Due to the fact that Sam and Blaine are in New York this will be our first full episode that includes New York scenes. But only the ones that involve Sam and/or Blaine.
Everyone in the choir room is talking on the piano and hanging out for a bit before Mr. Schue enters for his weekly assignment announcement.
"Hey, guys, in spite of the complete lack of representation at the Career Fair, I know that a lot of you are thinking about a career in the arts." It's true. Blaine and Tina are going to be actors, Kitty loves performing, Jake and Ryder are gonna move together as dancers, Rory plans to join this band back in Ireland, or start his own in the states, and Marley, Unique and Sugar want to be recording artists. (which Sugar can kind of actually do now since she has perfected her singing voice. She's not the best singer in Glee history but at least she's not the worst anymore.) Artie however wants to work behind the camera as a director, and Joe will still play guitar but won't be pursuing music in his future. He's gonna be an Activist/Missionary. Sam doesn't know what he's gonna do just yet.
"Well, it's no secret that Sue Sylvester doesn't believe that an artistic career is a very practical idea. And, for once, I have to admit she's right." This raised a few eyebrows. "It's completely impractical. You know, anyone pursuing the arts needs to go in with their eyes wide open. We're talking zero job security and impossible odds. But... I've always believed that you have to pursue what you love. And that's why this week's assignment is about a goofy-looking kid who struggled for years in the music business."
Kitty looks excited. She turns to Joe. "Finally. It's Marilyn Manson Week." She said,
"Actually you might wanna look at the board." Joe replied as she did as he said and was slightly disappointed.
"Close. Billy Joel."
"Who?" Unique had no idea who this man was.
"Oh, just a musical genius who's sold over a million records worldwide." Artie said sarcastically.
"That's right. Billy had to fight every step of the way in his career. He had countless failures and disappointments: writing songs that nobody wanted, playing piano in seedy bars just to pay the rent, being told he'd never make it because he didn't look "right.""
"Translation: too Jewish." Jake said showing he can relate. Marley grabs his shoulder in sympathy.
"But he ignored the haters and he kept pursuing his dream, becoming the third best-selling solo artist of all time. I mean, he is a true inspiration to anyone pursuing a career in the arts, like our very own. Mr. Blaine Anderson and Mr. Sam Evans." Everyone cheers for that
"All right, as some of you may or may not know, this week is my big NYADA audition. I know. It's terrifying. So I'm leaving today to maybe get some last-minute tips from Kurt and Rachel." Blaine explained.
"And I'm going with him because I have an interview with the theater department at Hunter College. They saw and they loved my "Tornado of Talent" impressions reel. And I'm up for this awesome scholarship, the Channing Tatum Former Male Stripper Grant." Sam explained causing some "oohs" and "aahs".
"But we spoke to Mr. Shue and, because we have to miss this week's lesson, he thought the least we could do is maybe-" As Blaine tried to say something Sam interrupted to finish his sentence.
"Kick it off with our very own take on a classic BJ." He said but no one understood. Billy... Billy Joel. Hit it."
(Billy Joel's "Movin' Out" begins)
Blaine (with Sam):
Huh-uh, aha, mhm
Anthony works in the grocery store
Savin' his pennies for someday
(Mama Leone left a note on the door),
She said, "Sonny, move out to the country"
Sam (with Blaine):
Oh, but workin' too hard can give you
A heart (attack, tack, tack, tack, tack)
(You oughta know by now)
(New Directions Guys: You oughta know by now)
Blaine:
Who needs a house out in Hackensack?
Is that all you get for your money?
Sam:
And it seems such a waste of time
If that's what it's all about
Mama, if that's movin' up then I'm
Sam (with Blaine):
(Movin' out)
Ooh, I'm (movin' out)
{They move out(Lol) from the choir room, grab their bags, and head to their flight.}
Blaine:
Mhm, oh-oh, aha, oh-oh
Sergeant O'Leary is walkin' the beat
At night he becomes a bartender
Sam (with Blaine):
(He works at Mister Cacciatore's down on Sullivan Street)
Across from the medical center
{They get off the subway to New york and head to the bus stop}
Blaine and Sam:
Yeah, he's tradin' in his Chevy for a Cadillac, ac, ac, ac, ac
You oughta know by now (New Directions Guys: You oughta know by now)
(You oughta know by now) (New Directions: You oughta know by now)
Blaine:
You can pay Uncle Sam with the overtime
Is that all you get for your money?
