It's a sad tale. It's a tragedy. It finally comes to an end the way all mortals' stories do, when Orpheus boards the train to Hadestown. But the end of one story could be the beginning of another… Hadestown has become a different place in his absence: a place where Orpheus and Eurydice just might find a second chance to build the life they never had. (CW: references to child death)

Post-turn, Orpheus can't stay with his memories and the bar he's called home, so he begins to wander. Jax and Hermes can only hope he'll find his way back.

Persephone is back home in time for spring and fall, and while she and Hades are battling their inner demons, things seem to be on the mend. But when two workers named Pirithous and Theseus take drastic measures to get her attention, Persephone learns her subjects are suffering too.

Set in All I've Ever Known, cannon compilant. Eurydice struggles upon deciding to stay and accepting she's in love with Orpheus I might be projecting but I think it looks cool

Eurydice is used to never having enough, or just enough to get by, and while the summer harvest brings plenty, winter brings famine. When she sees Orpheus struggling too, Eurydice considers who she was once and who she is now as she makes a fateful choice.

No mortal can be sentenced to eternity in the underworld if immortal blood runs in their veins. And behind closed doors, Hades transferred some immortal blood to Eurydice. Most men wouldn't want to raise a babe that wasn't his, but that's not Orpheus' way.

Ten years after Lindsey's journey to Hadestown, her brother Chibueze joined her. When he saw how Hades' ways changed his sister, he wouldn't take it lying down. Based on Chibueze Ihuoma's headcanons about his and Lindsey Hailes' workers being siblings.

An untold time after Orpheus's failure, Persephone is a permanent resident of the Underworld, and Hades works endlessly to make her love Hadestown and all he's done in her name. Based on cut lyrics from a 2014 Dartmouth workshop.

Reposted from AO3 Orphaned Account Eurydice finds Persephone in the heart of Hadestown, and Persephone finds comfort in a soul still so full of life.

Reposted from AO3 Orphan Account Eurydice likes being in control. Eurydice likes Orpheus. It’s only logical, then, that she’d like being in control of Orpheus.

Reposted from an orphan account on AO3 “I know for a fact that you can be a hell of a lot louder than that.”

Reposted from AO3 Orphaned Account How Reeve and Eva cope with Quarantine

Orpheus turned too soon, leaving Eurydice behind in the darkness. But even in darkness, songs are sung, and Hermes offers a choice and a box of matches. Based on the Edmonton version of Hadestown.

See, someone's got to tell the tale, whether or not it turns out well... Maybe it will turn out this time...

Orpheus grew up with a love of nature and music and a distrust of the industries of Hadestown, but he didn't know the complexities of Persephone's love for Hades until he felt love at first sight himself-and the desire to share your home with someone you loved. Based on the Edmonton version of Hadestown.

The Fates have served Hades faithfully, even as he turned them against one another and rotated them out in favor of new hires. When Eurydice is selected as a new Fate, the Fates realize their bonds run deeper than expected, and they'll do anything to keep their sisterly bond intact. Based on the Vermont version of Hadestown.

Jax's cousin John left for Hadestown with a note goodbye and a gently-used lyre left behind. Needing answers, a sense of closure, and hope for the future, Jax turns to Hermes and is given even more than he asked for. Based on John Krause headcanoning his chorus member as Orpheus's friend Jax and seeing him and Worker #3 as separate people.

Orpheus honed his musical talents from an early age, and soon found a dear friend in Chibueze, who learned from him and gave advice when he could. With winter coming on and Hermes having a lot of work ahead, Orpheus feels it's time for Chibueze's turn in the spotlight. Based on the National Tour of Hadestown.

Just as there will always be a Persephone, so too will there be a Clotho, Lachesis, and Atropos to determine her fate. This time, however, one will become the other. Based on Jewelle Blackman's performances as both Atropos and Persephone.

Spring has come again as the story resets once more, but the weight of tragedy runs deep. When Eurydice enters the bar with a red carnation in hand and a candle in need of a match, she finds Hermes needs hope for the future as much as she does.

Orpheus spends his days singing and working on a project that seems eternally stuck, but when the windswept girl enters the train station, she makes him feel alive in ways he never has before. Based on the London version of Hadestown.

Meet Orpheus from Greek mythology, and from the musical Hadestown. He is about to look back at his wife Eurydice, which will trap her in the underworld forever. This fate could have been avoided if he had a sassy gay friend. Written for April Fool's Day. (Rated T for language)

At the end of the show, Hermes reflects on why he keeps telling the story, even though he knows how it ends. To the tune of "Maybe This Time" from Cabaret.

Orpheus and Eurydice are alike in many ways and different in many others, but their deepest connection may be the shared fear of being alone. With a song for a better world in his heart and the terrible state of Hadestown in his mind, Orpheus can only hope what he has is enough to make her stay. Based on the NYTW version of Hadestown.

Persephone built her speakeasy to give the shades of Hadestown some respite from unending work, but that wasn't the only reason. The other reason, she reflects, is guilt in Hadestown's creation.