Clarke knew that she shouldn't be enjoying what was being done to her, but these patients had wanted her for a long time, and she had wanted them too, as wrong as it was. (Several people messaging me about art and comics have been blocked now by me. Who wants to be blocked next?)

Part of the "Demon Queens Heart" saga. It was only forever. It wasn't long at all. Clarke's mates would wait forever, to be able to see her again, if that was what it took. And should she accept their love? Well, Clarke was in for a real ride, wasn't she?

AU. A bit of a tribute to Valpolyto's "Office Plaything" series. Clarke Griffin knows that to not do as her lovers say, can lead to some...discipline at the workplace. In fact? Clarke is counting on it.

Peggy, Frigga and Dottie decide to give Clarke some...maternal attention. Clarke, is very happy to let all three of them have their way with her. (To paraphrase SoaringHurricane, to the people commenting about art commissions, frigging stop it. You are not fooling anyone. You're scammers. Everyone knows. Literally everyone knows. You wanna get blocked? Keep messaging me.)

Foreboding words on your arm side-story: Clarke is having difficulty with homework and her mates let the youngsters visit her to distract her. To the people continuing to post comments about art commissions, you know that you're not fooling anyone, right? Literally everyone knows that you're posting scams.

Clarke didn't believe that intentions mattered. And she was happy to let Natasha know. Especially after what she regarded as a betrayal. (Those that are messaging me about "comics" and "art," stop it. Knock it off. I know you're scammers. Stop it.)

Natasha was the only one that Clarke would kneel before and show fealty to. The only one. (Those that are messaging me about "comics" and "art," stop it. Knock it off. I know you're scammers. Stop it.)

Clarke and Natasha and the Barton family, chasing fireflies at night. That's it, basically. (Those that are messaging me about "comics" and "art," stop it. Knock it off. I know you're scammers. Stop it.)

During a party, Clarke decides to make use dancing with two of her other mates to make Natasha jealous. That's basically it. (Those that are messaging me about "comics" and "art," stop it. Knock it off. I know you're scammers. Stop it.)

Alpha/Omega trilogy. First part of the trilogy. All thirty of them realized this reaction was perhaps not a good idea, but then, they had reacted in response to their beloved's request. Clarke had wished for them to give her to their alpha underlings. And could they resist any plea from her?

She had no control around Natasha Romanoff. Clarke Griffin had realized this a long time ago. She had no control around Natasha Romanoff. The moment she saw Natasha? Her control was gone. And she was completely at the older woman's mercy.

"Foreboding words on your arm" side-story. Clarke Griffin is found in a very compromising position by Zachary Barton, and of course, he takes advantage, very eagerly.

Clarke had someone who was so much more precious than Mjollnir. Clarke looked over at where Natasha Romanoff and Maria Hill were talking at a table. She smiled. Well, two people who were so much more precious than Mjollnir.

Natasha will make sure that Clarke accepts that she has a home now. Even if that means she has to use the Barton kids against Clarke to do it. Natasha is good at manipulation, after all. (ficlets that are just unfinished things I came up with)

Clarke knew it was unreal for her, but she actually had a herd, now. And she would never give it up. A moment of domestic happiness between Clarke, Natasha and the Barton family. (This is just going to be a series of one-shots that were just small things I wrote that went nowhere.)

Yelena wants to Clarke to see her the same way Clarke sees Natasha. But she realizes it will take more than just her pleasuring Clarke in the bedroom.

"The Foreboding words on your arm" side-story. Clarke knows that it was a big mistake to agree to this. But hey, now that she's agreed to it, not like she can get out of it. But she isn't sure she wants to...especially when her mommy, Peggy, shows up.

Natasha smirked lovingly at her mate, and ready to display that she was just as primal as her lover was, she bent her head down, and she softly bit into the left side of Clarke's neck, forcing a moan from the younger woman in the Black Widow's arms. To feel Natasha claiming her, the way an animal would claim its mate, was a cocoon she would happily be enveloped in.

As usual, Clarke's mates want to have fun with her when they reach their beach house. But the youngest of their servants get there first. And well, what will the younger servants demand, as a result? (All the younger characters are aged up in this)

Clarke didn't know if she could trust her mates. But she wanted to. And when Natasha lifted her chin, making Clarke look at her, of course, she felt compelled to trust them.

Given all of Clarke's servants wish to please their queen, all of them will be taking turns. It just happens that Sif got the first taste.

beast runs to the forest after she spills the blood of hundreds. She will always be known as a beast. And unlovable. Roses being her only comfort. Until Natasha Romanoff enters her life. (Beauty and the Beast themed)

A "The Foreboding words on your arm" side-story. The youngest of the servants in the employ of Clarke's mates, have all gotten the highest grades for their exams in college. So, what will their reward be? Clarke has a pretty good idea of what that reward will be. All of the younger characters are aged up in this.

Part of a series of side stories of "The foreboding words on your arm." Clarke Griffin is going on a vacation with her mates, but her mates want to...spice up the trip to the beach house. Clarke is in for a very long and eventful drive. Full of...stimulation.

It was one of those days. Where Clarke was going to pleasured until she was unconscious, by every single person in the house. This includes the newest of Clarke's "lovers." Twenty-one-year-old Zachary Barton. (Takes place two years after "An afterwork treat." Everyone is an adult in this.)