When Santana is forced to participate in a project her best friend started, she meets an intriguing blonde and slowly but surely falls in love with her. [Originally by GermanBrittanaHolic, edited by me for grammar/clarity. I own nothing.]

Brittany has a crush on the woman that comes in every day for coffee but will she be able to get her to open up and drop her guard?

Santana Lopez reluctantly agrees to a blind date orchestrated by her friends. Little does she know that this encounter will lead to unexpected discoveries. AU! Genderswap Brittany.

Faberry. A night out at a club finds Quinn Fabray in a unique situation with the next heir to the Vampire Throne - Rachel Berry. Rachel is drawn to Quinn but doesn't quite know why. She will do everything she can to make the blonde hers. Is Quinn ready for everything the supernatural world has to offer?

After leaving juvie, Mateo is determined to start fresh. Trying to stay out of trouble, he joins his school's Glee club at his sister's behest. Over time, music helps him open up and find a sense of belonging. Through friendship, performance, and self-expression, Mateo begins to heal, proving that even after a rough start, everyone deserves a second chance.

Sebastian Smythe and Hunter Clarington can’t stand each other — and they’re not afraid to show it. Both want the other out of the Warblers so they can shape the vocal group into their own vision. But after Hunter saves Sebastian from a horrible experience, the two are forced to see each other on a deeper level — and to their surprise, they don’t hate what they find.

Finn really needs to figure out where the hell he stands when it comes to Rachel Berry

Puck, profoundly impacted by the war in Ukraine and the COVID-19 pandemic, returns to Lima as a broken man afterward.

After Puck dies, he protects Kurt's daughter Tracy from Blaine.

Puck has suffered two strokes. The first occurred during Tracy Anderson's fifth birthday, and after that, he is confined to a wheelchair. His love for Tracy, the girl who never saw him as a loser the only thing keeping him going.

Puck clings to Tracy after Beth dies from COVID-19. Quinn fights for Puck's heart, only to discover his heart belongs to Tracy. Then Puck adopts a girl he met at the hospital.

Her dad is gone. Shelby Corcoran is suddenly in charge. The house is too quiet. Grief doesn't listen. And Shelby—when she finally shows up—doesn't say what Rachel needs to hear. But something's shifting. And Rachel's not sure if it's too late, or just finally beginning. HS-AU.

After COVID-19 changes everyone's lives Puck proves to be the rather thin can't and saves Tracy Anderson from growing up in an abusive home

Puck is dead and haunting Kurt.

Puck is blind, and Tracy, Kurt's daughter, is helping him with it

Kurt kisses Puck at Blaine's funeral and changes his life.

AU, where Blaine abused Kurt, Kurt gave Tracy to Puck and Quinn, and Puck makes sure Blaine never hurts anyone again.

Puck is injured in an accident and clinging to Kurt's daughter Tracy because he only remembers Beth as a baby.

What if Rachel is a new student at Mckinley High and will form New Direction because of her. Rachel goes through a life changing situation with her glee club and finds love she never expected

Puck tries to help Kurt leave Blaine.

After her failed reunion with Rachel, Shelby opens her heart and home by becoming a foster parent, specialising in teens. Rachel gets pregnant, not Quinn. Quinn is dating Finn but who knows? inspired by Bodge's fic "Finding Home"

AU, where Kurt and Finn died, and Burt bonds with Puck and Blaine.

Quinn had another car accident, and Puck left only to return five years later.

Quinn is kidnapped and tortured while being held for ransom. Puck tries to find her several times, but every time he gets close to saving her she is moved. Warning mentions of rape.

A sequel to 'Don't Stop Believin', set at the end of an alternate season 6. Rachel Berry's Broadway dreams are coming true. But just as she has reached the pinnacle of her career, an unexpected rift with Finn leaves her questioning whether Broadway is enough for her or if she desires more in life than being a star.