And if that's what you have in mind
Sam:
Yeah, if that's what you're all about
Blaine and Sam:
Good luck movin' up cause I'm...
Sam:
And, if that's what you have in mind
Blaine:
Yeah, if that's what you're all about
Blaine and Sam:
Good luck movin' up cause I'm movin' out
{They go into an apartment building looking for certain people.}
Blaine (with Sam):
Ooh, I'm (movin' out)
Blaine:
Oh-mhm, Yeah, yeah
I'm movin' out!
They open an apartment door and see Kurt, Rachel and Santana inside. They get greeted, causing a reunion ensue.
Sugar is walking the halls when suddenly Rory shows up to talk to her.
"I need to talk to you, about you know what." Rory said.
"You know what?" Sugar asks confused.
"Who you're choosing." He said, causing her to roll her eyes. She'd been thinking about it for a while, but in the end she could never get an answer.
"I told you Rory, I can't choose yet. I'm still thinking."
"What's there to think about Sugar?"
"Umm, how about the fact that I'm still dating Artie."
"Didn't stop you last time."
"Last time I was feeling bad for you and took you to breadsticks cause I thought you were leaving."
"And then it got better. We got closer. We were inseparable Sugar. I only have two regrets." He grabs her shoulders. "Not being able to sing in Beatles bi-week." Sugar chuckles at that. "And losing you. I know that I lied to you but I can prove that I will never lie to you again. I'll prove it to you in Glee club. I have a song idea for glee club that shows just how much I care about you." He said as he let go of her and walked away. She looked at him with curiosity. Maybe... just maybe... she could be convinced to choose him.
Unique goes to her locker and enters her combination, and when she opens it, she finds flowers come out and fall on the floor. She just ignores them and picks up her book.
Ryder walks by. "Hey Unique."
Unique sighs. "Listen Ryder I get that we kissed last week but I don't know if I'm ready to date just yet."
"Why not? You made a profile to be my girlfriend and now suddenly you don't want me anymore?"
"I'm not sure what I want anymore."
"Is... is it me? Did I do something wrong?"
She sighs again. "It's not you. It's just that this relationship was built on a lie. How can I be sure that you aren't just blinded by how you felt about Katie."
Ryder raises his brow. "You are Katie."
"Not the point." Unique chuckles. Ryder thinks for a moment before getting an idea.
He smiles. "Let me prove it's real then. In the glee club. I'll sing this song. I'll dedicate it to you and see if it proves anything." He smirks.
Unique rolls her eyes at the smirk but is intrigued by his offer. "Alright Bieber, let's see if this song is better than the last one you sang to me." She said as she walked away.
"Sorry for that too!" Ryder shouts causing everyone to look at him. He looks down embarrassed and walks away.
The New York crew all get together at Spotlight Diner, where Rachel, Santana, and Kurt work. Blaine and Sam are patrons having lunch while hanging with their friends.
"Can I get you guys a refill?" Rachel asked some patrons as they nod and she gave them more water.
"Why are you still working? Aren't you rehearsing, like, 24/7?" Santana asks her.
"Fanny Brice was a working girl. My director and I think it's really important to keep the character as alive and authentic as possible." She explains.
Kurt walks up to Blaine and Sam to talk to them. "I never did ask what's been going on in Glee?"
"Oh well, the usual. Beatles week, Katys and Gagas, another Beatles week, we were doing Billy Joel before we got here..."
"I'm dating Tina!" Sam blurts out.
"Oh my gosh really? Wow that's great. Certainly better than when she was crushing on Blaine am I right?" This causes some chuckles.
"Umm, yeah. It's been great with Tina. I never expected it to happen but, during prom I took her hand and... I just knew that I wanted to spend as much time as possible with her."
