After five days away filming a separate project, Lucas rejoined the cast of "Inception" with a smile and a spring in his step. His absence had been felt, a slight gap in the camaraderie that had formed on set. But he was back now, ready to dive back into filming with other casts.

Among those welcoming him back was Nolan himself, a hint of curiosity flickering in the director's eyes. He'd received reports of Lucas's performance on the notoriously challenging rotating sets - reports that spoke of a mastery achieved in remarkably short time. Intrigued, Nolan couldn't help but ask, "Lucas, have you had experience with rotating sets before?"

Lucas, appearing humble, chuckled. "Not at all, Mr. Nolan. I guess I just pick things up quickly." A perfectly reasonable explanation, but one that couldn't fully quell the director's curiosity.

Of course, Lucas kept his secret close. He wouldn't reveal the truth – his ability to delve into the hidden depths of his consciousness, to create intricate simulations of scenes within his own mind. It was a gift, a personal sanctuary he wasn't ready to share.

Instead, Lucas then deflected with an unexpected joke. "Maybe I just have a knack for spinning around," he said, leaving Nolan with a smile and a lingering question mark.

This interaction set the stage for the rest of Lucas's filming. His talent continued to shine, his adaptability impressive.

As the cameras stopped rolling on another scene of "Inception," a hush fell over the set. Actors retreated to their trailers, prop handlers scurried to reset the scene, and amidst the controlled chaos, a quiet corner buzzed with activity. Sonia and Maggie, veterans of the makeup department, found their usual spot - a cluster of chairs shrouded in white sheets - with their colleagues gathered around.

Unlike other departments on set, makeup artists often witnessed scenes in stolen moments, piecing together the narrative through glimpses and snippets. Yet, even these fragmented observations were enough to spark lively discussions. Today's topic? The cast, naturally.

Leonardo DiCaprio's name always drew the most sighs and knowing glances. His effortless charm and seasoned talent were undeniably captivating. Each artists recounted an anecdote from their brief interactions, a touch-up here, a compliment there, fueling the collective swooning.

But amidst the DiCaprio appreciation, a new name entered the conversation. Elena, a bright-eyed newcomer to the department, confessed, "Have you seen Lucas? He's...well, something else."

A chorus of surprised laughter filled the air. Lucas, the young newcomer with quiet intensity, hadn't garnered their attention before. He possessed a raw, unpolished appeal that contrasted with the seasoned charm of DiCaprio. He wasn't conventionally "too handsome," but the way he moved, the way his eyes reflected the emotions his character lived, that's what drew Elena in.

They couldn't deny his undeniable presence, the way his eyes held unspoken depths, and the way he moved with a quiet confidence. Comparisons were inevitable, of course. Leonardo DiCaprio, with his established Hollywood charm, remained the heartthrob.

Maggie, a makeup artist with a dry wit, snorted. "Lucas is handsome, I'll give him that," she conceded. "But let's not forget, DiCaprio still holds the torch for a reason. He's got years of experience, a presence that commands attention. And while Lucas shows promise, he's still green, wouldn't you say?"

Sonia, another makeup artist, listened with a thoughtful frown. "There's something about Lucas," she mused. "He carries himself differently. When he's in character, it feels like he becomes someone else entirely. It's… unsettling, almost mesmerizing."

Elena, emboldened, nodded eagerly. "Exactly! I mean, have you seen the way he transforms? He becomes someone else, it's almost...unsettling."

A younger artist, still starry-eyed from her first professional gig, giggled. "You guys are overthinking it. They're actors, that's what they do."

Maggie, ever the voice of reason, added, "Right. They can switch personalities on a dime."

Sonia, Elena, and the others fell silent after Maggie's pronouncement. Her words, while dismissive, held a grain of truth. They were, after all, accustomed to working with actors of varying degrees of talent and experience. Perhaps, they thought, they were overreacting to Lucas's potential because of their recent exposure to mainly newcomers or actors who relied heavily on their looks.

