The Light to the Darkness (Straight To Adult)

by Liontigerman23

Izuku Midoriya lost someone that got him in the mists of becoming a hero but became closed up and learned all he can about the mind, the body, and the spirit, but most of all quirks and how it manifests, this will give Izuku Midoriya 11 years to become skilled enough for fighting and the mind but not his mind, more to learn of his fear and hate so it doesn't consume him

2. Ch2:As The Light Dims, The Shadow Grows

Author's notes: I don't know how to do a Noir type of written story, but I know how to do a Noir type of drawn story. All that I need to do is have everything that will be drawn and have it described in the inner monologue or narration with great deal of detail and not have it be a ramble going on and on. If you all have a tip to help me with this, please put it in your review. I'll use it as a comment section, thank you. Also, I'm combining American with Japanese culture if I can't find it on the internet.

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Chapter #2: As The Light Dims, The Shadows Grows

"Talking/ Yelling/ Voice changer/ BrOkEn VoIcE ChAnGeR"

'Thought/ In mind'

Waking up in the morning, Lieutenant Tsukauchi Naomasa 5'11" and, would sit up and look over the messy hair of his wife Haruka as he couldn't help to feel blessed to be married to this bombshell of curvaceous red-headed woman of 5'6" and 135lbs.

Sweep his head around to his nightstand to see his alarm clock at 4:45 a.m.

A couple of pictures: one of his family, his wife, his little daughter at the age of 7 winning the science fair, and his little sister.

Another photo is of him gaining the badge for being a lieutenant and

The last one on the far end of his night stands the picture of him with a very good friend of his, Toshinori Yagi aka, All Might for the last time.

He wouldn't feel groggy until he saw the date January 7th on his phone, and then a tide of memories would wash over him on that day,

Flashback

Detective Tsukauchi Naomasa decided to take a day off from the police force to spend some time with his family, as he began to wash the dishes from breakfast.

With his wife Haruka and daughter Hikari, who was about to leave, news broadcast comes on with some breaking news

News Anchor: This is an urgent breaking news report. Yesterday, Japan witnessed a moment of unparalleled heroism and sacrifice. All Might, Japan's Symbol of Peace, has tragically fallen, taking down the menace of society, All For One, in his final heroic effort.

This caught the attention of Naomasa and Haruka to sit down on the couch as they were glued to the TV to watch the most shocking event happening.

The night sky is illuminated by flashes of devastating quirk clashes. All Might and All For One engage in a fierce battle amidst the crumbling city.

All For One (Sinister Grin): "You think sacrificing yourself will save them, All Might? You're too naive. This city will crumble, and they will know the true meaning of despair!"

All Might (Determined): "I won't let you harm another soul, All For One! Even if it costs me everything, I'll protect them!"

Two titans clash, creating powerful shockwaves in the air. Buildings tremble under the force of their confrontation.

All For One (Taunting): "Your era ends tonight, All Might! And with it, the age of heroes will crumble."

All Might (Struggling): "I won't let your tyranny prevail. I fight for a world where people can live without fear!"

Spectators watch from a distance, unable to intervene in the epic struggle between good and evil.

All For One (Menacing Laughter): "You can't save them, All Might. Your strength is futile against the inevitable!"

All Might (Defiant): "I've faced the impossible before, and I'll do it again! For justice, for peace!"

The clash reaches its climax as both All Might and All For One unleash their final, cataclysmic attacks, resulting in a blinding explosion.

News Reporter (Somber): "In a last stand that shook the foundations of heroism, All Might and All For One have fallen together, leaving Japan in a state of shock and mourning."

Haruka cried curling up into her husband who was as still as a statue, but a tug from Hikari snapped him out of it, looking at his daughter Hikari as she asked, "Da, ad, Uncle Toshi not coming?" seeing the worry and wonder from the three-year-old daughter.

Naomasa then looked into her eyes and said, "Uncle Toshi won't be coming, because he's gone." 'Hikari, I know right now that you're not going to understand any of this, but it's better to be upfront than to be around for when it becomes later you know exactly what's happened today.' Naomasa then hugged as Hikari began to cry

News Reporter 1 (Somber Tone): "We stand amidst the wreckage of a city that bore witness to the clash of titans. All Might, the Symbol of Peace, and All For One, the embodiment of chaos, have left an indelible mark on Musutafu City."

News Reporter 2 (Reflective): "The once-vibrant streets now echo with the sounds of cleanup crews and distant sirens. All Might sacrificed himself to save us all, but the cost is visible in the surrounding devastation."

The camera captures citizens placing flowers at a makeshift memorial.

News Reporter 3 (Voice Breaking): "The shattered remnants of All Might's symbol lie as a testament to his unwavering dedication. Musutafu mourns the loss of its hero today."

Images of tearful citizens and heroes paying respects.

News Anchor (Grim): "The memorial service for All Might, will be held in Tokyo, a city he defended with his life. The hero and the villain clashed, and their simultaneous demise leaves us with questions about the future of heroism in our society."

The camera captures the city's inhabitants, their faces painted with a mix of sadness and gratitude, as they gaze up at the darkened sky, remnants of the recent battle fading away.

News Reporter (Voiceover): "In the aftermath of the cataclysmic battle between All Might and All For One, citizens of Musutafu City gather to witness the consequences of their clash."

Close-ups of individuals, young and old, reveal a somber atmosphere as they process the impact of the heroes' sacrifice.

Citizen (Reflective): "All Might gave everything to protect us. It's hard to believe he's gone."

Citizen (Grateful): "We owe him so much. Musutafu wouldn't be what it is without him."

A child looks up with a mixture of wonder and sadness, holding a small All Might action figure tightly.

Child (Innocent): "He was the symbol of peace, right? Mom said he'd always keep us safe."

The camera captures a group of people forming an impromptu memorial, leaving flowers and tokens of appreciation.

News Reporter (Voiceover): "Expressions of gratitude and sorrow fill the air as the city unites in mourning the loss of its greatest symbol of hope."

The scene ends with a panoramic view of Tokyo, its skyline forever altered by the events that unfolded in the night sky.

News Anchor (Somber): "In the wake of All Might's passing, the nation mourns. An announcement echoes with a somber tone as we learn of the memorial service to be held in Tokyo. The call goes out to pay respects to Japan's greatest hero."

The scene transitions to interviews with heroes who fought alongside All Might.

Endeavor (With Regard): "All Might was a symbol of strength. His presence inspired us all, and his sacrifice won't be forgotten."

Eraserhead (Reflective): "He brought a sense of peace. Now, we must carry that torch and continue to protect the people."

Sir Night eye (With Gratitude): "All Might's legacy is immeasurable. I had the privilege to witness his impact firsthand. His spirit will guide us forward."

The news anchor returns, the weight of the loss evident in their voice.

News Anchor (Solemn): "Heroes, including Endeavor, Eraserhead, and Sir Nighteye, share their sentiments. Tokyo braces for a memorial service that will unite the nation in honoring a hero like no other."

The screen fades, leaving the audience with a mix of sadness and gratitude for All Might's enduring legacy.

News Anchor (Reporting): "The nation mourns collectively as clips pour in, capturing the profound grief spreading from Hokkaido to Okinawa. Citizens, heroes, and even some villains express their sorrow at the loss of All Might."

The screen displays a montage of people, young and old, paying respects.

Citizen (With Tears): "He saved us countless times. It's hard to believe he's gone."

Hero (Saluting): "All Might was a beacon of hope. We owe him everything."

Villain (Reflective): "Even we felt safer with him around. This loss is felt by everyone.

The scene transitions to the Prime Minister addressing the nation.

Prime Minister (Solemn): "All Might's service to Japan was immeasurable. His dedication and sacrifices have benefited our nation in ways we can never fully comprehend. We mourn his passing and honor the legacy he leaves behind."

The news anchor returns, summarizing the nationwide outpouring of grief.

News Anchor (Reflective): "From every corner of Japan, a unified sorrow grips the nation. The Prime Minister acknowledges the profound impact of All Might's service, underscoring the hero's enduring influence on Japan's well-being."

News Anchor (Narrating): "As we reflect on All Might's illustrious career, his feats as the Symbol of Peace are showcased in this emotional overview. From epic battles to everyday rescues, All Might's heroic legacy is etched into the nation's memory."

The screen displays a montage of All Might's heroic moments, set to somber music.

Prime Minister (Announcement): "In honor of All Might's monumental contributions, Japan will erect a memorial statue in Tokyo. This statue will not only commemorate his successes but also acknowledge the challenges he faced. We plan to create a museum showcasing All Might's journey, recognizing him not just as a hero, but as a man who carried the weight of our safety on his shoulders."

The news anchor returns, summarizing the announcement.

News Anchor (Reflective): "The nation grapples with an uncertain future without All Might, but a memorial statue and museum promise to preserve his legacy. Japan prepares to remember a hero who was not only powerful but also profoundly human."

News Anchor: "Today, we find ourselves in the wake of an extraordinary sacrifice. All Might's heroism will forever be etched in our hearts. Join us in Tokyo for the memorial service as we bid farewell to a true symbol of peace."

May Kami rest our souls as the protector of Japan Has Fallen and the sun has sets to a new gloomy night made this start a new guardian of Japan.

Flashback end

Naomasa shakes his head, trying to shake the cop reps as well as the bad memories that happened on that day. Getting up from his bed made his wife open her eyes, "Hey honey, how did you sleep?" she asked groggily, trying to wake up.

Naomasa answered her as he was wrestling through his clothes drawers to find what he's going to wear for the day, "As good as it could be expected considering, on what day it is."

Hearing Ruffles of the sheets behind them and feeling the lumps of Flesh pressing against him, it was his wife trying to comfort him as she says don't try to use his sacrifice as a crotch to try to push everyone else away to follow your own mission to eradicate any corruption within the Musutafu City Police Department."

Naomasa then turns around to a naked Haruka to be face to face as he looked into her eyes as she continued, "If you find someone that's can lend a helping hand to help eradicate the corruption from the outside going in while you're on the inside going out then do so because I do not want to be a weeping Widow with a still young teenager that desperately needs her father and even if you die doing what you believe in I could never allow myself to love anyone else."

Naomasa gained a kiss that gave him a little more urff in his step, as he said after the kiss I have to get going to take a shower, I need to get ready.

With Haruka saying, "Why don't I go and take a shower with you?"

Naomasa replies with "you know, the last time that we took a shower together, Hikari came along into the picture."

Haruka then whispered in his ear, "What? I thought you were like having your hands all over my creamy skin and make sure that every single part of me is as clean as it can be. So when I am all hot and bothered, you can make me as dirty as you want me to be before doing it all over again."

"Wooo!" A sound came out of Haruka as Naomasa picked her up, "Okay, okay, you win how long?"

Haruka answered, "As long as you can go, baby."

Naomasa Said internally "Thank Kami I don't have to be on duty until 7:00.!"

An hour had gone past,

Haruka left 15 minutes ago to start making breakfast. As she left, she said, "You have to lose that beard."