"Cute. So, did you boys like those historical sites I recommended?" He asks.
"Um, we checked out that deconstructed bathhouse on St. Mark's where Tennessee Williams got in that fistfight with Tallulah Bankhead." Blaine listed.
"Oh, yeah. That was awesome." Sam said impressed.
"Cool." Kurt agrees.
"Uh, but it was mostly campus visits. Um, NYU, Columbia." Blaine mentions.
"Why? You're going to NYADA." Kurt questions.
"I-I need safety schools, Kurt. I haven't gotten in yet." Blaine explains.
"But you will as soon as you audition. The way I've talked you up to Carmen Tibideaux, she's gonna offer you a spot on the spot." He tells his fiance. " Which reminds me, are you up for a little trial run? I don't want to send you into the lions' den under-rehearsed. Come on." Kurt drags Blaine to the piano to do a number.
"Yes. Yes." Sam was excited for his best friend to perform.
"Come on." He persists. "Don't worry. The piano awaits. Uh, hello, everyone. Welcome to the Spotlight Diner and to a very special performance." Kurt brings everyone's attention.
Santana shakes her head. "Seriously? You all need to be stopped. That's enough." Santana tells Rachel.
"Now, you may not know the name Blaine Anderson yet, but you will soon when it's lit up all over Broadway. All right, ladies and gentlemen, Blaine Anderson." Everyone applauds.
Blaine begins playing piano. "Thank you, Kurt. Thank you, everyone. Sing along if you know it." Sam plays the harmonica to go with the piano.
Blaine:
It's nine o'clock on a Saturday
The regular crowd shuffles in
There's an old man sitting next to me
Makin' love to his tonic and gin
{An actual old man raises his glass}
He says "Son, can you play me a memory?"
I'm not really sure how it goes
But it's sad and it's sweet and I knew it complete
When I wore a younger man's clothes
Blaine with Diner Patrons:
La la la de de da
La la de de da da dum
{Sam plays again and the Diner waiters start to dance.}
Blaine:
Sing us a song, you're the piano man
Sing us a song tonight
Well, we're all in the mood for a melody
And you've got us feelin' alright
Blaine with Diner Patrons:
La la la de de da
La la de de da da dum
{A waiter stands on a table and raises his cup to sing.}
Sing us a song, you're the piano man
Sing us a song tonight
Well, we're all in the mood for a melody
And you've got us feelin' alright
AND THE CROWD GOES WILD. "That was incredible! There's no way you're not getting into NYADA! Then all our dreams will come true!"
This raises Blaine's confidence a lot. " Thank you."
To get back on track we enter the choir room where Jake wows the crowd with his song. He grabs his guitar, and prepares his song with the band.
"So yeah, I was originally going to do the song My life, but I thought that instead I would do a bit of a callback. Puck told me he once sang this song, and I wanted to dedicate it to Marley. So please, enjoy." Everyone with the exception of Bree applauds this including Marley who feels more assured of their relationship.
(Billy Joel's "Only The Good Die Young")
Jake:
Come out Virginia, don't let me wait
You Catholic girls start much too late
Oh but sooner or later it comes down to fate
I might as well be the one
{Everyone starts to clap.}
Well, they showed you a statue, told you to pray
They built you a temple and locked you away
Oh, but they never told you the price that you pay
For things that you might have done...
Darlin' only the good die young (Woah)
I tell ya only the good die young
Only the good die young
{He gives a band member the guitar and slides on his knees towards Marley, and dances with her.}
You got a nice white dress and a party on your confirmation
You got a brand new soul
Ooh, And a cross of gold
{Everyone gets up to dance and Bree goes uncomfortably close to Jake.}
Come out come out come out
Virginia don't let me wait
You Catholic girls start much too late
Sooner or later it comes down to fate
I might as well be the one,
You know that only the good die young
I'm telling you baby
You know that only the good die young
Only the good die young
Only the good
Only the good die young
Will stands up to congratulate Jake. "WOW, Jake. If Puck were here he'd be super proud of you right now."