Yet, despite the uncertainty, a spark remained lit within them. There was something undeniable about Lucas. He wasn't just effortlessly charming in his role; he seemed to genuinely inhabit it, transforming on set in a way that captivated them.

Sonia, couldn't help but steal occasional glances at Lucas as he prepared for his next scene. Off-camera, he was a different person entirely - quiet, reserved, but with an air of focused intensity. She had even seen him diligently rehearsing his lines during downtimes, a dedication she deeply admired in a young actor.

Their brief discussion about Lucas continued for a while longer, the buzz fading as they turned their attention to their current client, Ellen Page, who had just recently arrived on set. Soon, Marion Cotillard needed preparations for her next scene, and the familiar rhythm of the makeup department resumed.

It wasn't just the female actors who graced their chairs. The men, including Leonardo DiCaprio, also received their touch-ups and transformations under the skilled hands of these professionals.

Meanwhile, Lucas, oblivious to his newfound attention, simply relaxed on his seat. He was used to the rhythm of the set, the ebb and flow of activity. He hadn't noticed the subtle shifts in the atmosphere, the way conversations lingered on his name, the way eyes followed him discreetly.

After his five-day absence, his presence in the crew experienced a certain stagnation had settled in. Now, a quiet energy crackled around him, fueled by curiosity and a sense of anticipation.

The makeup department wasn't the only one taking notice of Lucas potential. Other departments took notice of him, and discussions about Lucas started circulating throughout the crew. Grips noticed his focused intensity during rehearsals, costume designers remarked on the ease with which he moved in their creations.

Lucas himself remained oblivious, lost in the world of his character.

And perhaps, it was this very lack of self-awareness, this genuine immersion, that drew people in.


[Los Angeles, California]

Sunlight streamed through the dusty window of the repurposed office, casting long shadows across the gathered actors. Lucas, Leonardo, and the others huddled around a worn table, their voices low and urgent.

"Inception," was shooting on location outside the studio, and closure of the film forced them to retreat to this makeshift room. Christopher Nolan, the meticulous director, and the studio were fiercely protective of the film's details, wanting to keep the before it was released.

Days passed, each one bringing Lucas face-to-face with the unique challenges of "Inception." The most persistent thorn was Warner Bros.' resistance to the agreed-upon budget, a tug-of-war that strained the production. Yet, Christopher Nolan, navigated the hurdles, ensuring the filming schedule remained on track.

Today, the filming was in a certain workshop in Los Angeles. Lucas, embodying Arthur, adjusted his tie, the silver lining catching the tungsten lights. Around him, a symphony of activity unfolded. Leonardo DiCaprio, portraying Cobb, hunched over a script with intense concentration. Ellen Page, brimming with Ariadne's youthful curiosity, bounced on the balls of her feet, eager to dive into the scene.

Grips scrambled, adjusting lighting and securing props. Costume designers fussed over the actors' attire.

Assistant directors barked orders, their voices weaving through the pre-shoot chatter, ensuring everyone was in their place. Nolan, observed with a keen eye, ready to film.

The assistant director raised a hand, silencing the room. "Five minutes to set!" he announced. The energy shifted; playful smiles gave way to focused expressions. Lucas, Leonardo, and Ellen took their positions, their characters simmering just beneath the surface.

A hush fell over the workshop room as Christopher Nolan adjusted his headset. His steady gaze flickered from the monitor displaying the scene to the bustling crew around him. Each member played their part with practiced efficiency, a well-oiled machine working in sync.

Lucas, poised as Arthur, stood in his mark, observing Nolan's meticulous direction. He couldn't help but admire the director's calm amidst the controlled chaos, his every gesture guiding the film towards his direction. Five minutes ticked by, filled with whispered adjustments and focused preparation.

Then, the triggering word: "Action!"

The camera whirred to life, its lens focused on Ellen Page, as Ariadne, stirring awake from a staged slumber. A beat of silence, then Leonardo DiCaprio, embodying Cobb, delivered his line: "Because it's never just a dream." His voice, low and gravelly, filled the room with measured presence.