Naomasa looked into the mirror before he started to shave his survival beard. He thought 'I will keep some part of my lushes beard' as he shaved off everything but the brush that is the mustache, I like it, I look good with it."

Getting out of the shower, Naomasa got on his Detective outfit for work, and entered the kitchen from the hallway where he heard music from Hikari's room indicating that she is awake and getting ready for school on a Tuesday.

Naomasa went to see a beautiful woman, cooking some eggs after making a patch of pancakes for her husband, who walked behind her to hug her. Her daughter had just seen her parents to be all lovey-dovey with each other.

"Ugh, Why do you have to be so lovey-dovey this morning?" Hikuri annoyingly asked her parents, Naomasa pulls away from his wife who had been making breakfast, so he can set the dinner table.

As the table was getting set up, Hikuri jumped on the couch and turned on the TV to the news.

Musutafu City Broadcasting Network

Anchorman: Yuki Takahashi

Yuki Takahashi:

Good evening, citizens of Musutafu City. We bring you a somber update on the state of our beloved city. Today marks the 10th anniversary of the passing of All Might, the Symbol of Peace, and it seems that our once thriving metropolis is grappling with a new and unprecedented crisis.

Naomasa set up the table and hew the new, so he sat down next to Hikuri, and she curled up to her father.

[Visuals: Montage of All Might's Heroic Moments]

Yuki Takahashi:

A decade ago, All Might's presence kept the city safe, and UA High School stood as a beacon of hope. However, with the passing of All Might and the subsequent exile of UA to America, Musutafu has entered an era of uncertainty and escalating danger.

[Graphics: Rise in Crime Rates]

| Year | Crime Rate (%) |

| 2156 | 15% |

| 2157 | 25% |

| 2158 | 35% |

| 2159 | 45% |

| 2160 | 55% |

| 2161 | 60% |

| 2162 | 65% |

| 2163 | 70% |

| 2164 | 70% |

| 2165 | 75% |

| 2166 | 75% |

Yuki Takahashi:

In the absence of UA and the decline in hero presence, our city has witnessed a staggering rise in crime rates, reaching levels we have never experienced before. Organized crime syndicates have seized the opportunity to fill the void left by the heroes, plunging Musutafu into a state of lawlessness, and nothing seems to be changing at all in the start of the new year of 2167

[Clip: Street Crimes and Violence]

Tensai Crime Syndicate Operations:

The footage captures shadowy figures engaged in covert activities, with the news anchor delving into the impact of the Tensai Crime Syndicate on Musutafu City. The anchor emphasizes the syndicate's elusive nature, presenting it as a formidable challenge for law enforcement.

Sakura Clan's Deceptive Trade:

Clips unveil the seemingly elegant tea house of the Sakura Clan, juxtaposed with scenes of illicit activities. The news anchor discusses the clan's deceptive methods, maintaining a facade of tranquility while engaging in criminal enterprises. The report raises concerns about the difficulty of distinguishing between the clan's public appearance and its hidden criminal operations.

Kurogane Consortium's Forge Citadel:

Scenes reveal the imposing Forge Citadel of the Kurogane Consortium, depicted as an industrial complex dominating the weapons and drug trade. The anchor highlights the consortium's ruthless methods and ambition, presenting it as a significant threat to the stability of Musutafu City. The report emphasizes the fortified nature of the Forge Citadel, symbolizing the consortium's strength.

Kujira Syndicate's Iceberg Lounge:

Clips from the upscale Iceberg Lounge illustrate the Kujira Syndicate's influence, with the anchor emphasizing the powerful and resourceful nature of the criminal organization. The report delves into the avian-themed decor of the lounge and its strategic seclusion within the city, portraying it as a hub for criminal dealings and secret operations.

[Scene: Commissioner Kurogami at a press conference]

Commissioner Kurogami Shiro stands behind a podium, addressing the gathered reporters with an air of authority. The room is tense, and the atmosphere is charged with anticipation.

Commissioner Kurogami:

"Good citizens of Musutafu, I stand before you as your commissioner, tasked with ensuring the safety and prosperity of our great city. In these challenging times, we must adapt to the changing landscape of law and order.

Our beloved All Might, the symbol of peace, may have left us, but fear not. We, the Hero Commission, have devised a new strategy to navigate the complexities of heroism and public safety.

Effective immediately, the hero work system will be revamped. The era of individual heroism is over. Heroes will now operate exclusively under the jurisdiction of the Hero Commission, ensuring a streamlined and efficient approach to combating crime."

[Cut to the reaction of the reporters and the murmurs among the audience. The news anchor in the studio provides commentary.]

News Anchor:

"Commissioner Kurogami's statements have sparked controversy among citizens and heroes alike. The shift towards centralized control has raised concerns about the impact on individual hero agencies and the ability to address the rising crime rates in Musutafu. Many fear that this move could compromise the city's safety even further."

[Fade Out: The clip ends with Commissioner Kurogami exiting the press conference amid a flurry of questions from reporters.]

Yuki Takahashi:

Adding to the turmoil, Commissioner Shiro Kurogami's controversial decisions and alleged ties to criminal organizations have raised concerns about the integrity of our law enforcement. Many citizens question whether those sworn to protect and serve have succumbed to corruption.

[Scene: Musutafu City streets]

A sea of citizens gathers, holding placards and banners, their faces etched with frustration and discontent. The atmosphere is charged with a mix of anger and determination as the citizens voice their concerns.

Placard Messages:

"Bring back our heroes!"

"Don't let crime control our city!"

"We demand safety and justice!"

"Heroes belong to the people, not the Commission!"

"Kurogami's control is NOT the solution!"

[Camera pans across the diverse crowd, capturing the intensity of the protest. Chants and slogans resonate through the air.]

Protesters' Chants:

"What do we want? Justice! When do we want it? Now!"

"Heroes united will never be defeated!"

"Kurogami, hear our plea, let our heroes roam free!"

"Crime rises, hope falls, Kurogami's plan won't work at all!"

[Close-ups of individuals in the crowd reveal a mix of ages and backgrounds – families, students, workers – all united against the perceived injustice. The visuals underscore the collective voice of the citizens demanding change.]

News Overlay:

"Citizens protest the Hero Commission's new measures, expressing concerns over rising crime rates and the diminishing presence of heroes in Musutafu City."

[Fade Out: The visual concludes with a powerful image of the united citizens continuing their protest, determined to make their voices heard.]

Yuki Takahashi:

In response to these challenges, citizens have taken to the streets, demanding accountability and pleading for solutions to restore order. The call for a new era of heroes echoes through the city, but with UA absent and the Hero Commission unwilling to act, the future remains uncertain.

[Scene: Musutafu City Council Meeting]

The council chamber is filled with tension as council members sit around a large table. Commissioner Kurogami Shiro, a Stoic figure, presides over the meeting. The atmosphere is formal, with citizens and reporters observing the proceedings.

Dialogue Highlights:

Council Member 1: "We understand the concerns of the citizens, but reinstating heroes is not a viable solution. We must trust Commissioner Kurogami's plan for a safer Musutafu."

Commissioner Kurogami: "The Hero Commission's decision to exile UA and restrict hero activities was based on careful consideration. We cannot jeopardize the city's safety with impulsive decisions."

Council Member 2: "The rise in crime is unfortunate, but we must adapt to the changing circumstances. Our reliance on heroes has proven to be problematic."

Citizen Representative (Protesting): "You're putting our lives at risk! We need heroes to protect us!"

[Camera captures the tension in the room, cutting to close-ups of concerned council members and citizens.]

News Overlay:

"Musutafu City Council rejects the reinstatement of heroes, citing continued support for Commissioner Kurogami's alternative strategies in crime prevention."

[Fade Out: The clip concludes with a solemn Commissioner Kurogami addressing the public, emphasizing the need for trust in their unconventional approach.]

Yuki Takahashi:

A recent council meeting has further dashed hopes for the return of hero work in Musutafu City, as proposals for the reinstatement of heroes were met with rejection. The city council argues that alternative measures must be explored to address the escalating crisis.

[Fade Out: Musutafu City Skyline at Night]

Yuki Takahashi:

As we navigate these challenging times, we urge citizens to remain vigilant and support one another. Our thoughts are with Musutafu City as we collectively seek a path forward through these troubled waters.

End of News Broadcast

Naomasa looks toward his left to see Hikuri curled on him, so he swirls his left arm around her, and hugged her.

"I miss him" Hikuri would say with tears in eyes, Naomasa pushed the position to look her in the tearful eyes of his daughter, "I do too, honey but sometimes all you had to do is to keep the memories of those that has passed and keep the fight going."

Naomasa heard the words that were very sore to him, "Is that why you try so hard to make Eizo Tanuma's life not to waste, right?"

Naomasa looked up to see on the wall the picture of Eizo Tanuma and himself, remembering that day, three years ago.

Flashback

Four Years Ago

October 17th year 2163,

As 1700 dawn on every clock on Musutafu City, and the darkness rises as the waxing Crescent Moon dims what was a buzzing city has become the playground of crime in the dead of night with a pair of detectives sitting in a darken Ali inside a car speaking with each other waiting for a call to be made.

A veteran police officer of 30 years is sitting in the car with his partner Tsukauchi Naomasa of 19 years,

Eizo Tanuma spoke to his partner, "Naomasa, what do you believe that we're doing here as police officers asked detectives?"

Naomasa takes 8n the question, that was played in front of him, "I don't get what you mean, Eizo. Isn't that we're supposed to do good work, get the murderer, lock them up, send him to jail or prison for that matter?"

"And then once they get put into jail then they give back out, and they grew back up with their games, and they redo their shit all over again, it's an endless cycle of bullshit!" Eizo spoke exasperatedly because he wanted Naomasa to see his point.

Naomasa just shook his head, "Eizo, I see what you're trying to say, but I don't believe that most of what you're saying is true."

Naomasa heard Eizo say, "300,000." Then he asked, "300,000 of what?"

With intensity of a sun in Eizo's eyes," 300,000 career criminals are running amok, a thousand bought government officials, in a 40, 000 Police Department, one out of five officers are clean they're not dirty or corrupt, and you are one of them Naomasa, and I want to do everything that I can to keep that that way."

"What… What do you mean by that?" Eizo heard Naomasa ask that question, but they heard the radio turn on.

Dispatch: "Unit 5-0, this is dispatch. We have a silent alarm triggered at Musutafu City Bank, five minutes ago. Eizo Tanuma and Naomasa Tsukauchi, please proceed to investigate the situation. Report status upon arrival. Over."

Naomasa Tsukauchi: "Dispatch, this is Tanuma. Acknowledged. We're en route to Musutafu City Bank, responding code 3. Will update on arrival. Over."

The two jetted off to the bank

Musutafu City Bank

When they arrived the doors are burst right open, and Naomasa reached for the radio but Eizo grabbed it first,

Tanuma: "Dispatch, this is Tanuma. We've arrived at Musutafu City Bank. Requesting confirmation of our arrival and standby for possible backup. Situation unclear. Over."