Everyone applauds this song. "Thanks Mr. Schue. Hey Marley. Bree. Can we all have a conversation after school?" This causes a confused face from Bree. What does he want from them?
Sam is now in his college interview to see if he can make it to Hunter.
"I see your grades have improved over the past couple of semesters." The Dean of Admissions said, sounding impressed.
Sam nervously responds. "Yeah, I kind of had an, um... a breakthrough a few months ago, 'cause I'm-I'm not, like, a... a good student, but I realize that what I'm really good at is impressions, so, I started to do this impression of a good high school student, and it... it's kind of working."
She just rolls with it. "Okay. Tell me why you want to go to Hunter."
"Um, I-I don't know that much about it, except that there... Well, there's more women than guys, and that's... that's great for me, because I'm totally into feminist issues. Like, just because women don't make as much as guys do to do the same job, it's totally not cool that they aren't given the same amount of respect. And, like, why can't...? Well, why can guys go shirtless at the beach, but chicks can't?" She is kind of offended by that statement. " Oh. Sorry. Uh... girls can't. I guess I have a lot to learn. I'm also super jazzed to be going to school in New York City. Hello. - All the diversity." Awkward pause.
"So, you're black. That's... That-that must be interesting. Do you know...? This is a shot in the dark. Do you know Mercedes Jones?" And that's probably the worst thing you can say to a black person. He definitely won't make it.
Rachel serves dinner and passes to Sam. "Oh, thanks, but I'm not hungry." Sam said ashamed.
"Look, I'm sure that there are other schools that have more specific scholarships catered just for you." Rachel comforts.
"Can I, um, tell you a secret? And please don't tell Tina."
"Yeah. Sure what's up."
"I don't want to go to college. I hate school. I mean, I don't... I don't hate it. I'm just... I'm not good at it."
"Well, who says you have to?" Rachel asks.
"Well, I mean, ever since I was a kid I've seen these United negro College Fund commercials, and it's, like, if you don't go to college, you're letting your whole family down, or you're destined for a life of eating out of Dumpsters or something. That, and Tina was really excited for us to go to college in New York together. I don't know. So... please don't judge me.
"Look, in life, it's not about knowing what you want. It's about knowing what you can cross off your list that you don't want." Rachel explains.
"But I do know what I want to do. I mean, it's been my dream since I was a kid."
We cut to young Sam in his former Bieber haired glory. He's looking at male model magazines. Male modeling is pretty much the ultimate form of self-expression as far as I'm concerned. It's like acting or singing, but the only tools you have to perform with are your striking good looks and great abs. There is some truth to that." Kid Sam practices a male model impression. His very first impression.
"You probably think I'm crazy, right?" Sam asked.
"All right, eat up. You're gonna need your strength. We are gonna have a photo shoot here, and we're gonna get some modeling shots for you to show to agencies." She claps.
"Do you really think I could be a male model?"
"Welcome to New York, the city where dreams come true."
Rory stands tall in front of the Glee club. "Okay, well I would like to say that to a certain someone that everything I'm singing, is how I truly feel." He said with a trademark smile
(Billy Joel's "Honesty" begins)
Rory:
If you search for tenderness
It isn't hard to find
You can have the love you need to live
But if you look for truthfulness
You might just as well be blind
It always seems to be so hard to give
{He looks to Sugar who has an intentful at him as he sings the song}
Honesty is such a lonely word
Everyone is so untrue
Honesty is hardly ever heard
And mostly what I'll give to you
I can find a lover
I can find a friend
I can have security
Until the bitter end
Anyone can comfort me
With promises again
I know
I know
Honesty is such a lonely word
Everyone is so untrue
Honesty is hardly ever heard
And mostly what I'll give to you
It's what I'll give to you
After he finishes the song he gets an applause from everyone but Sugar who walks away and he follows her.
"Umm, so... does anyone else have a song to sing today?"
"Uh, yes actually I do." Ryder said.
"Oh. Alright then Ryder. Come on up."
"Okay, so I'm mostly doing this to prove a point but I hope you all like it."