Ariadne's gaze shot towards Cobb, now both actors seated in worn-out lawn chairs. Lucas, seamlessly slipping into Arthur's persona, observed them from the side, his posture relaxed but alert.

Cobb's voice echoed, "And a face full of glass hurts like hell, doesn't it? While we're in it, it's real."

Arthur countered, "That's why the military developed dream sharing – a training program where soldiers could strangle, stab and shoot each other, then wake up."

Ellen, as Ariadne, voiced her confusion, "How did architects get involved?"

Cobb's response, laden with unspoken meaning, "Someone had to design the dreams." He flickered his gaze towards Lucas, "Let's go another five minutes..."

Before he could finish, Ellen interjected, "We were only asleep for five minutes? We talked for an hour at least..."

Cobb explained, his voice patient, "When you dream, your mind functions more quickly, so time seems to pass more slowly."

Lucas chimed in, "Five minutes in the real world gives you an hour in the dream."

The air crackled with anticipation as Cobb concluded, "Let's see how much trouble you can cause in five minutes."

A pregnant pause hung in the air before the sharp cry, "Cut!"

The scene ended, the actors stepping out of their roles with sighs of relief. Lucas, Leonardo, and Nolan gathered around the monitor, reviewing the footage with focused eyes.

Meanwhile, Ellen glanced at Lucas, who stood conversing animatedly with Leonardo and Director Nolan. The ease with which this newcomer, cast in a supporting role, navigated the conversation surprised her. He wasn't just exchanging pleasantries; there was a genuine exchange of ideas, a respect and intellectual sparring she was accustomed to experiencing only with seasoned actors.

In their limited interactions on set, Ellen had recognized Lucas's talent. He brought a raw, nuanced energy to his character, a potential that mirrored her own early career.

A brief discussion ensued Nolan, Lucas and Leonardo, punctuated by nods and murmured suggestions. Finally, Nolan declared, "Good take. This scene captured the essence of the dialogue without being overly complex. Let's move on!"

--

The afternoon sun cast a warm glow over the bustling "Inception" set as filming hummed along. Lucas, still riding the high of a scene he shared with Leonardo DiCaprio, caught sight of a new arrival. It was Tom Hardy, instantly recognizable with his imposing figure and intense gaze.

A wave of excitement rippled through the crew as Nolan and DiCaprio greeted Hardy with familiar warmth. They had clearly collaborated before, their easy banter hinting at a shared history. Hardy, the charming professional, then made his rounds, offering friendly hellos to Ellen Page, Marion Cotillard, and the rest of the cast.

Finally, he reached Lucas, who stood nervously. Hardy extended a hand with a disarming smile. "Hello, mate. Nice to meet you. Tom Hardy, by the way."

Lucas, momentarily flustered, managed a grin. "Haha, you're already quite well-known, Mr. Hardy. I should be the one introducing myself. I'm Lucas Knight."

Hardy chuckled, his presence surprisingly approachable. "Lucas Knight, eh? Well met, then." He clapped Lucas on the shoulder, the gesture conveying a genuine camaraderie.

They lingered for a few minutes, exchanging pleasantries and sharing a few lighthearted discussions about the film. Hardy, despite his aura of stardom like Leonardo, possessed an easygoing charisma that put Lucas at ease. Their brief conversation offered a glimpse into the camaraderie that existed within the cast, a sense of shared purpose and mutual respect that the differences in experience and fame never boasted.

As the scene preparations began, their conversation came to a natural end.


As spring approached in March 2010, rumbles of an independent film began to reach audiences. Fox Searchlight Pictures started to promote "127 Hours," its latest acquisition. While the marketing campaign was initially modest, it sparked intriguing whispers, particularly among cinephiles.

The trailer, showcasing glimpses of stunning landscapes and intense survival struggles, piqued the curiosity of many. The name Danny Boyle, director of the phenomenal "Slumdog Millionaire," further fueled the interest. People familiar with Boyle's gritty, character-driven narratives were eager to see his take on this true story of Aron Ralston, a mountain climber trapped in a canyon.