Dispatch: "Tanuma, this is dispatch. Confirmed on your arrival. Backup on standby. Proceed with caution and update on the situation. Over."

Getting out of their car and going to the truck, to grab a pair of walkie-talkies for each other and another for dispatch.

As they inched to the busted open doors with Detective Tsukauchi Naomasa on the left and Detective Eizo Tanuma on the right of the doors to see a stick up that's almost over.

Naomasa called it in: "Dispatch, Tsukauchi here. We've got a confirmed bank robbery in progress at Musutafu City Bank, no hostages. Requesting immediate backup; potential for a firefight. Send support. Over."

Dispatch: "Tsukauchi, this is dispatch. Backup is en route, ETA 5 minutes. Hold your position, prioritize safety, and update on the situation. Over."

…

Everything went quiet when a gunshot went off

…

Then Eizo fell down onto his back, and his limbs spread.

…

Naomasa in his single-minded reaction was to get to his partner, he shot in the bank and rushed to Eizo's side with a bullet in his right forearm in the process.

Naomasa calls it in: "Officer down, I repeat Officer down!"

Dispatch: "Tsukauchi, this is dispatch. Copy on officer down. Medical assistance en route. Provide your current status and location. Over."

Naomasa looked at Eizo and saw the placement of the artery in the leg, the in the upper leg in the thigh, "Damn." Said softly by Naomasa.

Eizo groaned, "yeah, you got that right, so what's the plan?" Asked the gobsmacked Detective Tsukauchi that was at a loss, but a bullet shot pass to bring back to the forefront of the situation.

Naomasa recollected himself and told Eizo, "Get ready to cover my six!" Taking Eizo's shoulders and tossed his gun to him, started to drag him.

Eizo behind Naomasa shooting anyone coming after them and Naomasa dragging Eizo with the desire to get to cover behind their car trunk.

Accelerating to the back of their car trunk in 45 seconds, leaving them with 2 minutes before their backup comes and 5 minutes before their ambulance comes.

As the routers walked on out of the bank they heard the sirens getting closer and closer, they ran to the alleyway where their exited vehicle is located as they hopped in and they sped away.

Tsukauchi Naomasa couldn't do anything but to watch the powerful aged man that helped him so much it just in this city slowly lose his grip on life, but he was able to hear the final words of his soon-to-be deceased partner, "In this world there is not much that is black and white… but there is the most gray in this city… is the definition of it… try to find the right from the wrong… and if you can find the right… keep it there are too many dirty cops… on the force… the commissioner… is one of them… I believe in you… too… eradicate… them."

Naomasa after seeing the light cease from his partner's eyes he has someone broke inside of him something that did not break essentially but became more enforced it was that whale that was slowly draining away the will to stay with his morals and keep true to himself from that day he decided to keep his morals as strong as ever and never allow anyone to try to tamper them those morals are, "I will do things by the book. I will try my damnedest to protect the innocent. And if there were any corrupt and dirty cops, I would bring them down."

The back of arrived and a police officer went up to Naomasa,

Detective.

Detecty.

Deteny.

Honey.

Flashback end

Haruka was pushing her husband gently trying to get his attention, and now she got it, "Honey breakfast is ready, we were just waiting for you."

Naomasa jerked himself out of his days and replied with "sorry dear, I was in my own little world."

Haruka with a frown she moved in for a hug which Naomasa accepted, "Remembering him, huh?" Naomasa nodded in her shoulder, "Yeah, trying to keep his memory alive, but I don't know if I can, not anymore."

Taking hands on her husband's shoulders, "You know, I think his memory would mind taking a back sit with you having breakfast with your family?"

Haruka walked over to the dinner table as he heard, "Come on, honey it doesn't mean to keep his memory you'll have to stop making memories with your family, Okay, sweetie." Gaining a nod from her husband, she put on a beautiful smile on her face as she said, "Alright, that'll give us 15 minutes to eat as a family and 30 for some alone time."

"Really?"

"Really."

"What kind?"

"The talking kind."

"Yes! I love hearing your voice" the couple, but their daughter doesn't feel the way.

At the dinner table, sat Hikari as she sounded disgusted, "Yank, I think I'm going to hurl." But in her mind, she thought, "I love seeing them like this, but not when they're fighting."

Naomasa and Haruka joined with Hikari to have breakfast as a family.

After breakfast was done, Hikari had to rush herself out of the house to head to Aldera Junior high school.

Haruka went on to do the dishes while Naomasa dried the dishes, before getting his wallet, trench coat, car keys and badge.

…

Naomasa in his car, on his way to the department, and every street that he goes on to get to work, every person he sees is sad, disappointed, disturbed, sorrowful like every thing has gone to hell, that might not be further to the truth.

Parking and entering the MCPD precinct to meet with the secretary at the front desk, "Hey Emi, How was your weekend?" Asked Naomasa

Emi answered, "I'm good, was able to see my son's baseball club."

Naomasa's eyebrow raised, "Really, who won?"

Emi said, "They lost, but they're going well though."

Naomasa shakes his head, "Damn, that's not good."

Emi revealed, "What's really not good is Commissioner Kurogami in his office waiting for you to show up."

Naomasa walked closer and whispered, "So what was he when he told you to redirect it to me? Was it sad, happy, miserable, angry, anything in that range?"

Emi elaborated, "he seemed a bit irritated about something, more annoyed than anything."

Naomasa said, "All right I'll go on and see what the commissioner wants, have a good day Emi."

Emi waved, "Thanks and be safe, this city needs more like you fighting for it."

…

Naomasa is going through the police department leaving through the crowds of police officers trying to get to the commissioner's office until he got in shoulder checked by a fellow Lieutenant, Lieutenant Kaito Sakurai.

Kaito then went on to face off Naomasa, "Oh, oh man sorry man o… Naomasa? How are you doing, man? I just got done with some undercover work. What have you been doing?" ' Man this dude's girl is so hot, she's a babe I don't know why she even got with this asshat, he's a wash-up wannabe. I'm better, I have big house good yard tons of cars Stacks up on stacks of money what does this do have a two-floor house no yard only two cars and set to do with it why did she choose him over me?'

Naomasa keep his eyes on Kaito, 'Damn, this guy's a tool, trying to ensnare my wife into loving him, as if.' "Hey buddy, sorry, for not being able to talk really, but the commissioner wants me in his office."

Kaito then stepped in line with Naomasa, "You know, I was heading there too. So why don't I go with you?" 'Let's see what Kurogami wants Naomasa for.'

Naomasa can't stand Kaito, 'he's just such a prick, he's so cocky and arrogant that he doesn't even know the left or right because he got his nose straight up his ass and has nothing else to do.' "Alright, fine, you can come with me."

Naomasa notices a little smirk on Kaito's face, "What is he planning?"

…

Reaching to the commissioner's office after taking some twists and turns in the department with Kaito attached to his hip, Naomasa knocked on the door.

From the inside the office, both Naomasa and Kaito heard, "Come in, boys"

Naomasa and Kaito walked in the office, "Kurogami, Buddy, how are you doing?"

Commissioner Kurogami looks straight at Naomasa, "Sakurai, shut up your exuberance not clearly needed but greatly wanted, but there is you, Tsukauchi Naomasa. That has my higher ups breathing down my neck, your involvement with the investigation on this Silk Veil case. That I must get this done by August or else my job is gutted. And my only obstacle is YOU."

Kaito leaning on the wall watching the show While Naomasa points to himself, "The Hell you're talking about. I've been doing my job."

Kurogami then stands, "Yeah, that's the problem, you're good, too good."

Naomasa Asked, "How can you be too good?"

Kurogami walks over to Naomasa, "That's the reason why my bosses are breathing down my neck, cause there seemed to be discrepancies on how many cases we close each year usually the average would be 50 but because of your overworking you're getting 300 cases done within the three years since your partner died and that time you became a lieutenant that is the reason why my bosses are breathing down my neck you are off of this case you're not needed, Sakurai sour on this."

Kaito then kicked himself off the wall to stand straight, "Glad he was given this chance to do what's needed." He would bow and at the very end he would grin at Naomasa.

Naomasa enraged, "you can't be serious I just got some leeway on this case now you want to take me off of it all right fine you can do whatever you want to, don't come crawling back to me when you need some help." Turning around and walked off the door.

But before Naomasa could pass the thrust hold, Kurogami spoke, "you wouldn't want a hair to be touched on your little girl, would you." Naomasa stopped, "how old is she? 13! I can have a couple of phone calls, and she would be quite willing to give a couple of my friends a perfect time, so if you don't want anything to happen to her, you will stay out, this got it."

Naomasa turns his head a little to where he could put an eye on the commissioner staring dead into his eyes with the intensity of a thousand suns and the fire to be a protector as a father, "If you ever touch hair on my little girl or mention her, there won't be any place you will be able to keep me from fucking you up. Try that again and I will make you pay for crossing that line."

After that, silence happens and the only sound that was heard was Naomasa's boots hitting the ground as he left the office.

…

As Naomasa exit from the commissioner's office and got into the main hall there was a news broadcast and the headline reads, "Musutafu's Prodigal Son Returns: The Mysterious Odyssey of Izuku Midoriya Unveiled"

Naomasa couldn't help but smile and thought, 'Welcome home Izuku, I just hope that you found what you've been looking for and could do some good in Musutafu City.'

Flashback

December 8th 2148

10:47 PM

*Dispatch Operator:* "All units, we have a reported mugging at the alley adjacent to Sakura Theater. Two victims confirmed. Caller reports witnessing the incident and one additional witness on-site. Detectives Tsukauchi Naomasa and Tanuma Eizo, you, are assigned to this case. Proceed with urgency, over."

**Detective Tsukauchi Naomasa (Responding):** "This is Detective Tsukauchi, and Detective Eizo Tanuma, we're on our way to Sakura Theater. Acknowledged the mugging situation, over."

*Dispatch Operator:* "Copy, Detective Tsukauchi. Be cautious, and update us as you proceed, over."

As the two arrived at the alley near The Sakura Theater, they witnessed three police officers.

One seems to be more seasoned and is the sergeant who is taking the notes from a witness, and the two others are trying to keep people out of the crime scene area.

But once they saw the detectives they allow the two to come on in, the sergeant walked over to the two detectives.

"So what do we have here?" Asked Eizo Tanuma,

The sergeant answered with "Two murder victims and a witness, the child back there."

This caught the attention of Tsukauchi Naomasa, who had just been transferred from Tokyo's police department.

Walking over to the child and taking a seat on the steps next to him, he said, "My name is Tsukauchi Naomasa. What is yours?"

After some time at night, gaining anything, he chose to do it differently. "I was 14 my father died not in front of me, but I couldn't hear the bullet going off.

After that, I knew that I had to do something because it was just me and my little sister that was 2 years old, So I know how you feel right now.