(Billy Joel's "An Innocent man" begins)
Ryder:
Some people stay far away from the door
If there's a chance of it opening up
They hear a voice in the hall outside
And hope that it just passes by
Some people see through the eyes of the old
Before they ever get a look at the young
I'm only willing to hear you cry
Because I am an innocent man
I am an innocent man
Oh yes I am
{He walks to Unique and kneels to her level as he sings this part.}
Some people sleep all alone every night
Instead of taking a lover to bed
Some people find that's it's easier to hate
Than to wait anymore
{He stands up to point to her.}
I know you don't want to hear what I say
I know you're gonna keep turning away
But I've been there and if I can survive
I can keep you alive
I'm not above going through it again
And although this is a fight I can lose
{He spins around but faces her again.}
The accused is an innocent man
I am an innocent man
Oh yes I am
I am an innocent man
Oh yes I am
An innocent man
"Unique, will you go out with me?" Ryder said in a begging tone.
Unique takes a moment to think about it for a little moment before putting on an excited face and says: "Yes!" And everyone claps for them.
Bree goes to the dancing studio to meet with Jake and Marley. She's hoping it's not a threesome. She doesn't role that way; she has standards. She sees Jake in the studio and smiles. Then she sees Marley and her smile vanishes. "Okay, what's going on? Did you bring me here so you can dump the wallflower for the penis fly trapper you see before you?"
"Bree. Marley told me what you've been doing."
"What trying to convince her that you're too good for her?"
"That you've been trying to steal me from her." Jake retorts.
"This has to stop Bree. You've caused too much damage and you need to stop now." Marley said.
"Is it wrong to want what you have? To feel loved. You think you're so great with your heart of gold and friends and cute boyfriend. You have everything!"
"Oh come on you're the head cheerleader, you're popular, pretty, and a great dancer. You have everything!."
"I have nothing!" Bree yelled at Marley which shocked her. "Nothing that matters. You know I've always been alone. No friends. But then I decided to be the mean girl, who does whatever it takes to get what she wants. I thought if I could go this far I wouldn't be lonely anymore. But it turns out, it made it worse. No one likes me."
"We understand the pain you're going through, but that's not an excuse. If you need something we'll be there for you but for now? Stay away from us." Jake declares as the couple walk away leaving Bree in her shame.
(Billy Joel's "And So It Goes" begins)
Bree:
In every heart there is a room
A sanctuary safe and strong
To heal the wounds from lovers past
Until a new one comes along
I spoke to you in cautious tones
You answered me with no pretense
And still I feel I said too much
My silence is my self defense
But if my silence made you leave
Then that would be my worst mistake
So I will share this room with you
And you can have this heart to break
And this is why my eyes are closed
It's just as well for all I've seen
And so it goes, and so it goes
And you're the only one who knows
So I would choose to be with you
That's if the choice were mine to make
But you can make decisions too
And you can have this heart to break
And so it goes, and so it goes
And you're the only one who knows
Like Rachel said she took Sam to one of those agencies she was talking about and told Sam to wear a hipster outfit.
"Okay, Sam Evans, this is Barbara Brownfield. She's our amazing photographer at Funny Girl. This is Sam Evans, my insanely handsome soon-to-be-supermodel friend."
"I'm not gonna lie. I'm really, really, really nervous. Uh, I've been putting out all my T-shirts. Um, it's just like my entire future is in your hands. You know, just try to hide all my bad angles."
Barbara stares at Sam. "What bad angles?" Once she said that they laughed and started taking photos of him in different poses and outfits. A hipster, a businessman, a cowboy, and finally just underwear. Then he would do more poses.
"Super. Thank you. We got it." Barbara congratulated Sam who was super proud of himself.
Santana plays a key in the piano Kurt and Blaine just bought and scoffs at it. They also have Tina on video chat. "We don't have room for this."
"Uh, yes, we do." Kurt retorts. "Right there."
"Okay, seriously, I'm not gonna be able to survive if you and your Hag Berry are gonna be tickling those ivories, belting out gay hits from Rent and Showboat all day."
"It's a thank you for allowing me and Sam to stay here."
"Hey, you guys, I have some bread here if you want." Rachel mentions.