However, "127 Hours" carried certain limitations. Being an independent film, it lacked the massive budget and promotional firepower of major studio releases. Additionally, its subject matter, while compelling, didn't fit neatly into typical commercial genres. It wasn't an action spectacle, nor a lighthearted comedy. It was a raw, introspective exploration of human resilience, which initially limited its mainstream appeal.

Despite these factors, the quiet buzz surrounding "127 Hours" persisted. Some film critics, started releasing early reviews, praising the film's unique vision and Lucas Knight's powerful performance. Word of mouth began to spread, and slowly, a passionate cinephile audience started to gather, anticipating the film's release.

Adding to this growing interest was the recognition of Lucas Knight by fans of his role as "Dylan" in "Modern Family." Mentions of Knight's involvement in "127 Hours" started appearing in online communities like Yahoo! threads, bringing the film to the attention of fans who may not have been aware of it otherwise. While some "Dylan" fans already knew about Knight's debut in the film, many others discovered it through these online discussions, expanding the potential audience.

As "127 Hours" premiered at the prestigious Sundance Film Festival, early reactions began to trickle online, painting a promising picture for the independent film. Attendees, including critics and cinephiles alike, took to social media to share their thoughts, with many praising the film's unique vision and particularly, the performance of Lucas Knight.

One user, who claimed to have witnessed the premiere, raved about the film's quality, stating, "Trust me, I watched it at Sundance, and it was good! Even the actor's performance was Oscar-worthy!" Another user echoed this sentiment, declaring, "I've become a fan of Lucas after seeing his performance in the film!!!"

"Damn, the film was a rollercoaster, it was so good. I hoped to watch it again, but with my family this time..." While this comment doesn't specifically mention Lucas, it reflects the positive overall impression of the film, which could indirectly benefit his performance's recognition.

This early recognition suggested that Knight's performance could be a career-defining moment, potentially propelling him to wider recognition within the industry.

Sunlight glinted off the polished metal of the "train" parked on the "Inception" set. Lucas, captivated, couldn't help but admire the intricately disguised truck.

He marveled at the illusion so masterfully crafted. Its weathered paint and meticulously placed rivets evoked the image of a vintage train chugging down a dusty track.

After a while, Lucas was deep in rehearsal with Tom Hardy.

Across the globe, Leonardo DiCaprio and Ellen Page filmed their Parisian cafe scene, filmed in a certain cafe in Paris.

This production, while embracing the possibilities of CGI, heavily favored practical effects. Christopher Nolan, renowned for his commitment to realism, prioritized scenes shot in-camera whenever possible. The "train" before them exemplified this philosophy.

For Lucas, the sight of the truck triggered a certain memory of the "Inception" scene. He vaguely recalled seeing it in cinema, where the train appeared on the road out of nowhere of Cobb's dream.

Several days had passed, and the "Inception" set buzzed with activity as Leonardo DiCaprio and Ellen Page returned to film scenes alongside Lucas Knight, Tom Hardy, Dileep Rao, and Ken Watanabe. Lucas was particularly excited to meet Cillian Murphy, an actor he greatly admired from his past life. While encountering the star initially brought to mind his iconic "Peaky Blinders" character, Lucas couldn't help but notice how different Cillian appeared in person – younger and perhaps less brooding than imagined.

Back in the workshop set, Lucas, now embodying Arthur, found himself facing Tom Hardy's Eames for a key scene. As Eames meticulously drew a diagram on the table, he explained his plan: "Now, in the dream, I can impersonate Browning and suggest the concepts to Fischer's conscious mind..." His voice trailed off, his gaze fixed on the diagram.

Lucas, as Arthur, adopted a thoughtful pose, arms crossed. "So he gives himself the idea," he finally remarked, a hint of impressed understanding in his voice.

Eames nodded, a satisfied smirk playing on his lips. "Precisely. That's the only way to make it stick. It has to seem self-generated."

A brief moment of unspoken respect passed between them before Arthur broke the silence with a genuine smile. "Eames, I'm impressed."

Eames returned the smile, his tone lighthearted. "Your condescension, as always, is much appreciated, Arthur."