To tell you the truth the pain and the Wonder if you're doing good if the person that died were to resurrect himself and just the actions you took to death and see if you're good enough and the pain of losing those that were very close to you will never go away.

I'm sorry for your loss, but that feeling of lost will never go away but one thing to make sure do not allow it to consume you, or you'll lose what made you, you and what they care the most about and that is you."

After getting nothing from the child, Naomasa left the steel steps and took three steps towards his partner before hearing "Izuku"

"Uh?" walking back to the kid to hear better, he proceeded to kneel in front of him,

"Izuku Midoriya." "Okay, Izuku, can you give me anything, but you can remember?" Tsukauchi Naomasa asked.

"Umm, Scary, tall, not fat, white strips on blue pants, red shoes, and a star on the right side over his heart." Izuku Midoriya answered

Naomasa had to get more clarification on the "not fat" part, "What you mean by not fat? But also did he use a quirk or not."

The distraught Izuku answered with to my knowledge and what I couldn't replay in my mind it was just a regular handgun nothing special, and he is tall doesn't look like he had muscle but not skinny either."

After giving that answer, Izuku was able to see a British looking person coming through into the crime scene looking for him. It was Alfred Pennyworth, his family's most trusted Butler.

Izuku ran over to him to Alfred, who hugged him tightly then picked him up and walked off to Detective Tsukauchi with Izuku in his arms, "So What is it that we are to look at in terms of the investigation and court proceedings."

Naomasa answered with a grim look, "Maybe two or three months, but I don't know really?"

Alfred with Izuku in his arms, he began his track, but was able to hear they fully left the crime scene, "Izuku, I will go and get the murderer he will face Justice. That I promise."

Flashback ends

…

A plane coming into a land trip of the Musutafu Airport in ten minutes,

On the plane there is a man standing at a 6'2" and weighting to a 230 lb Behemoth of a man, in a tight hugging suit to his ripping physique, as he is staring into the city skyline, thinking, 'I should be down there I should be down there looking studying the enemy, but I'm up here swooping in like I'm better than anyone else, but that's the persona isn't it to pretend something that I'm not to give more of a shadow on my late night activities that I will but when it comes to it this city will be better than I left it crime has been on arise is running rampant the Alleyways are stanched with death, gore, and rotting flesh of criminals running amok destroying the fabric of the city that I love so much and after my training that has been completed it's my time to run on them and make their lives a living hell.'

Getting tapped on the shoulder by a female flight attendant who has a big blush on her face "Sir, Mr Midoriya, the plane has landed"

This man is named, Izuku Midoriya, and he has been gone on a training mission that lasted 11 years you left when he was 15, and he's coming back at the age of 25 Fair free close to the 11-year mark But in reality it was 10 years and a half of training, and he felt that it was a perfect time to return home.

"Oh, thank you, Rachel, for letting me know." Izuku replied as he watches the giggles from the flight attendant, as she returned to the cabin.

Izuku then turns back to see the Airport, and the mass of reporters, and they begin to get ready to ask him questions. But on the other hand, Izuku was trying to be the playboy.

Izuku decided to wing it and to see how things turned out.

…

After gaining the nerves and courage to come out into the Limelight in front of the crowd of reporters, he decided to leave with his bags in his hands and start his track down the stairs to get to his limo that Alfred is waiting right at to greet him home.

On the way to the limo, Izuku decide to answer some questions, a spoke to Alfred who was coming to save the person he sees as a son, "Hey Alfred, Mind putting my bags in the truck to give these reporters something to sink their teeth in too."

Alfred grins as he grabbed Izuku's bags, "Yes Sir, just make sure you get their teeth sink into you."

Izuku is in the crowd, surrounded by the reporters, "All right, take the time to be in front of me please do so to make it better for me."

With the reporters doing as asked, because they don't want to be on the bad side of one of the most influential persons in the Musutafu City.

Izuku was capable to gain a little form of control over the crowd, "So what is it that you all what?"

Looking over the crowd of the reporters, who were raising their hands and yelling to get his attention, "Okay, then you beautiful blonde in the front, What you want to ask?"

The reports became more notable by standing forward, "Saki Tanaka of Musutafu Tribune, what was the reason for you to leave Musutafu City for 10 to 11 years and what was it that you learned in that time?"

Izuku with a cheeky smirk said, "Awe, That's a secret, and learned how to negotiate for the best outcome when given."

Izuku proceeds to choose another, "Akira Yamamoto of Musutafu Times, my question is since you have just come back, what are your plans for the city and were your plans for Midoriya Industries."

Giving a serious air off of him, Izuku answered deeply, "Okay I will need to get to understand what's going on in my family's company then we'll see from there."

Izuku with a cheeky smile, "I believe it's a good time to end this little makeshift press conference, so one more question. In one week's time, another press conference will be done and that is where you can ask me more in depth questions. So who wants to ask me the last question?"

Izuku then looked over and saw a beautiful and stunning looking redhead in the crowd and picked her," Tsukauchi Haruka of Musutafu Gazette, With the increase of crime in the City of Musutafu, what will be your plan to combat these gangs?"

Izuku took an inhale to give a solemn expression as he asked, "Before I answer that, May I ask, do you have any relations with Detective Tsukauchi Naomasa?"

Haruka with a small smile, "Yes, I am. He's my husband, actually he's a Lieutenant a couple of years ago."

Izuku then pulled out a notebook out, and wrote and pulled the paper to give it to her, "That paper if you wonder, that piece of paper is for your husband to contact me with what is needed for the police, that will be the starts of talks for the crime to go down."

Izuku looked over at Alfred, who had just opened the limousine door, "Okay, That's the end of this, you'll just have to wait till next week."

Izuku walked quickly and slid into the back seat as Alfred slammed the door shut and walked around the limousine to the driver's seat to get inside, "So, Izuku-sama, how was the impromptu press conference?"

Hunching over, exhaling heavily as he gets his breath back and regaining his energy said "Damn, that was so hard, I hated that so much. But that is something that I have to learn, public speaking is not one of my strong suits."

…

Pulling off into the street as Alfred, he looks into the mirror that would allow him to see behind him while still having an eye on the road, "Where do you want to go, the Tower or the Manor, Izuku-sama?"

Izuku decided, "The Tower, I need to make sure I can understand the ins and outs as fast as I can… Oh, is Lucius Fox still the CEO of Midoriya Industries?"

Alfred answered as he took a left, "Yes, Yes, Izuku-sama, he is, Lucius-Samey would come over quite frequently, to make sure that cave under the Manor you found and convinced your father to make a base out of it, before the incident, was fitted with all the bells and whistles."

As Alfred takes a right to go over the bridge, Izuku looks towards to the GIANT M on the Midoriya Industries tower, Izuku goes into a trace as he remembers,

Flashback

Izuku, Inko and Hisashi Midoriya are all sitting in a limousine as Alfred drives to the tower,

Izuku was staring at the tower to get a tap from his father, "Beautiful, is it not?"

Izuku then nodded in agreement, and Hisashi would continue, "My father once told me the reason for the Giant M in front of the tower is a symbol to remind ourselves that if we imagine then we can manifest it to happen, but you'll have to find and accept the path you find."

Hisashi made Izuku look at him, "Can you promise you'd follow through on your path to become a hero?"

Flashback end

Alfred stopped the limousine in front of the tower, "Now I can!" Izuku said as Alfred opened the door and he stepped out.

Alfred being able to hear, he was able to ask as they entered the building, "What was that, sir?"

Izuku would reply as they entered the elevator, "Nothing Alfred, just daydreaming on the day that father brought me to the tower for the first time."

Alfred nods in hearing the reason, "Awe yes a great memory wasn't, but I think it's a good time to get ready for your meeting with Lucius Fox, Izuku-sama."

Izuku looks towards the elevator door which opens, to the office hall, then steps through the threshold, "All that I need to learn from here is if I need to be here personally."

Alfred then said, "Well, I still believe that this company still needs a Midoriya."

Izuku then walks to the secretary but continues to speak to Alfred, "Maybe, but that remains to be seen."

Izuku turned towards the secretary, "Is Lucius Fox here?" the young bluenette woman could only see an awning sight of an extremely cute but handsome man, "Umm, aww, Umm, aww."

Izuku couldn't help but chuckle, smiling while he said, "well, I couldn't say I have been in this situation but," Izuku creases the bluenette cheek down to where his pointer finger wraps around her chin to pull her into him.

The bluenette has just relinquished all sense of control over herself to the unknown man that has capsized her, "What is it that you want, Master."

The woman's eyes looked widened, and she pulled back to regain her control, "So why don't you call in and say that a family friend has returned, he'll get it." The man told the woman. She picked up the phone and called her boss to recite his words.

Bluenette received her orders, but had to ask, "Lucius is in the office waiting for you but, Mister, who are you?"

That handsome man looked behind him as he gripped the doorknobs, "Well, beautiful, the name's Midoriya, Izuku Midoriya, and you can call me Izuku." She watches as the handsome man and the British looking man enters her boss's office.

…

As Alfred and Izuku enter the CEO's office, they saw an early 40s black man with a full black head of hair and a goatee with a nice looking suit on, typing away at the computer.

Izuku steps into the middle of the room, "Well, then," Lucius looks over the computer to see a 6'2" man in front of him with dark green hair, "I was hoping for a more welcome home."

Lucius Fox then remembers what the man looked like in remembrance of the "Little Izuku, is that you?"

Izuku smiles with arms out wide, and nodded, with Lucius getting up and swiftly enveloped Izuku in a bone crushing hug.

Lucius pulls back to look over the young man in front of him has he looks up and down seeing the muscle on him seeing the clean-shaven face the eyes that eye seen quite much and feeling the hands that have great amount of grip, "Wow, your travels around the world have done wonders for you Izuku. But it has revealed the dark side of the world as well, hasn't it."

Is it good wouldn't look up and down on the man on the other side of him Lucius Fox and would proceed to say "The last 11–10 years has done wonders for you as well old man"

With a small moment of silence, before laughter echoes throughout the room.

Alfred budded in to ask, "I believe it would be a good time for me to get some refreshments. Lucius the same tea?" receiving a nod and "Izuku, what type of tea do you want" and Izuku gave his answer, "Sencha tea."

Before Alfred left, he went on and said to Lucius, "Why don't you go on and talk about what you have been doing to help with Izuku's future endeavors?"

…

The room's supposed to be 50 by 50 ft, but it's actually 46 ft in length and 50 ft in width, with the extra 4 ft on the left side when entering through the doors. The office desk is about 8 ft from the windows in front of the doors. To the left, there's a bookshelf and a meeting area, while the right side has nothing except a large picture of the Midoriya family.

In front of the doors, about 8 ft from the windows, is the office desk. From the door to the left we have the bookshelf and the place for a meeting between two parties and nothing else, on the right side of the room from the door that has a huge picture of the midoriya family.

Izuku and Lucius were looking at the huge picture of the midoriya family of Izuku's family. Lucius started the conversation with "You know when you were five this whole building was destroyed."

