Phelan has been searching for his brother Erik for thirty years. This story, told by Phelan, takes place at the same time as the infamous Opera House disaster. There will be sexual situations, as hinted at in the Kire Saga (specifically Beyond Ghosts and Shadows).

New York, 1977. Two lost souls marred by tragedy and destroyed by loss find each other, in the unlikeliest of ways.

It's the roaring twenties, and the last time Raoul saw Christine she was marrying her enigmatic Cambridge music professor Erik Destler, celebrity composer and decorated war hero. Now visiting the couple in rural France, Raoul struggles under the oppressive eye of her hostile husband. As tensions build and old wounds are reopened, more than one secret will be brought to light.

Christine is determined to show Erik her true feelings and decides that she can only do so with the aid of some mistletoe...

In which Erik disguised as Don Juan allures Christine to his chambers, gently holding her hands and guiding her throghout the hallways illuminated by the candlelights.

eric and his mirrors

Hilarious parody of the Twelve Days of Christmas!

Erik is a deformed genius residing below the Paris Opera House, but nevertheless he is married, the successful owner and manager of said Opera House. And then something comes into his life that he never anticipated, and has no idea how to handle.

The story begins in a small university town in beautiful southern Baden-Württemberg in Germany. It is about a punk and a student. Both let themselves be driven by life until they meet. To you the clocks, to us the time - describes one and a half years of growth, failure and a tender love.

After the events of fanfics prior, the Phantom once again finds himself in a volatile situation. But this time, he’s not alone.

Erik seeks to make amends by showing Christine is will eventually end up in a longer piece, but it does stand alone so I thought I'd share it! I do not own any of the characters. Thank you for reading, I hope you enjoy it. P.S I'd love to hear your feedback!

A gentle, romantic scene plays out when all the masqueraders have gone home... This is a scene taken from a longer work in progress, but it works as a sweet little standalone. I do not own any of the characters. Thank you for reading, I hope you enjoy it. P.S I'd love to hear your feedback!

So this is a tiny snapshot into Erik and Christine's life. It is more of a scene, rather than a short story and the time period is open to interpretation because the titular 'Red Dress' is most definitely not nineteenth century! Nevertheless, I hope you enjoy it! I do not own any of the characters.

The Vicomte de Chagny and the Phantom of the Opera may now have their… unique courtship, the problem now is that Christine knows about neither the courtship nor her Angel's return. Raoul and Erik try to figure the logistics of their courtship, and Christine, out together. Takes place directly after 'Leave Box Five empty for my use'.

Set in modern-day New York City, Christine Daae is dealing with an overbearing prima donna wannabe, a choir teacher that reminds her of the Phantom of the Opera, strict Madame Giry, and an old friend who wants more than just friendship after years of no connection.

It has been weeks since she had last seen her angel. Feeling terribly alone in Raoul's home, she visits her father's grave and wishes she could somehow do it all over again. When she then wakes up on the day of final rehearsal for Hannibal, she is rightfully confused. And completely ready to set things right before they even go wrong. (E/C, time travel fix-it)

As Christine sings her debut role, Erik thinks back on how they met and how their lives have changed through each other's company. Afterwards, he has to watch as the de Chagny boy visits her, but she rejects his advances straight away. She comes to him instead. (E/C, canon divergence, fix-it)

The Opera Ghost hasn't been heard from for quite some time, so Raoul decides to truly test it and take Box Five for Christine's next performance. Turns out the Phantom has not gone, and now his sights are on Raoul. (Erik/Raoul PWP)

She had kissed him, had she not? Chosen him, no? Why did he send her away? If there was one thing Christine Daaé was tired of, it was these annoying men making choices for her. Or, Christine really did choose Erik, so she returns for his stubborn ass and they escape the lair together. (Canon divergence, get together, fix-it)

What if Erik had been honest with Christine from the start? What if Christine remained a ballerina?

After they both remembered their passionate night long ago, Erik dares to break the tense silence with a question of what they are now. Christine considers it.

Christine wakes up to Erik composing and promptly desires to see beneath his mask. With clear intentions Erik stops her, and they discuss what is going on between them. A re-imagining of 'I Remember...' with a Christine who's sick of their dancing around each other.

She had unmasked him all the same, but her response differed from what he had expected after his outburst. Returning his mask, she embraced him and comforted him. (Canon divergence, fluff, first kiss)

And when it was done / Before the sun could rise / Ashamed of what I was / I stood while you slept / And whispered a goodbye... How Erik forced himself to leave, and how Christine awoke to an empty bed. (Angst, unhappy ending, bittersweet)

What if things had happened differently at the Masquerade Ball? Erik makes a different choice at the ball giving Christine a new set of choices. Upon reflection this was written in haste. The first 3 chapters have been rewritten. Updated 1/29/22