The director's voice then filled the room, calling "Cut!" The scene ended, leaving a tangible tension in the air. As the crew bustled around them, preparing for the next scene, Lucas exchanged a brief glance with Hardy, a silent acknowledgment building between them.

As filming progressed, Tom Hardy observed Lucas Knight with growing respect. He wasn't just impressed by Lucas's raw talent, but also by his dedication and work ethic. Despite being a newcomer, Lucas held his own against seasoned actors, including Tom himself.

Tom, along with the other cast members, recognized Lucas's potential.

Tom believed Lucas's involvement in "Inception" would be a significant stepping stone in his career. Christopher Nolan's films were known for their critical acclaim and commercial success, and exposure to such a project would undoubtedly raise Lucas's profile.


As "Inception" gradually neared its climax, tension crackled on the set. Lucas, embodying the charming Arthur, sat opposite Ellen Page's role as Ariadne. Director Nolan's voice cut through the silence, signalling the start of the take.

Ariadne, her gaze flitting between Leonardo DiCaprio's brooding Cobb and Cillian Murphy's tense Fischer, asked, "What's happening?"

Arthur, leaning in, explained, "Cobb's drawing Fischer's attention to the strangeness of the dream. That's making his subconscious look for the dreamer. And for me..." His voice trailed off, his eyes gleaming with mischief.

Suddenly, as the extras around them shifted, their heads turning in unison towards them, Arthur did the unexpected. He leaned closer to Ariadne, his voice dropping to a playful whisper, "Look, let's kiss."

Ellen, startled by the unscripted action, instinctively recoiled, her character's surprise mirroring her own.

Lucas, fully immersed in the character, delivered the line with an audacity that startled not only Ellen but the entire crew. Even Nolan, known for his composure, raised an eyebrow in surprise.

Then, the camera captured the moment in all its raw intensity. Arthur, undeterred by Ariadne's initial shock, closed the gap between them, his lips meeting hers in a fleeting kiss. The crew, their eyes wide with surprise, watched the scene unfold. Even Ellen, momentarily thrown off balance, couldn't help but think, "It wasn't in the script!"

As the director called "Cut!", the actors snapped back to reality. The crew, however, remained buzzing with a mix of surprise and amusement, their gazes lingering on Lucas. Even Nolan, usually stoic, couldn't hide a smirk as he looked the young actor.

Ellen, still processing the scene, with raised brows, lightly scolded Lucas, "What was that? Feeling a little carried away?"

Lucas, unfazed, chuckled. "Just staying in character, Ellen. Remember, I had to distract the NPCs."

Ellen furrowed her brow, "NPCs?"

Lucas, sensing her confusion, explained, "Non-Player Characters. The extras in the dream. I thought a sudden kiss might be unexpected enough to throw them off balance."

Ellen pondered for a moment, her initial surprise and frustration giving way to curiosity. "NPCs, huh? Interesting. So, you decided to go off-script?"

Lucas nodded, a hint of pride in his eyes. "It was a gamble, but I felt it fit in the moment. Plus, it's not totally out of character for Arthur to be unpredictable."

Meanwhile, Nolan had gathered Leonardo and Cillian to review the scene on the monitor. Their expressions mirrored the mix of surprise and intrigue that hung heavy in the air.

As Lucas and Ellen finished their conversation, they approached the huddle where Director Nolan, Leonardo DiCaprio, and Cillian Murphy were intently reviewing a scene on the monitor. As the newcomers arrived, all eyes shifted their gaze.

"Here comes the player," Leonardo remarked with a playful hint in his voice. "I initially pictured him as a naive newcomer, but it seems I underestimated his resourcefulness."

Cillian chuckled, his amusement clear.

Nolan, his gaze fixed on the screen, offered a thoughtful smile. "Lucas, you certainly took a bold step with that improvisation, but I have to admit, it worked brilliantly. The kiss didn't feel out of place in the scene, it actually heightened the tension and captured the attention we needed."

