them because he knows it'll make Hakoda smile. If Hakoda wasn't certain before, when he finds a piece of spare leather - raggedy and unusable - but cut to a specific and familiar length, just casually laying on Hakoda's desk, it's confirmation.
He gets a new leather band, of course, one that's just slightly thicker than traditional, soft on the inside and tanned a deep, dark blue. He punches the holes for the bones with Bato leaning over his shoulder, telling him where he wants a tooth and where he wants a claw. Neither of them mentions how the centre of the leather is left blank for now.
Their engagement is nothing like Hakoda and Kya's was. Hakoda proposed to Kya in the spring and they got married in the summer; he had asked while they were outside, basking in the sun, and with some of Kya's friends peering around igloos to watch as the scene unfolded. Hakoda had stuttered, had proclaimed his love for Kya, had made her laugh as he helped her place Kanna's necklace around her neck.
In contrast, winter has only just started to end, the sky only just barely brightening for about an hour or so each day, before it plunges back into darkness. All of their friends are either dead, in the Northern Water tribe, or busy with their own families. Hakoda doesn't even ask Bato, not really, he just slides the finished necklace across the table, ignoring the way Sokka and Katara gape at it. Bato looks at it and smiles, gingerly picks it up and ties the leather around his neck. He asks Katara to make sure the knot is secure, and Hakoda's heart soars when she readily gets up, moves Bato's hair to the side and readjusts it. The necklace sits at the base of his neck, the teeth and claws sprawl across his collarbones in the most delectable way, and the pendant sits flat on his chest, looking so natural and casual, that Hakoda can trick himself into thinking it's always been there.
Bato looks happy wearing his necklace, he looks comfortable when his hand gets finding its way to the pendant, nails finding all the groves and uneven surfaces that Hakoda couldn't smooth away.
There are few opportunities for anyone else to see it, with as cold and dark as it is. Even inside some of the newly build halls and offices, most people still wear an outer coat, to fight off any chill that passes through the complex halls, designed to keep the wind from blowing straight in. But the few who do see it get a sly grin on their face, wiggle their eyebrows and give Bato a playful nudge.
"Finally making an honest man out of Hakoda, huh?" Some people joke and even Hakoda can't help but laugh.
"More honest than you, at least." Bato sometimes fires back, earning a gasp of fake insult.
They're busy, Hakoda and Bato, the village, their children, the whole world, and weddings take time. Hakoda asks Sokka and Katara if they have a preference for when the wedding is. They hem and haw for a while, before tentatively asking if it can wait until spring.
"Zuko won't be able to visit for long if there's not enough sun," Sokka mentions shyly. Hakoda shoots him a look that he hopes reads asWe Will Be Speaking About You Dating This Firebender Soon But Not Right Now.Sokka dutifully looks away.
Later as Bato is laying down next to Hakoda in bed, Hakoda asks, "Are you okay if we wait until spring?"
Bato shrugs. "I've waited for decades, I can wait two more months."
When they sleep, Hakoda can feel the cool press of bone and stone against his cheek. It's more comforting than he ever thought it could be.
The sun has returned, and with it brings new chores to do, new game to hunt, new responsibilities, and various children that were born during the winter months. There's plenty to do, and every second of light brings them one second closer to the winter once again. There are boats to build and repair, there are walls that were damaged by wind and snow, there are stocks that need replenishing, and children that need hunting, singing, dancing, fighting, and history lessons.
Hakoda is pretty sure that everyone should be anxiously anticipating the start of all their work.
Instead, everyone is gathered in the new village square - complete with archways and fountains around the sides, columns that hold up a domed roof, and a ground that doesn't shift when people walk over the same place too many times - throwing decorations on any available surface. The columns have been covered in swathes of fabric and dyed ropes, various beadwork decor has been hung from the ceiling and archways, carved bones have been placed around the area for luck, and good tidings, and just to make the place look interesting. Hakoda isn't sure if it's because no one has been out long enough for their clothes to get overly messy, but he's pretty sure that everyone is dressed up in their more formal coats and boots.
