An alternate ending to Anathema. The gunshot changed the course of her life forever. Now Christine must learn how to survive all over again, this time alone.

Erik and Christine first encounter each other at a brothel. Unbeknownst to them the encounter changes the course of their lives. AU/Leroux inspired.

After Erik releases Christine, she and Raoul return to the de Chagny estate. A month of struggles pass and Raoul takes her back to Paris, encouraging her to find her poor, unhappy Erik. Very much an H/C read. M for certain scenes and topics.

A daring and witty woman finds herself on the run, and discovers shelter in the abandoned Opera Populaire. While running from her dark past she is wounded but saved by the Phantom, only to discover she is stranded in his care...Erik/OC, co-written with Rogo, ALW/Leroux-y, updating and reposting.

After the events of Love Never Dies, Erik is given the incredible chance to go eleven years into the past to try and win Christine's love all over again.(W)

To save Erik from the mob, Christine has him escape with her and Raoul. But what was meant to be one last act of compassion leads to more, and soon all three find themselves on the run - together. Can former enemies learn to trust? Can fear turn to love? And who is the stranger hunting them, who seems to know all of the Phantom's deadliest tricks? (R/C at first, eventual E/C/R).

E/C/ALW-based. Erik pays an unexpected visit to Christine the evening before the premiere of "Don Juan Triumphant." Uncertainties abound. What confessions will pass between them? Will honesty shift the tide of events? (ALW-Based, E/C).

New York, 1977. Two lost souls marred by tragedy and destroyed by loss find each other, in the unlikeliest of ways.

Christine returned to her small hometown as the new elementary school music teacher. Now she's forced to run a children's summer camp with the new guy in town: a misanthropic masked man from the big city. Modern AU

Erik is anxious about his and Christine's upcoming nuptials. This started as a one-shot, but has grown into a multi. References are made to characters and situations in Two Weeks, so you may wish to check that story out at well.

On the rooftop Christine told Raoul, "When the time comes we shall leave, but if I then refuse, you must carry me off by force!" Erik later said to Christine, "If you loved me, I would be as gentle as a lamb; and you could do with me as you pleased." But would either of these predictions come true? And…should they? "Your hand at the level of your eyes," said the Persian...

In this alternate version of the story, Shadows of the Persian Court, I'm excited to explore a clearer and more rich redemption story for Erik while avoiding plot predictability. As I update both versions, my focus is particularly drawn to version two, A Path, where I feel inspired to expand on intriguing storylines and delve deeper into the complexities of the characters.

Erik has always been a man of destructive obsessions. A chance encounter with a mysterious, masked performer hurtles him into the next one. With a seemingly perfect life and a perfect face, what will he sacrifice to protect his latest muse? Eventual E/C, AU where Christine has the deformity, largely Kay-based.

Erik wants one thing from Christine but she doesn't want to talk about it. Leroux inspired. AU.

Christine is in Erik's bed after a bad day. Christine heard the other girls talking. Now what? rated MA sex, romance.

The sultan needs answers from a girl who is of great importance to the kingdom. she is defiant and refuses to answer his questions. The sultan gets annoyed and hires Eric to find the answers he needs. Eric must follow his contract but as he tries to do so, he finds this is one task he may not be able to complete. ma rated for adult content rape sex etc

Very loosely based around the proposal scene from Kay. Erik asks Christine for a marriage of convenience until his impending death, but things gradually unfold rather differently than expected.

Erik finds a pug puppy he adopts. This little ball of velvet fur turns his life upside down immediately. I just wanted to write something funny and fluffy. Based mostly on Leroux and a bit Kay.

In 1950s Manhattan, young ballerina Christine suffers in an abusive marriage. But when an eccentric and wildly powerful masked man moves into the penthouse above her flat, she uncovers what it is truly like to be loved. Regardless, Christine must find a way to heal from the horrors of her past...before they bleed into the relationship that saved her life.

Erik has been the Phantom of the Opera for years, terrorizing the Opera. Now he is manager of Phantasma and he finds himself in a very awkward position as the past threatens to catch up with him.

This story follows Erik and Amelia, a physician's ward, as they navigate the treacherous Persian court. Amidst political intrigue and personal vendettas, their bond deepens. Despite Erik's dark deeds and stoic exterior, Amelia's courage and wit may be the key to their survival and redemption. Idea stemmed from Kay's mention of French physicians in Persia. Alters future PotO events.

During her anesthesia, a young Phan falls into the world of the Phantom of the Opera. When she meets the opera ghost, what will happen? Will they experience love together or will time separate them?

After overcoming a childhood filled with abuse, young adulthood plagued by shame, and a lifetime of solitude, Erik finds himself married to the woman he adores. A mysterious box sent thirty years ago to his cousin raises questions and stirs the ghost never far behind, while two men resurrect the horrors of his time in Persia, and an acquaintance from long ago unexpectedly returns.

After Christine's debut performance of "Think of Me", a drunken Erik decides to reveal himself to her in the Opera House chapel. The events that occur after will be the captivating and heart-wrenching tale of their love story. Based on the 2004 movie. E/C, WIP.

"If I'd of known this ecstasy would be in my future,…Christine, I swear to you I would never have taken it." "Taken what, Erik?" she said, shaken. "My life." In which Erik really is a ghost that lurks around the Metropolitan Opera. He terrorizes those who work in Lincoln Center, believing they are the ones who bullied him into suicide. Then he meets Her. His Angel, Christine.