Izuku unlocked Lucius dead in the eye and said, "I didn't remember that yeah that was when you were starting to train to become a hero to go through UA.

While your father was doing the planning for the next building for this building, he decided to help with your whole thing and the Hideout, a place to go to when everything seems too big. A place to meditate or a place to create stuff to protect others I call it a shed after Alfred comes back I'll take you down there I have a couple of stuff that I want to show you."

"Like what?" Izuku asked, "You'll see." Lucius replies with a cheeky smile.

The doors opened and Alfred came in with a piping hot pot of tea with two teacups, "Here we are with the teas."

"Good tea as always." Lucius complimented Alfred, "thank you sir, I'm making my mission to make the best tea possible."

During Izuku's 11 to 10 years' absence, he learned from Lucius about the turbulent period. In the first two years of Izuku's departure, a war erupted between Heroes and the League of Villains. The Heroes Commission and The World Heroes Association deemed Japan a lost cause, prompting the drastic decision to withdraw all Heroes from the country, leaving it abandoned. Musutafu City suffered greatly due to the absence of Heroes.

Amidst the power vacuum created by the departure of All Might and All For One from the limelight of heroes and villains, crime syndicates emerged with unprecedented audacity. Crime rates soared in the city, reaching historical highs as 15 new syndicates surfaced. Now, only six have managed to establish a foothold.

One colossal crime syndicate, the Fujimoto Crime Family, emerged as the dominant force, orchestrating illicit activities. They called the shots, buying officials, blackmailing or corrupting law enforcement, and extracting a substantial revenue from the citizens of Musutafu City. Resistance against them was minimal, with few individuals, like Lieutenant Tsukauchi Naomasa and his wife Tsukauchi Haruka, daring to stand up to the criminal reign.

After the hour of talking, Lucius ask Alfred if he would like to use the elevator to go down, but Alfred declined the offer, and he said "I believe it will be best for you and master Izuku to go on and Witnesses it himself, did you need me I'll be back in the living scene waiting for your arrival to head to the manor."

Izuku went on and watched Lucius pull a book that book record a head on a post statue flip and a button is needed to and a retinal scan to slide both of the bookshelves from each other and a bios can is needed Lucius grabs Izuku and brings them to where he is Forefront and the bio scan, scanned red happens and Lucius voice "protocol X7"

"Protocol X7 accepted, name?" "Izuku Midoriya" Lucius said, "Bios can complete bios can accept welcome Izuku Midoriya."

The elevator doors opened, Lucius tried to be polite and said, "Young before the old goes on in."

But Izuku Midoriya shot back with age before Beauty."

Those two went inside the theater at the same time and Lucia's Fox press the button that was needed to get to where their destination is going

The elevator went down.

…

Coming through a couple of elevators was Lieutenant Tsukauchi with a coffee in hand, coming after getting called to get to Mighty Hotel on the 19th floor 1939 room.

Lieutenant Tsukauchi found the woman that called it in, Officer Ayumi, "Officer Ayumi, what do you have for me."

Before a word could be uttered, a loud crash caught everyone's attention.

Detective Akahoshi Satsuki rushes onto the crime scene, her strides purposeful yet slightly disheveled from the urgency of her arrival.

With a no-nonsense expression, her dark eyes assess the situation, framed by a few loose strands of hair that have escaped her typically tidy bun.

Despite her tardiness, the polished professionalism of her police uniform hints at a commitment to duty, and her stern demeanor commands respect from those around her.

As she surveys the scene, a subtle air of authority surrounds her, making it clear that she is a seasoned officer accustomed to taking charge in challenging situations.

Lieutenant Tsukauchi who just received a coffee refill, he started his steps to the new arrival,

Detective Akahoshi Satsuki still with disheveled hair she found Lieutenant Tsukauchi Naomasa, she stuck out her hand and said, "Detective AkahoshiSatsuki ready for duty and assigned by the commissioner as your partner."

Lieutenant Tsukauchi then took her hand and nods his head, "Welcome, and please don't get in the way."

Lieutenant Tsukauchi after the shake of hands with Lieutenant Akahoshi, he just shakes his head, 'Kurogami first took me of the silk case, and now he put a damn babysitter to keep me in check.'

Lieutenant Tsukauchi gave his attention to Officer Ayumi, "Officer Reiko arrived at the crime scene in room 1939 of the Mighty Hotel on the 19th floor in Musutafu City. The atmosphere was tense as he carefully stepped over the threshold, mindful not to disturb potential evidence. The room was dimly lit, with only the glow of city lights filtering through the drawn curtains.

Upon initial inspection, Officer Ayumi noticed signs of struggle. Furniture was overturned, and there were clear indications of a violent altercation. The victim, a middle-aged man, lay lifeless on the floor. The cause of death appeared to be a single gunshot wound to the chest.

The detective observed that the victim's personal belongings were scattered around the room, suggesting a possible robbery motive. He took note of an open safe, its contents missing, and the shattered remnants of a glass display case that presumably held valuable items.

The murder weapon, a discarded firearm, was found near the victim. Officer Ayumi carefully preserved it for forensic analysis. He also identified a series of bloody footprints leading away from the crime scene, possibly belonging to the perpetrator.

The room itself showed no signs of forced entry, raising questions about how the assailant gained access. The detective made a mental note to check the hotel's surveillance footage to trace the movements of any suspicious individuals.

As Officer Ayumi continued investigating, he observed that the victim had defensive wounds on his hands, indicating a struggle before the fatal shot was fired. The detective also discovered a note near the victim, cryptically hinting at a motive. He carefully bagged and tagged it for further analysis.

Upon completing her initial assessment, Officer Ayumi contacted Lieutenant Tsukauchi Naomasa to brief him on the situation. He provided a detailed account of the crime scene, the potential motives, and the evidence collected so far, expressing the need for a thorough investigation to unravel the mystery behind the homicide at the Mighty Hotel.

Lieutenant Tsukauchi nodded to the suggestions, as he starts to run through his phone and walked to the enters, he yells to the group of police, "HEY ALL YOU GET OUT YOU'RE CONTAMINATING THE CRIME SCENE WAIT FOR THE CRIME SCENE INVESTIGATION UNIT TO COME AND DOCUMENT EVERYTHING BEFORE YOU REMOVE THE BODIES."

Everyone followed the order to leave, Lieutenant Tsukauchi went to Detective Akahoshito to ask, "Did you touch anything?"

Detective Akahoshi hearing the underlying disdain for her, she didn't understand, but she just answered anyway, "No, I didn't and why would you even think that, Lieutenant, but you don't even know me?"

Lieutenant Tsukauchi looks at Akahoshi and dismisses her, "Yeah, I do, you're just someone the commissioner assigned to keep an eye on me and be my babysitter."

Lieutenant Akahoshi, maintaining her composure, responded with a calm demeanor, "I'm here to work together, Lieutenant Tsukauchi. Let's focus on solving this case and bring justice to the victim. Personal opinions aside, our duty is to find the truth."

As they awaited the arrival of the Crime Scene Investigation Unit, Officer Ayumi approached with additional information. "Lieutenant Tsukauchi, we've got access to the hotel's surveillance footage. It might help us track the movements of anyone entering or leaving the room around the time of the incident."

Lieutenant Tsukauchi nodded, "Good work, Officer Ayumi. Let's review that footage as soon as possible. Every detail matters in solving this case."

As the team prepared to delve into the investigation, the atmosphere in the hotel room remained tense, the shadows of unanswered questions lingering. The clock was ticking, and the detectives knew that uncovering the truth required diligence and collaboration.

…

Izuku is in the bunker of Midoriya Tower on the negative 40 floor looking at test footage of the gadgets.

Lucius slides out from in front of the computer, and as he steps out of the chair to walk past an amazed Izuku who just saw the hidden table that started to rise above to meet their waist.

On the table is a Grapnel Gun, Cryptographic Sequencer, Concussion Detonator, and a Disruptor.

Izuku looked at the table to say, "you have outdone yourself, Lucius, so what is it that you are going to show me."

Lucius said, "Izuku, I promised your father to help you with everything you'd need as a hero and a businessman."

Izuku then grabbed the Cryptographic Sequencer and looked at the device to remark, "this is a good device to use in the field."

Lucius says as he grabs the fabric ruler, "Izuku, are you going to try to become a hero?"

Izuku then says, "Maybe, but is it that you can create a secure network that has a way to get into the Midoriya Tech through a back door, but create an invisible connection that makes everyone who tries to get into my system get past?" placed the Cryptographic Sequencer back on the table.

Lucius taking measurements as he speaks, "Izuku, that can be done, six foot two, arms out," Izuku stuck out his arms, "I can do it, 76 inch wingspan, but it'll take somewhere to two or four weeks to create you a suit and the program as well."

Izuku sat to help Lucius get the measurements for pants and then his feet for when he sits and for when he's standing.

Izuku rebutted his suit, "Lucius, is that all you need?"

Lucius putting the fabric on his shoulders, "Yeah, that's all I need. Why don't you see what I did with the cave under your Manor? Alfred should be able to show you the entrance."

Izuku left the lab using the elevator to see Alfred with tea, "Tea sir?"

Izuku nods as he grabs a tea cup, "Yes and thank you, Alfred." He pours tea in the cup in Izuku's hand.

Izuku decided to say, "Alfred, why don't you go to Lucius and gave him the cup and teapot as well, when you come back up I'll be ready to leave."

Alfred went down to the bunker and gave the silver platter to Lucius as he returned to see Izuku ready to leave, "Alright Alfred, let's head home, it's time for me to be back."

Alfred and Izuku left the office.

…

Walking out of the Mighty hotel, Lieutenant Tsukauchi Naomasa and Detective AkahoshiSatsuki entered the parking lot, till the Lieutenant spoke, "Detective, where's your car?"

The young 27-year-old Detective spoke, "Umm, I just carpooled here with one of the officers."

Naomasa takes a sip of his coffee as he keeps walking, "Well, come with me, you're my partner after all."

Detective Akahoshi followed the Lieutenant, "Okay then, Lieutenant, what is it that you what."

Lieutenant Naomasa and Detective Akahoshi reached the car, he said, "What I want is to get to know you because what you said in the hotel got to me that I didn't even know who you were I didn't know you to make that assumption let me make a reintroduction of myself my name is Tsukauchi Naomasa a Lieutenant of the Musutafu City police department for the past 19 years and been an officer of the law for 21 years, and married for 15 years."

Unlocking the car and the two took a seat inside, Naomasa continued, "What about you?"

Detective Akahoshi looked at her partner, "I'm Akahoshi Satsuki, Officer of Musutafu City police department for 8 and just gotten promoted a week ago and assigned to be your partner today, and just focusing on the career."

The Detective then asked Naomasa, "Why are we leaving the crime scene, when we were going to take a look at the security footage."

Lieutenant Tsukauchi Naomasa takes another swig of coffee before continuing, "Well Detective, well there are two places where security footage goes these days.

