Travel with Yoshimoto? I could probably get anywhere faster and less conspicuously without an escort, but in spite of his ambivalent manner, his knowledge of the politics involved would be worth having. Not to mention there was always the possibility that Yoshimoto wouldn't give up the location of Yoshiaki's hideout unless I agreed to go with him. "Thank you."

He cast a critical eye over my clothes. He didn't visibily flinch at my 'Katsu' drag, but he was clearly unimpressed. "Dare I hope that you still have the clothing Mitsuhide provided?"

"No." I didn't mention the turquoise yukata. That wasn't what I imagined Yoshimoto meant. "I've abandoned the Kaya identity completely."

"Pity. It would be most believable to Yoshiaki if I brought along a concubine." He tapped his fingers on the table. "Stand up, if you will."

Wondering what he had in mind, I obeyed the polite request. Yoshimoto got to his feet as well, and stood next to me, "You'll travel as my page, although I'll have to procure a suitable outfit. My own clothes would be far too long for you."

Had it been Mitsuhide who made such a statement, I would have protested that I wasn't too small, it was he who was too tall, but Yoshimoto had a way of making everything seem like a compliment. He thought a moment longer then added, "I have a relative whose castle will be on our route. I imagine we might find something suitable there, for you will certainly need warmer outfits for the mountains. Her son's clothes will likely fit you."

Right. If Yoshiaki was in mining country, as the context of Iekane's letter suggested, it would be colder there. Maybe not as cold as the Togakushi area where I was from, but cold enough to need heavy outerwear. "Thank you. My winter gear is back at my master's home."

When Aki had first disappeared, it had been the last of summer. I had never expected the search to take me into late autumn. And yet… here I was, following a path that hopefully would not be another dead end. That morbid thought reminded me that I needed to make arrangements for Hiko tonight too.

Yoshimoto reached out and tested the thickness of my kimono. "Perhaps we'll encounter traders on the route. They might have some pelts they are taking to the export merchants." Huh. That suggested it was really cold where we were going (or that Yoshimoto just wanted an excuse to go for shopping). He knelt at his writing desk and jotted down a few notes. "Do you also need a horse?"

"No. Mine is already stabled in town and she's a surefooted mountain pony." A bad tempered one, true, but we'd be more likely to see snow instead of rain, so hopefully she'd cope.

"Ah, you might be better situated in that regard than I am." Yoshimoto folded up the letter, and set it aside. "I'll have one of Shingen's spies take this to my cousin tomorrow."

Hm – I hadn't realized that the Takeda spy network reached as far south as Sakai. But that did present a solution to one of my other problems. "Do you have easy access to the mitsumono then? Because Sho's younger brother is in danger, and it would be a good idea to have someone watching over him."

"How much danger?" He looked at me steadily, perhaps reassessing what he'd just gotten himself into.

"Life threatening." While I didn't think Iekane was currently in Sakai (because if he were, why would he send a message to de Sousa instead of just talking face to face) he probably had access to assassins.

Yoshomoto reopened the letter and scrawled a few more lines. "To be safe, I can have him taken to Kasugayama until he's out of danger." He muttered something about Kenshin needing a hobby.

"If you could make that happen, that's probably the best possible solution." Iekane would have to be crazy to attack Kasugayama. Kenshin's reputation as a fighter was infamous.

"A good idea will waft through my mind on occasion." He hesitated a moment, then added, "Very rare occasions." Before I could dispute that, he continued. "Right then. Another good idea is that we should sleep. You shall take my bed."

"I can't kick you out of your bed." I'd broken into his room – it would be impolite to also steal his bed. For that matter, I couldn't imagine him sleeping on the floor.

"If you're that concerned for my comfort, we could share." The look he gave me was enough to convince me that a) it would not be platonic, b) he was not teasing, and c) he expected me to turn him down anyway.

"I'm actually used to roughing it. Don't forget that before I was p-p-pretending to be Mitsuhide's concubine," Let's just ignore the fact that for one night, it had not exactly been a pretense. "I was delivering messages all over the country. My tent and bedroll are with my horse, and it's not as if I wouldn't be using those the next few nights anyway."

