Sid's always had a feeling there was a little more than just antagonistic, insufferable lawfulness when it comes to how Inspector Sullivan feels about him, and he's proven right exactly twice: once under extreme duress, and once right as they say goodbye.

Father Brown is perplexed by the appearance of a girl in the town of Kembleford who claims she was held captive. Is it because of the familial ties she has to a Notorious Crime Leader or is something more sinister at play? With the girl getting closer and closer to Sid Carter Father Brown must discover if she truly is the victim she says she is. / Rated M just in case. [SidxOC]

my version of the episode "the lair of libertines"

He never married, and never had children. On purpose. But, she needs him and in the end he might find he needs her too.

Sequel to When I'm Not Looking. Sullivan returns to Kembleford to find Emma, and gets a lot more than he expects.

The Bishop made the mistake of agreeing to take a recently released priest Faelynn under his wing, and when it doesn't go exactly how he wants, he's very quick to pass the troublesome boy on to Father Brown, in hopes the two will distract one another from getting in trouble. The two couldn't be more different from one another, and yet possibly they're exactly what each other need.

Sullivan becomes Bunty's unlikeliest new pal as she 'volunteers' in Kembleford Library

Sid's present for Sullivan is not one suited to be opened in the presence of his family.

The St Mary's nativity looks set to be worst its ever been. Is there any way this utterly chaotic caper will succeed?

CW suicide attempt. Father Brown fears that he won't be able to save Sullivan from himself

Sid and Sullivan exchange gifts

Sid and Sullivan discuss Christmas

After almost settling in Kembleford, Bunty WIndermere finds that Inspector Sullivan is fast becoming the most compelling reason for her to stay. Inspector Sullivan is shocked to realise how steadily his little world is starting to revolve around the local countess' niece.

After he's invited to a shoot at Montague, Sullivan remembers his childhood. Inspired and assisted by my friend Kos.

A more miserable version of Secondhand Ciggarettes. Sullivan returns Sid's clothes following the Owl Of Minerva.

When Sullivan's boiler breaks, he makes a sensible decision. He would rather die than enlist Sid Carter's help.

Mrs McCarthy and Sullivan have a frank conversation on the train back to Kembleford, where Mallory doesn't exist (Apologies to his fans) and Sullivan returns to his rightful place at the station. Mentions of poor mental health.

One of Sullivan's earliest cases stays with him for life. Delightfully assisted by my dear friend Koschei.

Sid makes a miscalculation and ends up in Sullivan's bedroom, where Sullivan's night attire gives him quite a shock.

Flambeau was lucky… or so he kept telling himself as he screamed through the pain. Crack treated seriously (A/B/O dynamics)

Sullivan (who is autistic here) has a meltdown, but Goodfellow is there to pick up the pieces.

Sid and Sullivan have to spend the night at Montague and you'll never guess... THERE WAS ONLY ONE BED.

Flambeau arrive at Father Brown's door a stormy night. NO slash R&R

Cosa succederebbe se a Kembleford arrivasse una giovane donna, che all'apparenza sembra normale, ma che invece, più la si conosce, più si capisce che nasconde qualcosa? Ed è qui che una ragazza viene affidata alle cure di Padre Brown, e tale ragazza, affascinata dal mistero, sembra anche avere una vasta conoscenza di tematiche strane, e un ottimo acume. ambientata al nostro tempo.

After a drunken night in, Sid and Sullivan concoct an arrangement that works perfectly. Or at least it would, if it stayed that way...