They are worthy home security systems and cameras. That is where there is a contract inside of it where the people can take and Reserve footage if needed at the other one is at their home and the home can be tampered with, the one in the hands of the security place can't be.

So we're going there. We have the timetable, we have the location, we have the room number, we have everything.

That we need to gain access to it, but that doesn't mean that we aren't waiting until the forensic team is done with gaining all the evidence that they need to use for prosecution."

Detective Akahoshi was able to see the logic in what her superior was saying but then asked, "Then where are we going Lieutenant?"

Naomasa use his car to pull out of his spot in the parking lot and was at the entrance of it, then he said, "We are going to Musutafu City's historic district, for MusuCorp security building.

Detective Akahoshi liked the way things were going and tried to make this continue so she said, "Alright Chief, if solving crimes were an Olympic sport, we'd be going for gold in the detective dash – no capes required!"

Lieutenant Naomasa couldn't help but smile for the first time for the past 3 years on the job, "Let's go on the road of life."

As they took a left turn, as a certain car is on their right, there we saw a nice Lincoln black car was being driven by an Englishman in his 40s his name is Alfred driving Izuku home.

…

Alfred with Izuku drives in and arrives at the sprawling estate of The Midoriya Manor, the air was thick with the scent of blooming flowers and the gentle rustling of leaves from the surrounding acres of greenery. The grand mansion, a fusion of Japanese and Western architecture, stood proudly against the backdrop of nature's canvas. With a massive garage filled with cars.

Parking in front of the Manor as Alfred opened Izuku's car door, "Welcome, Izuku-Sama." Izuku steps out to take a deep and long breath of the familiar setting, "I'm home."

Izuku looked to see Alfred carrying his baggage, he came over, "You sure, you don't need any help?" Izuku walks over to Alfred, "you know I can help?"

Alfred gestured casually with his free hand, "Izuku-sama, no assistance required. I shall manage quite well on my own. Venture forth and acquaint yourself further with the intricacies of the manor."

Izuku standing still watching Alfred to make sure that he has everything under control after confirming that everything is well under control he turns and start his track into the manner

He enters swabs of fragrances that he hasn't smiled since he left and returns to him memories that he locked away to make sure that it would not in the fear in his training.

Midoriya Manor

Crossing the threshold into the manor, Izuku found himself enveloped in the warmth of the foyer. The intricate Japanese artwork that adorned the walls told tales of a rich history, and a sweeping staircase invited him to explore the upper floors.

The living spaces unfolded like chapters in a storybook, each room designed with meticulous attention to detail. High ceilings, traditional tatami rooms, and expansive windows framed the beauty of the landscape outside. In the heart of The Midoriya Manor, a cozy family room whispered memories of laughter and shared moments.

Adjacent, an expansive kitchen echoed with the hum of state-of-the-art appliances—a testament to the nurturing of familial bonds that once thrived within these walls.

Izuku on his way through the Midoriya Manor entrance hall,

Izuku continues through the Midoriya Manor entrance hall, the grandeur of the space amplifying the echoes of his own footsteps.

The fusion of Japanese and Western elements in the decor creates a unique ambiance, with ornate details and subtle lighting enhancing the atmosphere. As he walks, Shoji screens and traditional Japanese sliding doors beckon him to explore hidden corners, adding an air of mystery to the familiar surroundings.

The scent of incense lingers in the air, reminiscent of calming moments from his past. Approaching the central staircase, Izuku is drawn to the intricate artwork lining the walls. Each piece seems to narrate a chapter of the Midoriya family's journey, a visual testament to the legacy ingrained in the mansion.

Alfred, who placed Izuku's Master Bedroom, came down to see Izuku had been standing in the study in the under stairs.

"Izuku-sama, How are you feeling?" Izuku heard the question from Alfred, but didn't say anything till a minute passed, "Where are their graves, Alfred?" while staring straight at the portrait of his father, Hisashi, his mother, Inko having their hands on Izuku's shoulders, Inko on the left side while Hisashi on the right side.

Alfred, putting a hand onto the now taller Izuku, "At her Sakura tree in the back." As the last words were spoken, Izuku turned around without having any eye contact with Alfred, 'I'll give him the time he needs.'

Midoriya Manor, Backyard Garden.

In the backyard garden of the Midoriya manor, we see a somber man trotting to two gravestones as he collapses in the middle of the two gravestones.

Izuku putting his fist in the dirt as he spoke to them out loud, "Mother, Father, I… I saw back from my training, for what I don't know really, it just seems like everything is a little too fast, and I've had the chance to breathe just yet…

Who am I supposed to be? The Millionaire that blow through his money and distort his image, or build my image up to help the city of Musutafu?

Coming home, felt fresh, like something's changed, but something's stays the same within the city.

There are still corruption, bribery, crime is on an all-time high and the Hero Association will not raise a damn finger to help us, and I made a promise that I'll become a hero, but I'm sorry that I had to cancel that promise, but I'll become the guardian of this once great city and a knight that'll fight in the darkness to serve the light. That is what I can promise you mom, dad, I will become The Dark Knight of Musutafu City."

The somberness became a trumpet of determination, of a promise that will echo throughout the world like a ghostly-wail.

Midoriya Manor Study Room

Returning to the study room to find Alfred patiently waiting, "Izuku-sama, you ready to check out your cave?" gaining a nod in acknowledgment and affirmation, that Izuku is ready to see the cave.

Alfred proceed to open the grandfather clock to move the hands from 4:30 pm to 12:50 am, then the grandfather clock slide forward then slide to the right facing it, and a retinal scan, handprint scan, and bio scan. "Protocol midoriya"

Izuku proceeded to stand still for the bio scan, then put his right hand on the handprint scan and scanned his retinal eye to be incorporated into the database of people that are allowed down there.

The door would open and there's an elevator enough for the size of six people on the average to go down.

Cave

As Izuku descended into the concealed depths beneath the Midoriya Manor, the cavern unveiled itself, guarded by the majestic curtain of a cascading waterfall. The soothing sound of water concealed the entrance from prying eyes, ensuring the secrecy of the Cave hidden beneath Musutafu City.

Upon reaching the first floor, Izuku stood on a circular platform with a 20-foot radius, surrounded by the gentle murmur of the concealed waterfall.

Alfred, with a seasoned poise, directed him to the left, where a vast rectangular platform housed an armory, a chamber of meticulously organized gadgets, and a weight room equipped with cutting-edge safety features. The combat simulation room echoed with the promise of challenges and growth.

Turning to the right, Alfred led Izuku to another expansive platform. Here, the backdrop of the concealed waterfall embraced a gadget test site, a forensic science lab, and a medical center—a trinity of facilities designed to fortify his mission as the guardian of Musutafu City.

At the heart of the circular platform, A Super Computer awaited, surrounded by holographic displays flickering to life under Alfred's experienced touch.

The concealed waterfall, both guardian and ally, enhanced the cave's secrecy and symbolized the hidden strength within.

Guiding Izuku down the stairs to the second floor, Alfred revealed a mirrored layout without the circular platform.

To the right, the cavernous expanse hinted at a place to store his main form of transportation and other vehicles through a network of hidden passages behind the waterfall.

On the left, the mechanical room hummed with the pulse of advanced machinery to help keep the vehicles on a constant state of readiness and a trophy room proudly displayed the mementos of future victories, all sheltered by the veil of the cascading water.

Izuku walked, following Alfred, back up the stairs to get in the seat to work on the supercomputer.

While using the supercomputer, Izuku received a message from Lucius asking,

Lucius: Hey Izuku, How is everything with the cave?

Izuku: Yeah, the cave is good. Is there a scanner to scan my hero books when I was young?

Lucius: There are two scanners on your right two scanners one for paper as a drawer, and the other is the large scanner on top of the drawer scanner.

Izuku looked at the raised scanner and pulled out the drawer, "Huh, interesting."

Izuku looked over his shoulder to Alfred, "Mind if you can grab my notebooks?" Alfred then, "Yes Sir, I get them in here." Izuku watches Alfred leave the elevator.

Back to the computer

Izuku: The armory, and garage are empty.

Lucius: yup, you're the person going into the field, and that means you should have the final say on what I'd make.

Izuku: Alright, I'll make a list of what I think I'll need, I'll get started with the brainstorming.

Lucius: Is that all you need right now.

Izuku: that's all

Lucius: Alright, I'll return to creating your suit.

Resuming reading the most recent news for Izuku to learn of the last 5 years to understand more of the City he wants to protect.

As Izuku looked through the news.

In the Historical district, they're in the MusuCorp security building.

MusuCorp security building

Lieutenant Naomasa, and Detective Satsuki watched the footage they needed, they had the security guards to print out the three women's face, one male who walked in for 40 mins and left after, and a maid that walked then ran out with putting the cleaning cart in front of the door before getting on the phone.

Lieutenant Naomasa leans his head over to Detective Satsuki, "Detective Akahoshi-San, Now we must go and return to the crime scene to see what the CSI team have found."

Detective Satsuki followed Naomasa to his car, "Your lead I'm taking, where ever you go I go."

Lieutenant Naomasa gets a call as he and Detective Satsuki sat in his car, "Aww, it's my Wife." The young Detective asked, "Are going to drive while on the phone or drive after the call?"

Lieutenant Naomasa answered before answering the phone call, "Before I drive."

Naomasa: Hello Honey, How's everything?

Haruka: Hey, everything is fine, Just to let you know the hottest scoop right now will be of Midoriya Izuku's Return to Musutafu City.

Naomasa: He he, I have no idea why he'd even return, when everything in the city is filled with corruption from the Mayor threw down to the judges and the police officers.

Haruka: Well, I was given his number.

Naomasa: Are you really trying to cheat on me with someone younger?

Haruka: Umm, Nooo… but really have to give it to you, to figure out what the police might need.

Naomasa: Alright then, you can send it off to me, but I have a case.

Haruka: Anyway, Be safe honey, Hikuri wants to show you something when you come home.

Naomasa: Thank you, Love you and Hikuri when she's home

Haruka: I will, Love you, bye.

Call end

Lieutenant Naomasa looked over to see some snickering happening as he put his phone away, "What?"

Detective Satsuki tried to cover up her laughter, "Ha ha, Sorry, sorry." Naomasa with a little smile, "No, What?"

"Well, I guess hearing your inflection of your voice remind me of when my mother would talk about my…" Satsuki reflected, but denied herself from continuing the thought and continued with, "anyway, let's go and get on the road, we have a case to get done right."

As Naomasa got his car ready in gear he looks over at his partner Satsuki and wondered, 'Something must have happened to her father maybe a little bit of drama in her childhood I'll just wait until she decides to talk about it there's no reason to look into her background just yet'

Naomasa proceeds to drive off as Satsuki watches the cars fly past them.

…

The Cave

As Izuku just got done with the research of the past 10 years of Musutafu City's News to gain a greater understanding.

Alfred came down to give him his dinner, "Dinner, Izuku-sama."