If Yoshimoto noticed my hesitation in describing my relationship to Mitshide, he was kind enough not to mention it. "Tent. Bedroll. No that won't do. There are enough inns on the route to suit."

Ah. We were going glamping. Well, it was his money. The Imagawa were land poor, but Yoshimoto at least seemed to have unlimited wealth. I supposed that now I had liberated my, for want of a better description, trust fund, from Francisco's desk, I could afford to stay at an inn as well.

But for this night, I pointed to his bed. "You, futon. Me, floor." Without giving him a chance to argue, I simply stretched out in the corner, using my pack as a pillow.

The lantern light was suddenly shadowed by his figure, standing over me. "I don't care that you are used to, as you say, 'roughing it.' I will not be able to sleep if I know that you are on the floor. Take my bed please. I have other options."

… I ended up sleeping in his bed. Yoshimoto found an accommodating tea maid (perhaps the same one as before) and spent the night elsewhere.


The following morning we were off, far later than I would have preferred, but Yoshimoto is not a morning person. In fact, by the time we had left the inn, taken care of half a dozen little tasks that Yoshimoto had insisted were important, it was long past dawn and I was already feeling impatient.

Luckily, getting in touch with one of Shingen's spies took very little time – in fact as quickly as Yoshimoto made contact, one would think that she'd been watching for him. Or maybe even me, as it turned out that I knew her, for she was the kuinochi who had clued me in on the existence of the contraceptive tea. Sute, who didn't appear to have a verbal 'off' button, had flitted around Yoshimoto, boldly flirting with him, before agreeing that bodyguarding a small boy to Kasugayama sounded like a fun new mission.

Her attention span seemed to jump from topic to topic so quickly that I was dizzy trying to keep up with her. "I love children, I would have a dozen of my own, but Chiyome thinks I would get bored with babies, so she reminds me to drink the – oh, Katsu, are you still drinking the tea?" She twined her arms around Yoshimoto for a moment. "You will need to if you will be travelling with this one. His skin is so very soft, do you not agree?" Then before I could respond to that (although what, really could I say?) she suddenly changed moods completely. "If someone is trying to kill a small boy, don't worry, I will gut him like a fish." She gestured to the arsenal of weapons and tools she had with her.

To add reassurance, Yoshimoto nodded. "All of Shingen's mitsumono are brutal in a fight if necessary. Shingen won't send anyone out who can't protect themselves and others. Let us retrieve this child now." It was said with a slight impatience … as if I hadn't been agitating to get this show on the road hours ago.

I had a general idea where Hiko and his family lived, and well, Sho's looks made it easy to track them all down. All I'd had to say was 'green eyed beauty' and her neighbors pointed me to their house.

Once Hiko had been guaranteed that his mother and sisters would be taken care of in a safe house arranged by Yoshimoto, he treated the idea of traveling to Kasugayama as a great adventure. In fact the biggest resistence to the plan came from Sho. Though she didn't blink at my transformation from Kaya to Katsu, the news that Hiko was in danger was another issue altogether. In a show of defiance, my former maid not only refused to go with her mother and sisters to the safe haven, but also insisted upon accompanying her brother as an additional bodyguard. "I'm not helpless. And you'll need another pair of eyes to keep watch on him. Hiko gets into everything."

Sute had given her a long measuring look, then surprisingly agreed to another travelling companion.

In fact, Sute and Sho seemed to take an instant liking to each other, and as they got on the road, I could hear them chattering about everything under the sun.

Finally, Yoshimoto and I were able to leave Sakai too. I was happy to have the city in my so called rearview mirror. Moonlight also was glad to be on the road, especially after being stuck in a stable for weeks. I felt the same. Playing house, so to speak, with Mitsuhide would always have been a chore for me because I just didn't like being inside. Getting back on the road was such a blessed relief...

And maybe if you keep telling yourself that, you will eventually come to believe it.

The only person who didn't seem relieved to leave the city was Yoshimoto himself. With a figurative dark cloud looming over his head, his frown and drooping posture suggested some private misery. I suspected it had to do with his rebellious vassals, but I hesitated to question him because I didn't want to make matters worse.

