Réécriture de la scène dans la mini-série TV où Vera et Philip attendent, en peignoir, dans le couloir du manoir, tandis que les chambres des invités sont fouillées afin de retrouver un revolver disparu...

She hadn't wanted to at that very moment. She had been too terrified of what was happening to them on the island. But he made her. He made her. Then she found the gun so she shot him.

Fred Narracott, the ferryman, went to the island to collect his passengers.

Judge Wargrave became a murderer for real, setting up a game on an island far from land, isolating 9 other people who'd committed murders of their own. But what was the inspiration?

Vera Claythorne finds herself alone on the island surrounded by dead bodies, and all she wants to do is rest. Suddenly, a shadow of her past emerges from the darkness. Could they be the master behind all these murders?

get the pun! cause it's a murder mystery! well this is a super cool essay about And then there were none that i wrote... *WARNING: it makes you think, if you don't like enlightenment, then don't read this!

For years Emily Brent has preached the Lord, but when she set into motion an avalanche of events where she pushed a girl whom she loved, will she be ready to meet the Lord?

It was all so simple at first; Thomas and Ethel Rogers would kill their abusive and nasty employer, and they'd take the inheritance and bank it while keeping up with their work to stop the police from suspecting them. But rumours abounded, and now their sins will be their undoing.

Philip Lombard was as amoral as Anthony Marston, but he was thoughtful, more cunning...and it ended in his death when he made the mistake - opening up to his killer.

Describe Vera Claythorne and you know she is cool, efficient, and thoughtful, the perfect description of a murderess. Will she crack?

Judge John Lawrence Wargrave always wanted to commit a great murder, and not just ONE murder, but a mass murder.

A long one-shot of the aftermath of the PLAY ENDING of ATTWN. Based the characterizations of Vera and Phillip off of both the script and off of myself and my SO, who played the characters in a production of ATTWN two years ago. Picks up right where the PLAY ENDING leaves off. Spoilers for the PLAY ENDING of ATTWN, and probably the regular ending of the book as well.

This is basically my twist on And Then There Were None by Agatha Christie. Basically the characters (all OCs) are Vampires and are put in a similar situation as in Agatha Christie's book. Rated for violence and language. First chapter is a short introduction. Then the real action begins MWAHAHAHAHAHAHAHA

"Stick with me." It was a new concept to Vera. Bookverse, playverse, AU.

Edward Armstrong miraculously survives Wargrave's attempt to kill him, leaving him and Vera Claythorn as the only survivors on Soldior Island. This story is based off the BBC mini series starring Toby Stephens as Armstrong and Maeve Dermondy as Vera Claythorn. Contains spoilers. I do not own the characters

Set after the BBC version ended. Philip Lombard survives Soldier Island and goes to New York after WWII. He returns to the mercenary life working for notorious mobster Frank Lava. He meets Katherine Lockwood who has her own secrets but skills that match his own. He had thought Death was for other people...but She comes in many guises and not always unwelcome.

Vera Claythorne and Philip Lombard have just discovered Dr Armstrong's dead body and face off against one another: who is the killer? This fic contains elements of the 2015 tv series, and the book. Nothing romantic or physical has happened between Vera and Philip prior to where this story picks up.

Philip and Vera get it on ;)

It was said that Soul Marks were something that had always existed in human beings, dark pigmentations of the skin that existed from birth, shifting by the age of puberty to spell out clear words: the name of one's soulmate… or one's last words. By the time he was 17, for Philip Lombard, both were to be true. Soulmate-Identifying Marks AU in canon with the BBC's adaptation

In the stories Vera Claythorne had once read to her young charge, the heroes always found love in the end. Love was a reward for good people. Vera knows she isn't a good person. But perhaps bad people deserve something too… if not Happily-Ever-After, then at least a consolation prize. (Contains Spoilers for "And Then There Were None.")

A modern-day adaptation of the Agatha Christie's "And Then There Were None". Disclaimers - Agatha Christie owns this story, Windmills of Your Mind belongs to Alan and Marilyn Bergman; The Stolen Child belongs to WB Yeats; and Ten Little Soldier Boys belongs to Septimus Winner. Contains strong language, sex scenes, and scenes of hanging which may upset some readers.

This is an AU alternative ending to And Then There Were None.

Everyone would see them hang for what they had done in the past, but death wasn't for them. They were two dark sinners who found each other, and this was their ending. Alternative ending for the 2015 BBC mini-series 'And Then There Were None'. Vera/Phillip romance.

A modern-day take on Agatha Christie's great novel. DISCLAIMER - I fully acknowledge that Dame Agatha owns this story.

...So she had misjudged. Lombard was not U.N Owen, and not only was U.N. Owen (the insane creator of this sadistic game) still very much alive, but he was the only one in this house with her. Or, what would happen if Vera Claythorne had not hanged herself?