Cillian, leaning in with a mischievous glint in his eyes, added, "Or perhaps, Lucas simply has a quick mind that thrives on seizing unexpected opportunities."

His comment sparked laughter from the others, their gazes shifting to the slightly sheepish Lucas and Ellen.

As the scene replayed on the monitor and the casts teased the two, a subtle exchange passed between Lucas and Ellen. A fleeting glance, a hint of amusement in his eyes, and a touch of annoyance in hers – a silent dialogue suggesting "this was your doing."

Lucas chuckled, the tension easing slightly. Just then, Tom Hardy sauntered over, his gaze drawn to the replay. His expression mirrored the surprise of others, but a playful tease soon replaced it, causing Ellen to blush and excuse herself with a flustered laugh.

The moment, while seemingly lighthearted, held deeper meaning. For the crew and cast, accustomed to the serious demands of filmmaking, it was a rare opportunity for carefree fun. The teasing of Lucas and Ellen, two young newcomers, offered a welcome break from the intensity of their work.

Director Nolan, focused on his work, viewed the kissing scene with keen interest. He saw the potential it held, the way it disrupted the scene's flow and heightened the tension in an unexpected yet effective manner. Commending Lucas for his bold improvisation, Nolan opened the door for further discussion about its inclusion in the final cut.

--

As time marched on, Lucas Knight, alongside his other fellow cast members and director Christopher Nolan, geared up for the next stage of "Inception's" production – filming the iconic rotating hallway and room scenes in London. These sequences would be pivotal, with Lucas, as Arthur, taking center stage.

To ensure a seamless execution, Lucas engaged in extensive discussions with Nolan, dissecting the nuances of the character and the complexities of the scenes. Rehearsals with the other actors became a collaborative playground, where they honed their movements and interactions to create a cohesive visual spectacle.

Amidst the London preparations, a surprise arrived – a call from director Danny Boyle. He informed Lucas that "127 Hours," his debut film, was nearing its limited release in April, igniting a spark of excitement within the young actor. This was his first foray into the cinematic world, and seeing it about reach audiences beyond the initial festival screenings was a significant milestone.

However, a tinge of worry crept in. Would he be able to attend screenings, interviews, and other events alongside Boyle and the cast?

Additionally to the complexity, Lucas's schedule remained tight, and he had been summoned for additional filming on "Modern Family" in early April before going to London. Balancing his commitments to both projects would require careful coordination.

The juggling act began, requiring careful coordination between the different projects to ensure he could fulfill his obligations effectively.


Returning to the bustling "Modern Family" set, Lucas was met with a wave of warm greetings from the cast and crew. News of his packed schedule had clearly reached showrunners Steven Levitan and Christopher Lloyd, as they wasted no time prepping for filming. With laser focus and efficient scheduling, they seamlessly integrated Lucas' scenes into the production flow. After a quick three-day whirlwind, Lucas wrapped his "Modern Family" commitments and bid farewell to friends and colleagues.

Rejoining Christopher Nolan and the cast of "Inception," excitement crackled in the air. London beckoned, and the iconic rotating hallway and room scenes awaited. Filled with the anticipation of delving into these visually stunning and narrative-bending sequences, Lucas boarded the plane, ready to immerse himself in the upcoming scenes of this ambitious project.

Joining Lucas for the London shoot were fellow cast member Marvin Campbell and a dedicated team of stunt performers. They would work together to bring Arthur's action-packed encounters in the rotating hallway and room scenes to life.

Inside the airplane, Lucas and director Christopher Nolan opted for the standard economy seats, mindful of the film's budget. The journey was far from silent, as they engaged in an in-depth discussion about the upcoming scenes in hushed voice. The conversation flowed for hours, afterwards, they took a nap after eating some snacks. Finally, after a while, the plane touched down at London Heathrow.

Leaving the airport behind, Lucas, Nolan, and the stunt performers went towards Cardington, Bedfordshire, north of London. This was where the airship hangar, and undeniably challenging, rotating sets awaited them.

Upon entering the vast hall, they were greeted by a bustling crew and dedicated operators. The atmosphere buzzed with anticipation as everyone prepared for the complicated challenge of filming within these unique, gravity-defying sets.