Thankfully, once we were well out of town, and the humid sea air gave way to a cooler crisp weather, he shook himself out of the mood and began peppering me with questions about the future, or, more specifically about the art and culture of the future. "You've never talked about this stuff with Sasuke?"

Yoshimoto's shoulder lifted in a graceful shrug. "I have tried sometimes, but it was clear that his tastes and mine do not converge and I find it frustrating to hear about adventure stories when I prefer to learn about theater, art and dance."

"Um, you're probably going to find my conversation just as bothersome then." Sports were always my interest, and I knew nothing about painting or sculpture.

He turned a dazzling smile to me. "Not at all. Conversation with a lovely young woman is never a bother." Whoa. I had forgotten that Yoshimoto could turn on the charm when he wished to.

Huh. Hm. I didn't want to disappoint him after that, so after thinking for a moment, I decided I could manage to speak somewhat authoritatively about film. I took him through the plots of Ran and Throne of Blood, giving him a brief run down of Kurosawa which then detoured to Shakespeare (at least what I could recall of both – which wasn't a lot in regard to Shakespeare, given my habit of skipping school). And then I remembered that Ran had been inspired by Motonari, or at least the version of him from my own timeline, which made everything weird for me all over again.

Over the past seven years, I had gotten used to living in the same era as the historical figures I had grown up learning about in school. I'd rarely encountered them though, so it had been easy to pretend that they were still characters in a film. Now, I'd just spent the bulk of autumn with Mitsuhide, taken part in a rescue of Hideyoshi, and was travelling with Yoshimoto. I was feeling a bit of surrealistic alienation.

"Katsuko, what happened next?" I realized that Yoshimoto was waiting for me to continue telling him the plot of Ran. "How do they get all of these battles on the stage? Or are your theaters bigger?"

Whoops, I had skipped over the technology involved, "It's not live, we have a different, or well another medium to stage visual stories." As best I could, I tried to explain how movies were made, and how they were available to be viewed at the push of a button.

He got very quiet for a while before saying, "I can't decide if the idea of holding a play in the palm of my hand whenever I want is wonderful or terrible. I'm afraid it would make it all less special."

Hm. He had a point, I supposed. "I've never known any other way. We still have live theater, and dance. It didn't go away. It's just... really expensive. At least with streaming, more people can enjoy it. Even in my time, people with unlimited funds are the exception, not the rule."

He turned to look at me, and there was pity in that glance. "Is that how you grew up? Were you poor?"

Yoshimoto might consider it so, but he was coming from a life where he'd at least monetarily had everything he wanted and never had to make decisions about whether or not he could afford something. "No. We always had enough to eat, shelter, warm clothes. Just not much extra."

I'd worked in a coffee shop for three years to save up for my snowboard. I didn't really want to explain further. Though Yoshimoto (when he was in the mood) was an interesting conversationalist, talking about my childhood wasn't something I enjoyed doing, and he didn't have Mitsuhide's ability to take with facts I gave him and accurately understand the conflicting emotions attached to them. So instead of revealing more of myself, I diverted Yoshimoto's attention back to the movies.

Unfortunately Yoshimoto proved to be distractible in every area of his life, and rather than making good time and traveling directly to our destination, he would often stop, even in the smallest villages, and visit with craftsmen and artisans.

I found it frustrating, and, I'm sure the hulking spy (Mitsuhide's man – I recognized him from Sakai), who had been patiently following us for several days felt the same. When we stopped to visit what seemed like the tenth artisan in three days, I finally had to protest. "It seems like we're not making very good time. I could have gotten there already."

"Would you have pushed yourself and your horse to exhaustion?" Yoshimoto held a ceramic bowl up to the light. It was so shiny, his reflection was visible in it. "By traveling in this manner, you can go faster in short bursts. I would wager we're covering nearly the same territory in the amount of time it would take you to travel the other way. And this way, we learn whether or not Yoshiaki is massing an army because these villagers take note of everything."

Hm. Ok. He was right… and I should have thought of that myself. In my impatience over our lack of speed, I'd stopped paying attention to Yoshimoto's conversations with the innkeepers and artisans. My bad. "Is he?"