"No can do. No, right now I'm just on this Mentos and flavored air diet. I'm trying to lose ten pounds, remember?" Sam reminds me.
"Sam, that's ridiculous. You don't need to lose ten pounds." Tina tells him.
"Yeah, Sam, we all agree. You don't need to be prison-camp skinny to be a model. I think you should find another agency." Kurt said.
"No, House of Bichette is, like, the best agency in town." Sam disagrees.
"Sam, you can't go starving yourself just because some stranger says you should. You're beautiful just the way you are." Tina said.
Sam smiles at that. "Thanks Tina."
"Ooh that gives me an idea. You know what I think? I think that this argument would be best made in a song." Blaine said.
"Yes." Rachel said excitedly.
"Oh, no. No, no, no, no, no. Do you see this? This is what's going to happen from every argument or discussion or meal from now on. It's gonna end in a freaking sing-along. It's bad enough we need to be singing waiters, okay? I can't have this in my home. I need my peaceful place." Santana argues.
"You don't have to sing, Santana." Blaine said as he plays piano
"But I dare you not to."
(Billy Joel's "Just the Way You Are" begins)
Kurt:
Don't go changing, to try and please me
You never let me down before
Hmm, hmm, hmm
Blaine:
Don't imagine you're too familiar
And I don't see you anymore
Rachel:
I would not leave you in times of trouble, no
We never could have come this far, ooo
Blaine and Rachel:
I took the good times, I'll take the bad times
I'll take you just the way you are
Sam:
I don't want clever conversation
I never want to work that hard
Hmm, hmm, hmm
Tina and Sam:
I just want someone that I can talk to
I want you just the way you are
{Santana just can't resist the tension of the song.}
Santana:
I need to know that you will always be
The same old someone that I knew
Sam and Santana:
Oh what will it take 'till you believe in me
The way that I believe in you
Blaine and Kurt:
I said I love you
Blaine:
That's forever (Kurt: Forever)
Blaine and Kurt:
And this I promise from the heart
Hmm, hmm, hmm
Tina and Sam:
I couldn't love you any better
Blaine, Kurt, Sam, and Santana:
I love you just the way you are
Rachel:
I love you just the way
I love you just the way
Blaine, Kurt, Rachel, Sam, Tina and Santana:
I love you just the way you are
"That was so much fun guys! But I gotta go bye!" Tina prepares to exit the call.
"Bye babe!" Sam said.
"Bye Sam. see you at school." Tina said as she left. Afterwards they hear a knock on the door.
"I'll get it." Blaine said as he got up to answer the door to see a guy he's never met before. He has brown hair, blue eyes, and seems to be around Blaine's age.
"Uh, Hi. Nice to meet you, are you a friend of Kurt's?"
"Oh, umm. Actually I'm his fiancee."
"Oh Blaine! Kurt told me all about you. My name's-
"Elliott! Good to see you bud. Sorry I never introduced you two. This is Elliott Gilbert AKA Starchild, also a member of my band." Kurt said.
"Wait, that Starchild? As in the lady gaga guy who blew the crowd away Starchild?" Blaine said.
"That would be me, but please, call me Elliott."
"Um okay, so what're you doing here Elliott?"
"Oh I called him here about some band ideas I had." Kurt explained.
"Yeah, Dani's running a little late though."
Suddenly a blonde Latina enters. "Someone called my name?" Dani said.
"Hey babe!" Santana said as she pulled her new girlfriend for a kiss.
"W-wait you have a new girlfriend Santana? What about Brittany?"
"Oh well, I thought maybe I should move on from Brittany. You know just for a little while." Santana said. "Come on guys let's get to it." After that the members of Pamela Lansbury take off to who knows where leaving Sam and Blaine to their thoughts. Blaine can't help but feel a little jealous of Elliott.
Unique's at her locker when she gets a visit from Ryder who seems happier than ever.
"Hey." Ryder said.
"Hey." Unique replied.
"Check your Instagram." He asked.
"O... kay." She obliges and sees Ryder's photo of their date that says best date ever. Unique chuckles. "When did you do all that?"