Izuku watches Alfred place the silver platter down and unveil, "Izuku-sama, for this evening's repast, I've prepared a sumptuous dish featuring seared Chilean sea bass drizzled with a lemon beurre blanc sauce, accompanied by a medley of roasted fingerling potatoes and sautéed baby spinach. I trust it will be to your liking."

Izuku, still running through the news, listened and read, "Thanks Alfred, I am just focusing on the information I just went through."

Alfred ever wanted to be helpful, "Really umm may I hear what got you so complex?"

Izuku spoke what was on his mind, "Well, There was a lot of information, but one thing would come up multiple times."

Alfred asked, "What?"

Izuku continued with, "My name… Midoriya, or should I be more specific, Midoriya Industries, and Midoriya Tech."

Alfred, intrigued, inquired, "And what did you discover about Midoriya Industries and Tech, Izuku-sama?"

Izuku leans back in his chair, "It had something to do called, 'Silk Veil' I don't know what to do, I had a thought of checking on your mind and Lucius Fox's bank accounts see if there's any regularities anything's missing and then go to the company's bank account do the same that's what I believe that I should go and do, What do you think?"

Alfred nodded thoughtfully, "A prudent course of action, Izuku-sama. Investigating the financial records for irregularities could provide valuable insights into the activities surrounding Midoriya Industries and Tech. It may reveal the nature of this 'Silk Veil' and its connection to your family's enterprises."

Izuku starts to type in, "Alright, let's see what we get." Loading the result on his, Alfred's and Lucius fox's bank account, "Mmm nothing but let's see the company's bank accounts."

To show that 300,000,000 Yen in total was taken from both accounts for the past ten years to another account, then another account before getting split in two, with one half being 150,000,000 Yen, gets split again to be one account of 50 million Ye, the others off into 5 other accounts of 20 million a piece.

Izuku furrows his brows, "This is intricate... large sums being siphoned off, split, and redirected. It's not a random act. There seems to be a deliberate pattern to conceal the funds. Do you have any leads on the final destinations of these divided amounts?"

Alfred types in something and got the profile of a well-known gangster, Tetsuya Fujimoto, "I've found something sir, he looks to be the head of the Fujimoto crime family."

Izuku's eyes narrow as he studies the information, "Fujimoto... that name rings a bell. It seems our 'Silk Veil' may have ties to organized crime. Time to pay Mr. Fujimoto visits and finds out what he knows."

Alfred looked at the back of a walking Izuku, "Izuku-sama What are you going to wear, you have yet to get Lucius fox's suit fitted?"

Izuku smirks, "I'll improvise for now. It's time to make an impression on Mr. Fujimoto. The suit can wait."

Alfred yells as Izuku leaves, "Do forget to wear a coat, Sir!"

On the Road to the Narrow of Old Musutafu

Izuku is in an old 1970 Plymouth Barracuda, heading to the Shrouded Ember club.

As Izuku speeds through the dimly lit streets as the moon rises, the engine's low rumble blending with the city's ambient sounds, he reflects on the task ahead, determined to unravel the mysteries veiled in the heart of Old Musutafu.

The Shrouded Ember Club

The exterior is a worn-down façade concealing the club, its signage flickering intermittently. Graffiti-covered walls add a layer of urban camouflage. With the entrance being Accessible through a narrow alley, guarded by unassuming members who discreetly assess those seeking entry.

Izuku parks his Barracuda discreetly, blending into the shadows. He adjusts the collar of his makeshift attire and confidently strides toward the alley, meeting the guarded gaze of those assessing entry. His eyes convey a determined purpose as he approaches the concealed entrance of the Shrouded Ember Club.

Bouncers, "Name?"

Izuku meets the bouncers' gaze, "Midoriya. Here to discuss business with Mr. Fujimoto."

One of the bouncers spoke to his radio, "Someone by the name of Midoriya desires business with Mr. Fujimoto… okay… alright." He looked at Izuku and said, "Midoriya wait here, someone will get you."

Izuku with his hands in his pocket and pull out his voice recorder that looked like a pack of gum in his front pocket.

As Izuku waits, he discreetly activates the voice recorder, ready to capture any conversations that might unfold inside the Shrouded Ember Club. The anticipation lingers in the air as he stands poised, keenly observing his surroundings.

A man standing tall at 6'2", boasts a lean physique adorned with well-defined muscles, a testament to his combat proficiency. His chiseled jawline and sharp cheekbones contribute to a commanding presence, complemented by deep-set, piercing brown eyes radiating intensity. A faint, well-maintained beard adds rugged charm.

His jet-black hair, often slightly tousled, reflects a no-nonsense demeanor. Hiroshi's attire, sharp tailored suits in dark hues, mirrors his position in the criminal organization. Classic styles and subtle yet expensive accessories showcase his refined taste, occasionally adorned with a bespoke tie pin for a personal touch.

A discreet scar on his left cheek tells of past altercations, a battle mark worn with pride. The silver watch on his wrist symbolizes punctuality and adherence to precise timing, a trait evident in his calculated movements. Came out from the club.

The rugged man, "Midoriya?"

Izuku acknowledges the man, "Yes, I'm Midoriya. I've come to discuss matters of mutual interest with Mr. Fujimoto." His tone carries a mix of confidence and curiosity.

Rugged man nods, and turns to the bouncers, "Akira why don't you get some stress relief and Yu you'll be fine taking over for Akira right."

Yu nods, with that the rugged man, Akira and Izuku entered the Club, Akira ran off to spend some time with the ladies, while Izuku followed the rugged man to Tetsuya Fujimoto office.

As they navigate through the dimly lit corridors of the Shrouded Ember Club, Izuku remains vigilant, absorbing the atmosphere. The echo of distant music and hushed conversations surrounds them until they reach the imposing door of Tetsuya Fujimoto's office. The rugged man gestures for Izuku to enter, setting the stage for a clandestine encounter.

Tetsuya Fujimoto office

In the office is the Commissioner Shiro Kurogami, at 49, possesses a sturdy and imposing build, commanding attention with a presence that conceals his deceitful nature. His sleek, jet-black hair is neatly combed, adding an air of sophistication to his calculated demeanor. Behind sharp and calculating eyes, often masked with a façade of concern for the city, lies a man driven by hidden motives.

Impeccably tailored suits adorn Shiro, exuding authority and professionalism. A polished badge and a subtly luxurious watch accessorize his attire, reflecting his taste for refinement. Carrying himself with confidence, he employs body language to assert dominance, reinforcing his authoritative role.

A chiseled jawline and controlled facial expressions seldom betray Shiro's hidden motives. His entire demeanor, from the way he dresses to the way he moves, creates an image of a commissioner who navigates the complexities of the city with a façade of concern while concealing a more deceitful nature beneath the surface.

The Mayor of Musutafu City Reiko Tanaka In her mid-50s, Mayor Reiko Tanaka, a distinguished female figure, graces Musutafu City with a dignified presence. Her graying hair, a testament to experience, frames a face that carries a calm and composed expression, radiating wisdom and authority. Usually attired in professional wear, Reiko seamlessly blends traditional Japanese styles with a modern touch, reflecting a harmonious approach to leadership.

Her professional attire mirrors her commitment to both heritage and progress, establishing a visual connection to the city's rich history while embracing its contemporary identity. Mayor Tanaka's demeanor exudes authority, and her composed expression reinforces a sense of reliability and stability in the leadership of Musutafu City.

Judge Aiko Yoshida opts for a blend of sophistication and modernity. She wears tailored suits with subtle yet elegant designs, reflecting her keen sense of style. Aiko prefers neutral colors that exude professionalism, and her outfits are always well-coordinated. Her attire, combined with a few discreet accessories, allows her to seamlessly transition from the courtroom to the bustling streets of Musutafu City while maintaining a dignified presence.

All standing around a 45, Tetsuya Fujimoto commands attention with a robust and imposing build, standing tall at 6 '3". His well-muscled physique hints at a presence that dominates the room. Tetsuya's jet-black hair, styled in a slick, back-swept fashion, showcases a few streaks of gray at the temples, portraying a seasoned figure in the criminal underworld.

His eyes, sharp and calculating, possess the color of dark steel, revealing a shrewd intelligence and an air of unpredictability. Tetsuya's strong jawline and a faint scar on his left cheek are testaments to his experiences in the gritty underworld. Favored by tailored suits in deep shades of black or charcoal gray, he complements his attire with high-end accessories, creating a fusion of traditional Japanese elegance and modern sophistication.

Tetsuya Fujimoto's appearance conceals the cunning mind that strategically operates behind the scenes to maintain his grip on the criminal empire. His attire and demeanor exude authority and control. Playing pool

As Izuku steps into Tetsuya Fujimoto's office, he takes note of the formidable figures present. The room pulsates with an undercurrent of power and hidden agendas. With a nod of acknowledgment, Izuku gauges the atmosphere, recognizing the complexities woven into the criminal underbelly of Musutafu City.

Tetsuya Fujimoto hitting a pool cue into the white ball into the solid red sinking it in the pocket, then he looked over his shoulder to see "The prince of Musutafu City, Izuku Midoriya," put his pool cue on the pool table, arm wide walking towards Izuku and placed his hands on Izuku's shoulders, "What does the richest man in Musutafu City want with me?"

Izuku meets Tetsuya Fujimoto's gaze with a calm intensity, "Mr. Fujimoto, I've been tracing financial anomalies linked to my family's enterprises. 'Silk Veil' led me to you. I seek answers and an understanding of the intricate web woven around Midoriya Industries and Tech." The tension in the room palpable as their worlds collide in this clandestine encounter.

Tetsuya swirled around to have his left hand stay on Izuku's right shoulder, and a hand signaled the rugged man to do something and a look from him made everyone to leave the office to where only Izuku Midoriya and Tetsuya Fujimoto is there.

Tetsuya started as he went to the bar to pour himself some whiskey, "I know that you've just arrived back home, buuuut, I got principles and those are you don't mess with a good thing while the going is hot and what you're doing is looking into one of my good things and I can't have that." As he turned around and took a sip of his drink, "Do you understand? Eeeh, by the look in your eye, I don't think you understand that."

Izuku maintains his composure, "Mr. Fujimoto, I respect principles, but when they're tied to criminal activities affecting my family's legacy, it becomes my concern. I'm not here to disrupt your 'good things,' but to uncover the truth behind 'Silk Veil' and its connection to Midoriya Industries. I believe there's more at stake than you realize." The air in the room thickens with the unspoken tension between the prince of Musutafu City and the head of the criminal empire.

Tetsuya with another sip, "Let's just say agree to disagree, but" a knock on the door, and it opens to show five men with the rugged man, "Aww, your incentive to keep your nose where it doesn't belong. Thanks, Hiroshi, for coming so fast."

Hiroshi spoke, "Of course, sir."

Izuku, unfazed, glances at the newcomers. "Mr. Fujimoto, intimidation won't sway my pursuit of the truth. If you think threats will deter me, you underestimate the resolve of the Midoriya name." The tension in the room escalates as the standoff unfolds between the prince and the criminal mastermind.