"Not as of yet. I believe he's still in the process of getting promises of support from anti-Oda clans. Small ones." Yoshimoto reluctantly gave the bowl back to the artisan. It was too big to take with us (not that it had stopped his other purchases). "With winter setting in, he'll wait to attack in spring. No one wants to march an army through the mountains in a blizzard."

He turned back to the artisan and purchased the bowl anyway. "I can gift it to my cousin. We're almost to their castle."

Yoshimoto apparently had relatives all over Japan although the exact lines of ancestry I was never clear on. This particular cousin Ohana was married to a daimyo who was currently an ally of Kenshin, or at least that was the apparent relationship. It didn't seem like much of a connection, especially not when we were basically dropping by with very little warning.

However, when we arrived at a small castle in Takayama, Ohana's husband Susumu welcomed us warmly. Then he immediately bore Yoshimoto off for a long war conversation, leaving Ohana to outfit me with clothing belonging to her youngest son. Besides a warm fur cloak, there were kimonos and hakamas in rich heat-absorbent shades of blue and black. I felt terrible taking her kid's wardrobe, but she waved off my protests.

"In truth, if Genmaro is anything like his father and brothers, I expect he will be half a head taller and more before the new year. And with no other children behind him, I would have sent these on to another cousin anyway." She threw a sturdy dark wine colored kimono on the pile.

I supposed that due to the fact I needed to look the part of an Imagawa page, it was in a sense a uniform. Armor. At least it was physical armor. It seemed that I would need some mental armor as well - both Ohana and Susumu had reacted with identical expressions of horror when Yoshimoto said he was planning to visit Yoshiaki. I imagined that a large portion the conversation between Susumu and Yoshimoto included the Sengoku versions of the expression, 'are you nuts?'

Yeah, Yoshiaki was beginning to sound like the monster under the bed.

I half expected Yoshimoto's cousins to lock him in a room and perform an intervention, but all that they managed to do was convince him to spend the night with them, so that we would be awake and alert when we arrived at Yoshiaki's hideout. We would take with us not only warmer clothing, but also a couple additional servants, as both Yoshimoto and Susumu agreed that in the case of the Shogun, "more is more."

And 'more is more' as in this is beginning to feel like more and more of serious production. As in, if you screw this up, it is more and more likely that you and Yoshimoto will die. It was at that moment that I realized I didn't actually know what a page did. It was not in my repertoire of disguises, so as we were preparing for the visit, I asked, "Do you have any particular instructions? I've never been a page before."

This request was at least partially prompted by my worry for his mental state. He hadn't slept at all the night before, for every time I woke up, I saw him standing by the window, staring out at the moon. Indeed, that was where he was when I got up. The moon had set, but Yoshimoto was clinging to that window as if it were a portal to another land. If the wormhole were to appear, I suspect he would leap right into it, not caring about where it led (him, I should at least warn him about the dinosaur possibility). I tried again to get his attention. "Yoshimoto? What does your page do? Carry your luggage?"

With an attitude of reluctance, Yoshimoto finally turned his attention to me. "Stand behind me, in my shadow if possible, bow as low as you can manage, and keep facing down. Don't look at him."

Well, that's ominous. "And if, when I find Iekane?" Accusing the man in front of the Shogun would apparently be an enormous breach of protocol. Probably even considered treason.

"Do you think he will recognize you?" He set out little ceramic pots of make-up… hopefully not for me.

"Well... probably, yes. He knew me as both housemaid Kaya and courier Katsu, so whichever way I'm dressed, he'll be familiar." Plus, he had, I was sure now, been in Sakai right before my accident, so he'd seen me recently.

He was quiet a moment. "Bow to the floor as soon as you enter, and don't rise unless I give you a direct order. Yoshiaki will think it's his due anyway."

He sounds like a real charmer. He and Iekane probably deserved each other. Hopefully the floor wouldn't be too cold there at. Hm. "And what is the name of this place?"

"Genba." Yoshimoto bit off the word as if it tasted terrible.

Genba.

It was the first I had heard of it. So why was I suddenly feeling claustrophobic while my mind presented me images of a labarinthine path, dark corridors, and the smell of poison? I knew I had never been there before. The word, the place name, totally unfamiliar.

But… something…?

Genba.