"Uh, last night. After I dropped you off. I kind of couldn't stop thinking about you." Ryder said.
"Oh..."
"Look I am... really glad you gave me that chance. I just want to know if you trust me."
"I do trust you Ryder. I just wasn't sure if I could trust myself after all that Katie stuff."
"I promise you I'm not mad anymore."
"I know you're not but can I really date the guy I lied to for months? I'm just not sure if it's gonna work." She looks down in sadness.
Ryder looks at her with determination. "Hey." Ryder grabs her hands so she looks at him. "I don't know what's going to happen, but I know what I want to happen. Right here. Right now."
"And what's that?" She asks.
"For you to agree to go out with me again."
Unique jokingly looks up to think. "Hmm, I don't know. Maybe a kiss would help?"
"I thought you'd never ask." He said as he leaned in and gave her a long kiss on the lips. She wraps her arms around his neck and hands her waist. They feel complete together.
Unique pulls back with a smile. "I think I'd like that date." She said,
"Awesome." He said as he went to hug her which she accepted.
Sugar walks into the choir room, but realizes the only person there is Rory. She turns to leave but Rory grabs her shoulder.
"Wait. Please wait, Sugar." She stops and turns to face him. "What did you think of the song?"
"...I think it was charming... but I'm not sure."
"Sugar, I would do anything for you. I know you. And I can't stand to see you with Artie anymore."
"I'm sorry Rory but I still don't see why I should leave him for you."
"Because I love you." Rory says that shocks Sugar to her very core. She never thought she would hear him say it. He loves me? Rory just sighs when she doesn't respond. "Okay. If you don't love me back I can accept it. I don't like it but clearly you should be with Artie." He turns to leave but Sugar grabs his shoulder.
"Wait." As Rory turns to her he's surprised when she kisses him dead on the lips. He's shocked for a moment before returning the kiss. He finally has the only thing he wanted. Sugar. He can finally feel loved. Sugar is also happy. She gets to have this moment with someone she... she pulls back to say what she needs to say. "I love you too Rory."
"What?" A voice said as they both turned to see Artie with tears on his face.
"Artie. What are you doing here?" Sugar said.
"I came for glee practice. But I guess that's not all I'm seeing today. I'm sorry Sugar but we're done." He turns to wheel away.
"Artie, wait!" She said, But Artie doesn't listen and goes away. She starts to tear up for breaking her boyfriend's heart. She is held from behind by Rory. She leans into him with great sorrow. What did she do?
"Are we done, Coach?" Becky said as she continues to help Sue with her career fair booth for the arts. After Artie and Becky's excellent adventure to Cincinnati, Becky knew she wanted to go to college, which inspired Sue to believe anything was possible. So they added in the arts.
"Oh, not quite yet, Becky We're gonna drench this whole thing in glitter and hoist three dozen rainbow flags."
"Got it, Coach. Go Bearcats!"
"Go Bearcats."
Will walks up to Sue with a look of pride. "So you finally came around. What made you see the light?"
"Well, Butt Chin, in the words of a Civil Rights leader. Genghis Khan, everyone deserves a shot at their dreams, and I suppose that includes your hopelessly misguided teen hobgoblins. Now, don't forget to remind them about the myriad of show business legends born and bred right here in Lima. And that would be a total of one, Ms. Phyllis Diller." She adds a photo of Phyllis Diller.
"You know, in a few decades, when the New Directions are all on unemployment and sexually pleasing some horny old casting assistant just so they can be extras on season of The Bachelorette, they'll look back on this time and remember you fondly."
"That's not true, Sue Sylvester! One day, we're gonna be big, big stars." Tina rushes in with Sugar, Rory, Joe, Kitty, and Artie
"Damn right we are. And we will look back at this booth as our starting point, and how you making fun of us only made us stronger." Sugar agreed with Tina.
"Well, of course you are, my dears. Isn't that right, William?" Sue said.
Tina glares at her until she sees familiar faces. "Blam! They're back!" She refers to Blaine and Sam. Joe rushes in to give his bro Sam a big hug.