Lucas huddled with the stunt team, particularly Marvin Campbell, who would be his primary partner in the intricate fight choreography. Both exchanged notes, strategizing their movements and ensuring precise execution within the demanding environment.

After a full day of rest and preparation, the moment of truth arrived. By noon, the set buzzed with activity as Lucas donned his carefully designed costume and makeup. With anticipation building, he stepped onto the massive rotating set, followed by the bustling crew ready to capture the scenes.

Lucas felt the weight of the set's complexity. Nolan, perched on a nearby platform, held a final briefing with the crew and stunt performers, ensuring everyone was on the same page. Lucas listened intently, his anticipation building with each passing moment.

Finally, with a nod and a confident call from Nolan, the scene about to begin. Lucas, alongside his fellow stunt actor, both securely harnessed for safety, stood poised within the paused rotating hallway. The camera crew zoomed in, ready to capture the dance of action that was about to unfold. The suspense was palpable as everyone held their breath, waiting for the director's cue to launch into the gravity-defying fight sequence.

A silent understanding passed between Lucas and the team of stunt performers. Their countless hours of rehearsal seemed to melt away as they exchanged knowing glances. Then, the director's voice broke the tension: "Action!"

Lucas, transformed into the steely Arthur, strolled down the rotating hallway that was still paused and stable. A flicker of movement caught his eye. He ducked into the side, hand instinctively reaching for his gun. The stunt actor or pursuer approached, unaware of the danger lurking. As Arthur aimed, the figure reacted with lightning speed, disarming him. A struggle ensued, both locked in a desperate fight for control.

Meanwhile, a third figure emerged from the distance - a black-clad bodyguard played by Marvin Campbell. Gun drawn, he zeroed in on Arthur, who was now at the attacker's mercy.

From his vantage point, Nolan closely monitored the scene on the monitor. With a decisive gesture, he signaled the set operator. The hallway lurched, tilting at an impossible angle. The gravity shift sent Arthur and his attacker spinning, crashing against opposite walls. Even the distant bodyguard lost his footing, momentarily thrown off balance.

Seizing the unexpected opportunity, Arthur launched into a counteroffensive. Fueled by adrenaline and fueled by the disorienting shift in gravity, he overpowered his attacker. With a final push, he sent the figure hurtling towards the elevator's door. Regaining his grip, Arthur desperately clung to the tilted hallway, the world around him threatening to spin out of control.

Arthur's eyes darted down the hall, spotting the black bodyguard's gun sliding away. Without hesitation, he launched himself across the tilted floor, defying the shifting gravity. The unstable surface threatened to throw him off balance, but with a combination of agile steps and a hand braced against the wall, he maintained his momentum. He reached the position, but the guard already secure the weapon.

The fight that ensued was a testament to their skill and resilience. They battled against the backdrop of the rotating hallway, both struggling to maintain their footing while exchanging blows. Arthur expertly used the tilt to his advantage, slamming the guard into the wall before the fight took them upwards, their feet finding purchase on the ceiling in a breathtaking display of acrobatic combat. Lucas, fully immersed in the role of Arthur, even executed a gravity-defying leap across the ceiling, seeking an upper hand.

The struggle continued, culminating in a dramatic fall through the door that was opened due to their fall, then after a while, the director yelled, "Cut!"

The rotating set ground to a halt, and a wave of applause erupted from the crew. Lucas, Marvin, and the other stunt performers emerged, their faces flushed with exertion but beaming with satisfaction. Nolan himself joined the applause, his face etched with appreciation. Lucas, in turn, smiled widely and patted Marvin and the others on the shoulders, acknowledging their incredible work.

The stunt performers returned his smile with genuine warmth. Unlike some actors who treated them with distant respect, Lucas's genuine regard was palpable. Perhaps it was his relative newcomer status in the industry, but whatever the reason, they appreciated his down-to-earth approach and treated them with equal footing. It was a refreshing change, and they hoped the actor wouldn't change in the future.