Years before the Ark fails, a man, named Jake Griffin, is sent down to Earth. He returns to the Ark, with a baby, of all things. Years later, Clarke, now a part of the Ark is sent down to the Earth alone, if it means that her father won't be killed. During her time there, she learns who her mates are-and learns of the Lovecraftian creatures that consider Clarke one of their own.

Clarke has complicated feelings about Fury and is very protective of Natasha. Which is why Clarke still has some anger to get past. But Natasha is very helpful with that.

This is just inarticulate and meaningless smut.

Can be seen as part of my tributes to the vampire story of WolfHowlRunner61. Swans mate for life; this is something that Clarke is aware of, and she is aware that like everything else, her soulmates like to dirty that thought up, just to make the game all the sweeter.

Clarke always liked the smell of lilacs. They calmed her. There was so little about her life that was calming. And Natasha coming along with some lilacs in her hands for Clarke, any temperamental or violent thoughts Clarke might have, flee her.

There is an issue that Clarke has. It involves blood. Natasha wants Clarke to experience intimacy of drinking her mate's blood, since Clarke, whatever she is, needs to drink blood. Clarke refuses. Natasha has an answer to this problem. But she knows she is going to betray Clarke to do it.

Natasha and Clarke go ice skating. That's it. That's all that happens. Domestic fluff and nothing else. Just rating it "T" for some talk in the story.

"I'm sorry," Clarke said quietly, "I know I can be…a lot sometimes." Clarke Griffin again gets angry, but it leads to a discussion about Clarke realizing how Natasha affects her. And Natasha is happy to press her advantage.

Clarke knows how this will end. She knows that trying to create life the way her mother is creating life, never goes well. It doesn't change that Clarke's in for a shock when she feels her chest burning, meaning that her thirty mates are about to be born, just when Abby's thirty experiments are about to become alive.

il était une fois dans une magnifique forêt vivait des créatures magiques et non magiques Leur roi était un loup garou et leur reine une vampire sorcière, elle avait hérité de la magie de guérison. Un jour une déesse de la lune et venue prévenir d'un événement , la reine donnera naissance à une fille qui apportera la paix entre les Loup garou et les vampires le roi et la reine

Clarke opened her eyes weakly when she heard the doors close with a mechanical whirr, seeing Natasha walk into the room. Her eyes widened and she moaned at Natasha's smirk. Natasha catches Clarke in a compromising position, but is more than happy to watch.

Having defeated Dreykov, Natasha, Clarke and Yelena stay together for a few nights at a hotel, and inevitably, what happens? Natasha and Yelena both decide show their love to their mate Clarke. Nothing beats celebrating a victory like a threesome, right?

Clarke knows that she's an abomination. A mistake of nature. But she can't help that she's a beast that longs for a beauty she knows she must never have. A beauty who she hungers for, by the name of Natasha.

Natasha would always be in Clarke's corner. Always. Clarke didn't understand it when Natasha had sided with Ross and Tony, over Steve Rogers when the Accords were presented to them by Ross, but Natasha did it specifically for Clarke Griffin. But Clarke believed that Natasha had chosen Ross not just over Steve, but over her. Over Natasha's wife and soulmate.

Beneath the Paris opera house? There are creatures who stay there, listening to their angel, Clarke sing. Masked and ready to commit murder for their love, the Phantoms of the Opera, will have the love of their life, no matter who they have to kill for her.

"Come into my parlor, malen'kiy," Natasha said seductively. Clarke whimpered as she neared the Black Widow's den, about to be consumed.

Sequel to We'll save you, even if you beg us not to. Clarke Griffin has gotten better over time with the help of her lovers. But now, her lovers want to keep her safe. And to do that? They will kill who they need to. Including innocents, if they must. Even if Clarke hates them for it.

Natasha, Wanda and Maria are all desperate to help Clarke through her issues. They know how damaged Clarke is. This is why they take perhaps the most extreme action. And keep her somewhere they know they can help Clarke, ignoring her protests.

Clarke Griffin wants pain for everything she has done. She believes that the pain she gets will make her feel like she's getting what she deserves. And Natasha will give Clarke this pain. But for a price. The price? Pleasure. Subjected to Natasha's unending force of pleasure.

Teacher AU. Clarke is in a relationship with all her lovers, and their relationship is pretty much an open secret. Besides, what's there to be ashamed of? Clarke is an adult and no longer her lovers' student. But two students grow to be interested in Clarke and….want in on the action.

A girl drops on the floor of the Alaric's office. Who is she? Is she a friend or a foe? Is she after the knife? Why is she here? What are her powers?

Clarke watches Natasha, and wants nothing more than to make Natasha hers. But that's when Clarke makes a terrible discovery about herself. An ugly, violent creature has no place in the life of a ballerina who makes the world shine. Literary references in this.

Clarke is beginning to think she is as deranged or even more deranged, than her mates. Her mates who will give her endless pleasure. Whether she likes it or not

Part of my historical fiction series. Vlad the Impaler is dead. His army now must back his son against the Ottomans. Unfortunately, a group of guards have their own plans, especially when it comes to their lover. Because for them? She will always come first…in more than one way.

Hunger Games AU. It has been six years since Clarke Griffin has become the victor of the Hunger Games she was thrown into, when she volunteered to protect her sister. She has won and she will never have to fight in the arena again, but for a price. She has caught the eye of many of those within the capital. And Clarke has learned that catching those eyes, has a price too.