The five men escorted Izuku midoriya out of the premises and into an alleyway, Izuku heard "the resolve of the Midoriya name Ahahahah, that's hilarious. You boys know the drill." from Tetsuya.

As Izuku finds himself escorted into the alley, his mind races with strategies to navigate this unexpected turn. Determination shines in his eyes, and he remains steadfast, knowing that the resolve of the Midoriya name carries more weight than the dark alley surrounding him.

Izuku in front of the five men, 'umm 2 have a strength quirk, with one who has a love for knives and other two I don't know, now how do I do this?' Izuku thought.

Assessing the situation, strategically positions himself to exploit the unique abilities of each opponent. His analytical mind races to find the best approach, considering the strengths and weaknesses of both his adversaries and the environment. With a focused determination, he readies himself for the upcoming confrontation in the dimly lit alley.

One of the strength quirk guy ran towards Izuku and with a judo flip Izuku brought him down on his back and two shots in the face knocking him out, the other one with a strength quark was hesitant therefore the one that has a great love of knives started to try to slash at him Izuku backed out of the range of the knives as the knife lover try to slash stab and shank him. Izuku used the chance to disarm him through the knife into a garbage bin, break his right arm and then spin them into the other three, knocking them all down.

Izuku's swift and calculated movements showcase his mastery in hand-to-hand combat. The alley echoes with the clatter of a discarded knife and the impact of bodies hitting the ground.

Izuku looking around seeing where he is knowing that his car is quite far away but still close enough he chose to do parkour and doing so he heard a commotion there he stopped on an exterior stairway and watched as a mugging happening.

In the dimly lit alley, a mother clutches her child tightly, glancing nervously at the ominous figures surrounding them.

Mugger 1: "Hand over your valuables, lady. Don't make this difficult."

Mother: "Please, I-I don't have much. Just take what I have and leave us alone!"

Mugger 2: "Hurry it up! We don't have all night."

As the mugging intensifies, Izuku observes from the exterior stairway, contemplating his next move. Suddenly, a small bat flutters by, casting a shadow on the ground.

Mother: "What... what's that?!"

Mugger 1: "Quit your whining! Just hand over your stuff!"

The small bat continues its erratic flight, creating shadows that dance on the walls. The muggers, momentarily distracted, glance around with uncertainty.

Mugger 2: "What the hell is that?"

Mother: "I-I don't know, but maybe we should go!"

As the small bat completes its unexpected aerial display, it swoops low, casting a fleeting shadow that startles the muggers and the frightened mother.

Mugger 1: "Alright, forget it! Let's get out of here!"

The muggers hastily retreat, leaving the shaken mother and her child. The small bat, having served as an unexpected savior, flits away into the night, leaving a momentary sense of relief in its wake.

As the small bat gracefully flaps its wings, disappearing into the night, Izuku watches with a newfound sense of inspiration. The shadows it cast and the way it intervened in the mugging strike a chord within him. At that moment, he sees more than just a creature— he envisions a symbol.

Izuku, standing on the exterior stairway, contemplates the power of symbols. The bat, though small and seemingly insignificant, became a beacon of hope in that alley. It disrupted the darkness, creating a momentary diversion that changed the course of events.

In that fleeting moment, Izuku decides: the bat shall be his symbol—a symbol of intervention, disruption, and hope. The resolve to protect his city, not just as Izuku Midoriya but as a symbol, takes root within him. With a determined gleam in his eyes, he embraces the inspiration that the small creature bestowed upon him and prepares to carve his path in the shadows of Musutafu City.

Izuku with a newfound determination enters his Barracuda and drives his way home with a newfound inspiration for the symbol.

Musutafu City Police Department

In the bustling hub of justice that is the Musutafu City Police Department, Lieutenant Tsukauchi Naomasa and Detective Akahoshi Satsuki find themselves seated, surrounded by the rhythmic hum of the precinct. As they digest the plethora of information obtained from the CSI team, a moment of respite unfolds in the worn yet steadfast walls of their second home.

The familiar scent of freshly brewed coffee mingles with the subtle scent of paperwork, creating an atmosphere steeped in the daily grind of law enforcement. In the corner, the soft glow of desktop monitors casts a gentle illumination, punctuated by the occasional ringing of phones and hushed conversations.

Lieutenant Tsukauchi, with a weary yet determined expression, reviews the notes in his hands while Detective Akahoshi leans back in her chair, eyes scanning the bustling activity around them. The camaraderie between them, forged through countless investigations, adds a layer of unspoken understanding to the room.

As they sip on steaming mugs of coffee, the duo contemplates the intricate puzzle pieces laid out before them, each fragment contributing to the larger tapestry of justice in Musutafu City.

Lieutenant Naomasa finding the number to the victim's wife, Aya Takahashi.

**Phone Conversation: Lieutenant Tsukauchi Naomasa and Aya Takahashi**

*The phone rings, and Aya Takahashi answers.*

Aya Takahashi: Hello?

Lieutenant Tsukauchi Naomasa: Good evening, Mrs. Takahashi. This is Lieutenant Naomasa Tsukauchi from the Musutafu City Police Department. I'm calling regarding the unfortunate incident involving your husband, Hiroshi Takahashi.

Aya Takahashi: Oh, Lieutenant. Is there any news about my husband?

Lieutenant Tsukauchi Naomasa: I'm afraid I have to share some distressing information. We've been investigating thoroughly, and it seems your husband's murder was not a random act of violence. The motive appears to be deeply personal.

Aya Takahashi: Personal? What do you mean?

Lieutenant Tsukauchi Naomasa: Hiroshi's former business partner, Katsuo Mori, is a suspect in the case. We believe he harbored a grudge against your husband stemming from their past business dealings.

Aya Takahashi: Katsuo Mori? I never thought he would go this far. What could possibly be the reason?

Lieutenant Tsukauchi Naomasa: It appears their professional relationship ended on bitter terms. Financial disputes and accusations of betrayal led to Katsuo's financial ruin after Hiroshi terminated their partnership. The cryptic note we found at the crime scene indicates that this was a personal vendetta against your husband.

Aya Takahashi: This is unbelievable. I had no idea their issues ran this deep. What should I do?

Lieutenant Tsukauchi Naomasa: I understand this is a lot to process, Mrs. Takahashi. We're doing everything we can to bring Katsuo Mori to justice. If you could provide any additional information about their past dealings or if you've noticed anything unusual lately, it would greatly assist our investigation.

Aya Takahashi: I'll do whatever I can to help. I never imagined Hiroshi's business troubles would lead to something like this.

Lieutenant Tsukauchi Naomasa: Thank you, Mrs. Takahashi. Your cooperation is crucial. We'll be in touch if we need any more information. Please take care.

The conversation concludes as Lieutenant Tsukauchi gathers the necessary details to build a case against Katsuo Mori.

With the information gathered from Aya Takahashi and the evidence collected at the crime scene, Lieutenant Tsukauchi Naomasa swiftly mobilizes the investigative team. Detective Akahoshi Satsuki coordinates with the forensics unit to process any new leads, while Naomasa contacts other relevant departments to initiate a citywide search for Katsuo Mori.

The Musutafu City Police Department activates surveillance on known associates and potential locations linked to Katsuo Mori. Meanwhile, Detective Satsuki delves into Hiroshi Takahashi's financial records, seeking additional insights into the motivations behind the crime.

As the investigation unfolds, Naomasa receives a tip from an informant about a potential hideout frequented by Katsuo Mori. Acting on this lead, he assembles a specialized task force to conduct a targeted raid.

The climax of the operation takes place in the dimly lit alleyways of Musutafu City, where the task force confronts Katsuo Mori and his associates. A tense standoff ensues, escalating into a swift and decisive arrest.

Katsuo Mori, cornered and apprehended, finds himself facing the consequences of his actions. In the interrogation room, Naomasa and Detective Satsuki skillfully extract a confession, unveiling the intricate web of resentment that fueled Mori's vengeance against Hiroshi Takahashi.

With the case closed, the Musutafu City Police Department demonstrates once again its commitment to justice. The collaboration between Lieutenant Tsukauchi Naomasa and Detective Akahoshi Satsuki exemplifies the resilience of law enforcement in unraveling complex criminal narratives.

In the aftermath, Aya Takahashi finds solace in the resolution of her husband's case. The city, though scarred by the shadows of crime, can breathe a sigh of relief, knowing that justice prevails in the hands of those dedicated to upholding the law.

Lieutenant Tsukauchi Naomasa and Detective Akahoshi Satsuki signed off their shift as they left two different cars and two different cars, both heading home.

As Lieutenant Tsukauchi Naomasa and Detective Akahoshi Satsuki embark on their separate journeys home, the streets of Musutafu City carry the echoes of another day in the relentless pursuit of justice.

Detective Satsuki's Journey Home:

Detective Akahoshi Satsuki, navigating the city's nightfall, mentally reviews the details of the case. The streetlights flicker overhead, casting fleeting shadows on her path, mirroring the nuanced nature of her investigative work.

Arriving at her residence, Detective Satsuki immerses herself in her own routine—a sanctuary from the tumultuous nature of crime-solving. Her apartment, adorned with the subtle remnants of a detective's life, becomes a quiet retreat where she can unwind and recharge.

Lieutenant Tsukauchi Naomasa's home

Reaching home, Naomasa couldn't help but lean forward and put his head on the top of the driving wheel to let himself relax because his job is done for now.

I'm getting out of the car he walked to the door and opens it walking in he discards his shoes put on his home sandals and walks in to see his wife and his daughter sitting at the couch he walks over and sat right in the middle of them they gave way so that they could both have a shoulder for themselves.

This brings a close to the Tsukauchi Family.

The Cave

Izuku is on the computer chair in his notebook drawing a suit and giving a list of everything he wants and then proceeds to create a logo that would become the symbol of who he is looking over his shoulder is Alfred Izuku leans back in his chair put his pen down Alfred went on and asked, "Why a bat sir"

Izuku proceeds to tell, "Well Alfred when I fell in the well when I was 5. I tried to get up and there was a swarm of bats coming towards me. I became very afraid at that moment of time, but then I learned how to channel it and understand it now the criminals here will know my dread."

Alfred gave a smile back and asked, "Very good sir, so when do you believe that you will be going out there as this vigilante?"

Izuku proceed to say I don't believe I could wait that long there are a lot of people that need help, and also I need to get all the corruption out of my company Lucius is going to create a Kevlar with spandex and sensors throughout the suit to make sure that he can get all the data while I'm out in the field doing what I need to do to protect the people of Musutafu City."

End

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Author's note: a lot of the stuff that is of the news is something that I use ChatGPT for and I use about the last bit with some help from ChatGPT if you like this then I hope that I'm getting better at doing the stories and I don't know how long it will take me to do the next one it's already around 20,000 words. I hope you enjoyed it.

Next fan fiction work: Izuku Under The Mask, Filled With Great Responsibilities