It throws him off guard. Weddings in the Southern Water tribe truly aren't that grand of an affair, but he assumes that the influx of Northerners has resulted in their more festive approach gaining some traction.
"Or maybe, they're excited that their chief is getting married." Bato offers, smiling at Hakoda when he presents his theory. Hakoda smiles back.
"I think I saw some men weeping when they realized they officially lost their shot with you."
Bato rolls his eyes. "They never had a chance with me." It's a joke, and Hakoda wants to laugh, but Bato places a gentle hand on his shoulder, and Hakoda reads between the lines.
He doesn't tease Sokka about running off with Zuko - the Firelord bundled up in more red and blue fabric that Hakoda has ever seen on him at once - the minute he steps off his ship. He doesn't tease Katara about the way she shyly kisses Aang when he slides off Appa, before going to help Toph navigate her way across the ice. Bato is excited to see the young earth bender and starts an easy conversation with her and Suki and he leads them around the village, letting Katara go off to hold hands with Aang away from her father's watchful eye.
They marry a few hours later, with nearly the whole village pressed against each other to watch as the two of them kneel in front of one of the elders, the old woman standing tall and proud in her furs despite the slight hunch she has in her spine.
She asks Bato if Hakoda has presented him with a betrothal necklace.
"Yes," He says, voice deep and happy, and so soothing, even as dozens of eyes - including Hakoda's children and their friends - stare at them. He digs the leather and pendant out from under his clothes, allowing the elder to see the design. The elder nods and smiles.
"Do you have a gift to present to your betrothed?" She asks Bato. He nods and pulls out a cloth gift. He hands it to Hakoda, who has to restrain himself from thanking him as he unwraps the fabric. A small gasp escapes him, when he sees the ivory of carved walrus tusk, carved and sharpened into a knife, the leather around the handle soft and worn but well cared for. It was Bato's father and had been passed down in his family for generations. For a second, Hakoda almost turns to asks if Bato is certain if he wants to give it to him, before realizing that Bato wants it to be Hakoda's so that it can go to Sokka. Bato wants to pass his family heirloom onto Hakoda's children, because, and Hakoda's heart skips a beat when the realization finally hits him, they'll be the same family.
"Thank you," Hakoda says a little watery. The woman in front of them takes that as acceptance of the gift.
"And do both of you intend to provide for each other and your family? Will you work together in the light of the summer, collecting what the Spirits give you, and in the darkness of winter, when only Tui smiles upon us?"
Both of them nod, and they hear an excited titter go through the crowd.
"Do either of you have any qualms or objections to your union." They both shake their heads hastily and Bato's necklace clicks and clacks as he moves his head. The excitement in the crowd grows as the elder clears her throat and calls, "And does the tribe accept this marriage?"
The crowd erupts with excitement, Hakoda can just filter out his own children cheering, Aang's 'whooping' and Toph's cackling at the sound. People clap and shout, and he and Bato can't help but look at each other and laugh at the commotion. The Northerners have definitely spread their own modified traditions throughout the village. The elder in front of them works to control her own smile as she waits for the noise to settle.
"The tribe has acknowledged this union. Chief Hakoda, Bato, you are now wed."
The cheering starts up again and Hakoda and Bato stand up, holding each other's hand tightly. Hakoda surges up and presses a kiss to Bato's lips, earning more cheers and a few whistles, and an exaggerated gag from Sokka, and grins when Bato blushes and pushes him lightly.
Hakoda can already tell that they'll have to just write this day off, judging by excited energy that comes and goes through the crowd like waves. Hakoda wouldn't be surprised if he found some people passing around fermented wine. He barely cares though, when he looks up to Bato and sees him smiling wider than Hakoda has ever seen him before.
He's still gripping Hakoda's hand, still blushing from the kiss and all the attention, and Hakoda can't stop himself from leaning up and kissing him again. Bato doesn't push him away this time, even though his flush gets darker.
"Worth the wait?" Hakoda asks.
Bato nods. "Yeah. It was pretty worth it."