"Dude you gotta tell us all about it. How's New York."
"Great. In fact, Blaine thought he wanted to be a doctor for a minute and then Kurt talked him out of it and then he went to NYADA and he crushed his NYADA audition."
"Sam, that was my news." Blaine said.
"Oh, and, uh, Mr. Shue, did you know that Billy Joel never went to college? Fact: he didn't, and I think you forgot to tell us about that. So I'm gonna skip college, too, - and become a male model."
"Impossible. You're too fat." Sue insults as per usual.
"No, I'm not. And I don't care what you or Ms. Bichette-"
"It's pronounced Bee-Shay Sam." Tina corrects him.
"-or anyone says. I like me just the way I am, and I'm not gonna change for anyone."
"I'm proud of you babe."
"Thanks Tina." He said before colliding his lips with hers in a peck.
"Well, that is just the screw-you spirit employers love. Honest to God, I cannot imagine what goes on in your lumpish, sexually ambiguous heads." Sue said.
"'Cause they're nuts. Every one of them is crazy!" Becky agrees.
"Becky, you may be right." Everyone turns to Will confused. "We may be crazy."
"Oh, no, no, no, no. Don't you dare. Over my dead body will you inexplicably shoehorn in another Billy Joel song just to punctuate one of your weekly lessons that inevitably veers off into a saccharine barrage of angst and affirmation."
(Billy Joel's "You May Be Right" begins)
Everyone starts cheering as the music plays. Sue braces herself as the New Directions break into song.
Will:
Friday night, I crashed your party
Saturday, I said I'm sorry
Sunday came and trashed me out again
Joe with Kitty:
And you told me not to drive
But I made it home alive
So you said that only proves that I'm insane
Will with New Directions:
You may be right
I may be crazy
But it just may be a lunatic you're looking for
Turn out the lights
Don't try to save me
You may be wrong for all I know
But you may be right
{Ryder dances with Unique. As does Rory and Sugar}
Ryder:
Now think of all the years you tried to
Rory with Ryder:
Find someone to satisfy you
I might be as crazy as you say
Joe with Kitty and New Directions:
If I'm crazy then it's true
That it's all because of you
And you wouldn't want me any other way
{The whole school starts dancing in the auditorium}
Will (with WMHS students):
(You may be right)
I may be crazy
Woah, (But it just may be a lunatic you're looking for)
It's too late to fight
It's too late to change me
(You may be wrong for all I know, but you may be right)
You may be right (WMHS students: You may be right)
I may be crazy (WMHS students: I may be crazy)
Hey, (But it just may be a lunatic you're looking for)
Turn out the lights (WMHS students: Turn out the lights)
Ah, don't try to save me (WMHS students: No, no, no, no!)
You may be wrong (For all I know, you may be right)
WMHS students (Will):
You may be wrong (You may be wrong but you may be right)
You may be wrong (You may be wrong but you may be right)
You may be wrong but you may be right (Hey! You may be wrong)
Will with WMHS students:
You may be wrong but you may be right!
STARRING:
Matthew Morrison as Will Schuester
Darren Criss as Blaine Anderson
Chord Overstreet as Sam Evans
Jenna Ushkowitz as Tina Cohen-Chang
Kevin McHale as Artie Abrams
Vanessa Lengies as Sugar Motta
Damian McGinty as Rory Flanagan
Samuel Larsen as Joe Hart
Alex Newell as Unique Adams
Melissa Benoist as Marley Rose
Jacob Artist as Jake Puckerman
Blake Jenner as Ryder Lynn
Becca Tobin as Kitty Wilde
Erinn Westbrook as Bree Westbrook
GUEST STARRING:
Jane Lynch as Sue Sylvester
Lauren Potter as Becky Jackson
Thank you so much for reading this chapter. I wasn't sure about doing the whole Rynique thing so soon, but I don't have a lot of time on my hands anymore to plan these things out later on. Plus I only get 13 episodes on these characters before I move on to New York, and one of them is an introduction of Harmony so... yeah. Anyway if you have any questions or maybe even requests about the future of this story please send me a review and please follow my story.
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